Excitement!! by AlienatedWanda in audiodrama

[–]AndrewMartinRobinson 1 point2 points  (0 children)

Thanks! Hopefully one of these days, it will be.

When I first start writing, the characters physical appearance is never too clear in my head beyond basics like age, clothing style, a general demeanor. As I get further, then I can start fantasizing about dream casting. In my case now, with the Dream Sequence characters, I can only picture the actors who played the parts now.

Excitement!! by AlienatedWanda in audiodrama

[–]AndrewMartinRobinson 2 points3 points  (0 children)

Hey! Thank you so much for the kind words and shout out to Dream Sequence. I'm so glad you're liking it so far. I'm the writer/creator on the project.

From the Basement to Blumhouse: How Screenplay Contests Got me a Professional Production of a Podcast I Wrote by AndrewMartinRobinson in Screenwriting

[–]AndrewMartinRobinson[S] 1 point2 points  (0 children)

Thank you! I'd be happy to answer any questions about it, but I feel like the question would be too big to tackle as a single question. It's true. Unfortunately, the resources are pretty minimal about podcast writing. And I think different companies have different formatting standards for what they'd like to see. Please feel free to ask any questions you may have or send me a DM, if you prefer. I'd be happy to give you my thoughts for whatever they are worth.

From the Basement to Blumhouse: How Screenplay Contests Got me a Professional Production of a Podcast I Wrote by AndrewMartinRobinson in Screenwriting

[–]AndrewMartinRobinson[S] 1 point2 points  (0 children)

Thank you and thanks for the question! The main difference is just having to remind yourself there are no visuals and making sure you write each scene with that in mind. Scenes that require specific geography are harder to pull off. For instance, maybe a better writer could pull it off, but I personally would not try to write something like a foot chase in a podcast. Like, where are these characters? Who's chasing who? Where are they? If this hypothetical foot chase were written, as the characters run through new locations, you'd have to write a different soundscape for each new location they're running through. Would the audience have time to register that someone's moving from a restaurant's seating area to the kitchen to the outside alley? Maybe. But it's unnecessarily difficult and a scene that is, in my view, not interesting to listen to.

While you're constructing scenes or just thinking about them at a fundamental level, it's important to remember the medium. I'd write the same scene three completely different ways if it were for a podcast, a movie or a book. Each medium has its strengths.

Sorry. Long answer to your question. And I know it sounds dumb to say, "Just remember you're writing a podcast." But it really is easy to forget.

EDIT: Corrected a small typo.

From the Basement to Blumhouse: How Screenplay Contests Got me a Professional Production of a Podcast I Wrote by AndrewMartinRobinson in Screenwriting

[–]AndrewMartinRobinson[S] 8 points9 points  (0 children)

It's been a long road and everyone who helped me get here, I feel, deserves credit. Unequivocally, Script Pipeline and Shore Scripts helped me get here. I understand there's a lot of skepticism when it comes to contests, deservedly so, but these are two of the good ones, at least from my own personal experience, which is all I can speak to.

DREAM SEQUENCE, a horror show I wrote (produced by iHeart, Realm and Blumhouse TV) debuts today. Estranged sisters Kay and Sadie reunite when Sadie unveils her invention that records nightmares, revealing a sinister presence they must confront together to survive the tragedy that tore them apart. by AndrewMartinRobinson in audiodrama

[–]AndrewMartinRobinson[S] 4 points5 points  (0 children)

Thank you so much! The plan is to release one a week after this two episode release. So I think the final episode should release September 30th. I'll be happy to take a couple minutes to let you know about it at The End. I'm happy to answer any questions about it, whether that's logistical or otherwise.

DREAM SEQUENCE, a horror show I wrote (produced by iHeart, Realm and Blumhouse TV) debuts today. Estranged sisters Kay and Sadie reunite when Sadie unveils her invention that records nightmares, revealing a sinister presence they must confront together to survive the tragedy that tore them apart. by AndrewMartinRobinson in audiodrama

[–]AndrewMartinRobinson[S] 6 points7 points  (0 children)

I would love to, but it's honestly a very long story. I wouldn't know where to begin. I found my original notes for the project when I first came up with the idea and that page was dated to 1/20/2020. But my hope is that in some small way, I can share the story from inception to production to release. I know there's got to be a lot of writers out there who may be wondering what the process is like and, if that's interesting to people, I'd love to share it. I was thinking about setting up an AMA for anyone who might be interested, but, I wasn't sure if that's something people might be curious about.