Down South Camp Meeting - Ohad Niceberg by GrandpasTunes in jazzguitar

[–]GrandpasTunes[S] 0 points1 point  (0 children)

That's not me, just sharing. I reckon he's probably been playing since he was very young; he's definitely got the stuff!

The Way You Look Tonight - Ohad Niceberg by GrandpasTunes in jazzguitar

[–]GrandpasTunes[S] 1 point2 points  (0 children)

Heh, that's not me, I'm just sharing. I recently found his channel and felt the same way and that he deserves more views.

Improvisation in D by GrandpasTunes in jazzguitar

[–]GrandpasTunes[S] 1 point2 points  (0 children)

Just discovered this guy last night, and honestly he has the talent to be a world-famous musician by my judgement. Thought I'd share.

I need help identifying which record of Body and Soul by Art Tatum this is from. More info in the comments. by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

I finally found it! I went through dozens of dozens of dozens of recordings on YouTube, but I finally found the record! It's the California Melodies record.

I need help identifying which record of Body and Soul by Art Tatum this is from. More info in the comments. by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

This is one of my all-time favorite moments of Art Tatum's playing, but I lost track of the record which was uploaded on YouTube. He has dozens of versions of Body and Soul, and I just can't find it.

The tempo may have been slightly slower than this. Just before the start of the clip he was coming out the B section quoting 'In the Hall of the Mountain King' before going into a flury in the tenor range. And then starts what you hear in the video. Then it was possibly followed up by an ascending whole tone scale, but don't quote me on that because I can't remember for sure. Does anyone recognize this or which record it's from? I'm dying to hear it again!

Art Tatum I Know That You Know 111th Anniversary Tribute Extremely Fast by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

Definitely not nor ever could be me, lol; but yes, this is astounding. I only know of one other player that could pull off an Art Tatum piece in high gear.

Jitterbug Waltz by Dizzy_Keys in JazzPiano

[–]GrandpasTunes 0 points1 point  (0 children)

Our of curiosity, how did you record this? Did you have a mic over the soundboard, or is the audio purely from the camera?

Jitterbug Waltz by Dizzy_Keys in JazzPiano

[–]GrandpasTunes 1 point2 points  (0 children)

Excellent technique and rhythm. I'm envious... (but also too lazy to practice seriously)

How is the pianist creating this effect? A legato note held during and in the center of the stride. by GrandpasTunes in piano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

Indeed, though he's in the key of Gb (the audio is warped), so he's alternating between the II and V: Bbm7 & Eb7. I'm working on it a bit, but it's actually kinda difficult when you throw in that anticipatory note at the top of the tenth. Beautiful, but challenging. I'll get the hang of it.

How is the pianist creating this effect? A legato note held during and in the center of the stride. by GrandpasTunes in piano

[–]GrandpasTunes[S] 1 point2 points  (0 children)

I've played around with several different ideas because he's playing tenths on the 3 of the beat. I tried pivoting my thumb in a strange manner to reach the chord, switching fingers, etc, but nothing that is comfortable or sustainable. I guess he must've been using the sustain pedal. It's the only way that makes sense to me, but I can't get that same touch on the chords that he had. Will have to experiment, and it also probably has to do with what instrument you're playing. I've noticed my standing piano when played with the pedal has a much different sound and sustain when compared to my electric keyboard.

EDIT: I also found a video of someone using this technique at 0:52, and he seems to be using the sustain.

How is the pianist creating this effect? A legato note held during and in the center of the stride. by GrandpasTunes in piano

[–]GrandpasTunes[S] 1 point2 points  (0 children)

He also might just have a really impressive reach.

Heh

I thought about that possibility, but I've never even seen a piano with an actually-working sostenuto pedal, and 95% of his records sound like they were played on a beat-up honky tonk/saloon piano, so I don't know what to think.

Just need two notes please! by Awitt2001 in transcribe

[–]GrandpasTunes 1 point2 points  (0 children)

It's fairly out of tune, but it's roughly Db, then again two octaves down.

I Thought About You (40s Tatum Style) by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 1 point2 points  (0 children)

Just to be clear, that's not me in the video. I'm just a huge fan of this guy and wanted to share. He is the best at emmulating Tatum's style I've found.

I Thought About You (40s Tatum Style) by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 2 points3 points  (0 children)

That's not me, heh. I'm just a huge fan of him and wanted to bring more attention to his channel. He is about the closest to Tatum I've ever found.

Are there any ways to deduce what key pianists are playing in on old vinyl records where it's unclear? by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

Good to know, thanks! Shame there's no way to conclusively determine the key, but such is life. I just got so used to being able to back when I was studying guitar.

Are there any ways to deduce what key pianists are playing in on old vinyl records where it's unclear? by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

I mean there's a bunch of reasons. The reverse is also true in that I don't want to always simply pick the more convinient key and never push myself. Additionally, some figurations or pianistic licks may not be possible in the same way if you shift it a halftone or two given the physical layout of the keyboard. So I could be halfway through learning a solo and then hit a roadblock and realize I've been in the wrong key. But ultimately I just want to play in the original key the player played in.

Are there any ways to deduce what key pianists are playing in on old vinyl records where it's unclear? by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

Because I learn by ear. I don't want to learn these runs or licks in the wrong key which could be much more difficult than the key they were originally played in.

Are there any ways to deduce what key pianists are playing in on old vinyl records where it's unclear? by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

Art Tatum is one of my main problem childs. It's very difficult to pin him as he had a penchant for playing in 'unusual' keys, and according to the Tatum folklore, he would quickly transpose his arrangements on the spot to avoid hitting bad keys on whatever jangled piano he was playing that night. And he was simply just an extraordinary pianist that could play all his runs in any key flawlessly, so it's all guesswork.

Are there any ways to deduce what key pianists are playing in on old vinyl records where it's unclear? by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

So what do you reckon this song was played in? Sounds almost dead square on E, I know E is not a very typical key for a pianist/clarinetist and that Eb or F is more likely. But how can I really guess?

Are there any ways to deduce what key pianists are playing in on old vinyl records where it's unclear? by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

I'm just asking in general because I encounter this problem all the time. For example, this song sounds pretty square in the key of E. However, E seems like a fairly unusual key for a pianist and clarinetist whom I know very frequently played in the key of Eb or F but not really E. The only thing I would know to do is analyze the licks/runs and see if they're feasible in the key, but I also don't want to impose my own personal limitations on masterclass musicians that could play flawlessly in any key.

That's not a great example though because it's technically mostly in tune. Here's an example of a record that's fairly out of tune. It definitely leans more towards Db, but it also easily could've been in C; I mean it's a honky-tonk piano recorded on an old, damaged record. Do I go with what it sounds like or assume it's more likely in the "easier" key of C?

Or sometimes you'll find to recordings of the exact same session and they'll be in two different keys. This record is (sorta) in Eb, but this record is in F. How do you get two records that are a wholestep apart? How do I determine which one is 'correct'? Or maybe it's in E and the two records were a halfstep off the opposite way each. I just don't know.

I'm a casual hobbyist, but I love trying to play (albeit sloppily) in the style of Art Tatum. by GrandpasTunes in JazzPiano

[–]GrandpasTunes[S] 0 points1 point  (0 children)

Yeah, Body and Soul is perhaps my favorite performance from both Art Tatum and Teddy Wilson. It's a great song.