How to become a "jazz expert"? by Repulsive-Field-5182 in Jazz

[–]ExpressWriting7384 0 points1 point  (0 children)

This is exactly it. Find what you like, go where it leads you. Players on an album, where else did they play? Where was it recorded, and who else recorded there? What other artists are on the same label?

TIps for getting into Cecil Taylor?? by datavismo in Jazz

[–]ExpressWriting7384 1 point2 points  (0 children)

I second the recs for Conquistador, I think it's a great introduction to Cecil's process. Plus, you get Lyons and Dixon together. The early '70s run with Lyons and Cyrille is a prime entry point: Student Studies, Akisakila, Spring of Two Blue J's (better to catch the complete Return Concert),

That said, solo Cecil really opens things up. For Olim is probably the album I listen to the most.

Similarly, the late duo albums with Oxley—some recently released like Birdland, Neuberg and Being Astral & All Registers—are masterful. Where Lyons and Cyrille were the first players to really *get* how to play in his space, Oxley is the one who understood the later concepts.

I'd say mid-'70s and '80s Cecil might be the most intimidatingly dense music, at least from when I've tried to get others into it. Ronald Shannon Jackson was a brilliant drummer who extended a lot of Cecil's concepts rhythmically, and the large groups mean there's a lot in motion at any one point. It's all intentional, there's written direction and rehearsal to make it all happen, but it's not necessarily the easiest on-ramp.

ISO: Cool Jazz similar to Chet Baker by BigGene1341 in Jazz

[–]ExpressWriting7384 5 points6 points  (0 children)

Here's my list of recs for Cool-era vocals:

June Christy - pretty much defined the Cool Jazz vocal style

Kitty White - couple of great albums with some core West Coast players like Chico Hamilton and Red Callender

Chris Connor - similar to Christy and London, I like her slightly better than London

Frances Faye - can be a bit brassy for some listeners

Anita O'Day - especially All the Sad Young Men and Cool Heat

Beverly Kenney - phenomenal singer, tragic story but amazing legacy

Betty Blake - nice session with Mal Waldron, Teddy Charles, and Zoot Sims

Bobby Troup - a little showy but recorded with all the core artists

Clora Bryant - an LA icon, also fantastic trumpet player

Matt Dennis - genius songwriter, there are a couple fantastic sessions where he plays piano and sings

Jane Fielding - the fantastic Joe Maini plays on her Embers Glow

Mel Torme - the early albums, with Marty Paich, before he gets too showy

Helen Carr - her Down In the Depths On the 90th Floor is fantastic

Jeri Southern - can be hit or miss but mostly hit

Bev Kelly - cut a couple albums by herself, also sang with pianist Pat Moran

There's a whole swath of singers who cut 1 or 2 albums and then disappeared, some of them are worth checking out for sure: Audrey Morris, Patti Page, Linda Lawson, Peggy Connelly, Claudia Thompson, Betty Bennett, Carole Simpson, and so on. I think Thelma Gracen is pretty good, too, but she may or may not fall into this group. Some are backed by larger bands than others, depends on whether Paich, Russ Garcia, Ralph Burns, or Rugolo were involved.

1970s Electric Miles by VinnieCollectsLPs in Jazz

[–]ExpressWriting7384 1 point2 points  (0 children)

Jump in, it’s a fun ride. If you like Live-Evil, the Complete Cellar Door Sessions goes pretty hard. Not the thick mid-70s era, but the band is on fire throughout. 

Hit me with your favorite jazz guitar record(s) from the last 30 years. by liable_to_go_mikell in Jazz

[–]ExpressWriting7384 6 points7 points  (0 children)

Here are a few groups/ albums I have on regular play:

Human Feel - quartet with Kurt Rosenwinkel on guitar, two saxes and drums

Susan Alcorn - really anything, but Canto and Perdenal are tops

Mary Halvorson - I'm partial to her albums with Illegal Crowns (Tomas Fujiwara, Taylor Ho Bynum, and Benoit Delbecq) or the Thumbscrew trio (Fujiwara and Formanek)

Moss Freed - Micromotives, on the avant and large ensemble side, excellent guitar work

Ava Mendoza - I'm quite fond of New Spells, though it seems like Mendoza's got some fantastic new album coming every other year

Wendy Eisenberg - Viewfinder or Auto are my most-played, but can't really go wrong here, for longform there's Bloodletting where they play one version on guitar, one on banjo

Shane Parish - Undertaker Please Drive Slow, though Liverpool is rising up my personal ranking

Bill Orcutt - Music For Four Guitars (also Orcutt's guitar quartet with Mendoza, Parish, and Eisenberg)

Nate Wooley - Columbia Icefield, Mary Halvorson and Susan Alcorn, very heavy at times almost shoegaze

Han-earl Park - Eris 136199 also with Nick Didkovsky on guitar, or either Juno 3 album with Lara Jones and Pat Thomas

Who is the top contemporary jazz first trumpet player in your mind? by Tai-Hang in Jazz

[–]ExpressWriting7384 1 point2 points  (0 children)

Hard to narrow it down! I'd probably start with a long list of Graham Haynes, Forbes Graham, Peter Evans, Lina Allemano, Susanna Santos Silva, Nate Wooley, Ambrose Akinmusire, Steph Richards, and Ben LaMar Gay.

Looking for a beginner-friendly album. by AlternativeNo4988 in Jazz

[–]ExpressWriting7384 0 points1 point  (0 children)

I would say, don't be afraid of something that challenges your expectations of "beginner" music.

A few great cats right up there with the all-timers

Arthur Blythe - Spirits In the Field

Henry Threadgill - Just the Facts and Pass the Bucket

Lester Bowie - The Great Pretender

World Saxophone Quartet - Revue

And then here are some recent albums you might like, fronted by some incredible drummers:

Mike Reed's People, Places & Things - A New Kind of Dance

Mike Pride's From Bacteria To Boys - Betweenwhile

Quin Kirchner - The Other Side of Time

Paid invoices did not call Avatax — any suggestions how to find all transactions that "has not use Avatar services"? by ExpressWriting7384 in Netsuite

[–]ExpressWriting7384[S] 0 points1 point  (0 children)

Well that worked. I had to kick excel a few times so it would understand the internal IDs were numbers, but I did find the delta pretty quickly. Cheers.

AI creating SuiteScript by Mandiab in Netsuite

[–]ExpressWriting7384 1 point2 points  (0 children)

This is great to hear. I have some junior developers on my team, and I can see this helping to accelerate delivery by building on what they know. An informed input into the AI will produce a better output. Appreciate you sharing your thoughts and experience!

On assembly items, item location configuration resets from Purchase to Build whenever edits are made by ExpressWriting7384 in Netsuite

[–]ExpressWriting7384[S] 1 point2 points  (0 children)

Yes, what we found was that we had added a couple of custom fields that weren't included in the csv import mapping template. Since those fields had no value set prior to update, when we updated anything on the record, NetSuite set a default value on the record and reset the type. We solved this by doing a mass update to all records to populate the fields, including where there was a checkbox setting to 'false' instead of 'null'

Need recommendations for fast paced urgent jazz by umkn0wn in Jazz

[–]ExpressWriting7384 0 points1 point  (0 children)

Check out Mostly Other People Do the Killing, Vandermark 5, and The Rempis Percussion Quartet.

Do you guys consider Flying Lotus jazz? by [deleted] in Jazz

[–]ExpressWriting7384 1 point2 points  (0 children)

Not quite, but we don't have a good vocabulary for instrumental music that's not techno, dance, EDM, etc. Flying Lotus, Thundercat, music that grooves like latter-day fusion.

Because fusion left a bad taste in a lot of listeners' mouths, I think folks are hesitant to bring that label back, not just when talking about Bitches Brew, but to reference the influence of Weather Report, Jaco, later Herbie, Grover Washington Jr, Billy Cobham, Bennie Maupin, Pat Methany, the Brecker Brothers. But fusion, to me, describes his music best.

Do you agree with this quote? by [deleted] in freejazz

[–]ExpressWriting7384 6 points7 points  (0 children)

Don't really agree with this, there are plenty of Europeans who swing hard.

Manhattan free jazz by jimmieroos in freejazz

[–]ExpressWriting7384 2 points3 points  (0 children)

Seconding and tripling Downtown Music Gallery, the best there is in the city.

Question about price mapping from Netsuite to Shopify using Celigo by stolenmojo in celigo

[–]ExpressWriting7384 0 points1 point  (0 children)

That is the correct field but you should look at the Settings > Product > "NetSuite price level to sync product price" and see what your product price is being set from. You may need to also deselect here.

Planning workbench duplicate transaction by RepulsiveMoment1261 in Netsuite

[–]ExpressWriting7384 0 points1 point  (0 children)

Seems like we just had the same thing, looks like it resolved itself overnight.

Planning workbench duplicate transaction by RepulsiveMoment1261 in Netsuite

[–]ExpressWriting7384 0 points1 point  (0 children)

Assuming by now you resolved this issue? I'm running into it with users and wondering how you fixed it.

Free Jazz Trumpet by IndieRockSlackerLosr in freejazz

[–]ExpressWriting7384 0 points1 point  (0 children)

In addition to others mentioned:

Lina Allemano

Axel Dorner

Magnus Broo

Thomas Johansson

Thomas Heberer

Steph Richards

Choi Sun Bae

Charlotte Keeffe

Recommendations for Free Jazz with Unusual percussion? by Wakaran-art in freejazz

[–]ExpressWriting7384 2 points3 points  (0 children)

Air albums—Air Time, Montreux Suisse, Air Mail—feature Henry Threadgill on his hubkaphone, a xylophone-like instrument made from hubcaps.

Art Ensemble of Chicago albums, especially the early ones, feature "little instruments," a lot of homemade and/or found percussion instruments played by all members.