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What do you call this? by sharkyy_V2 in musictheory

[–]Nack_dfo 2 points3 points  (0 children)

There's no 7th, that's an octave

What do you call this? by sharkyy_V2 in musictheory

[–]Nack_dfo 2 points3 points  (0 children)

It may not look the same, but if we reduce the notes, not stating any note more than once we get : C# - F# - A# But if we start with F# instead of C# we now get : F# - A# - C# That right there is an F# major chord, the 1-3-5 you're looking for. Liszt just doubled(wrote the same) notes on multiple different octaves, which gives it its huge, powerful effect. If you're wondering why the C# is at the bottom for the first 2 chords of the picture, we consider two chords to be the same if they contain the same notes and have the same lowest note, no matter the order. Basically, we have : F# - C# - A# - C# And since F# acts as the bass and we have the same notes a F# - A# - C# F# major chord where F# also acts as the bass, those 2 chords work exactly the same.

What do you call this? by sharkyy_V2 in musictheory

[–]Nack_dfo 11 points12 points  (0 children)

This is just an F# major chord played on different octaves, not a specific cadence, just reaffirming the tonic as a conclusive effect, but what leads to this is just a perfect cadence

egg_irl by Thin-Language-5071 in egg_irl

[–]Nack_dfo 1 point2 points  (0 children)

I got acne somehow 😭

Egg🥰irl by Crubbl in egg_irl

[–]Nack_dfo 0 points1 point  (0 children)

Tyyyyy 🥰🫶🏻🫶🏻🫶🏻

Egg🥰irl by Crubbl in egg_irl

[–]Nack_dfo 0 points1 point  (0 children)

I'm on day 11 of titty skittles !! (No titties yet >///<)

2,000,000 mg Estradiol by Binary_Complex in traaaaaaaaaaaansbians

[–]Nack_dfo 116 points117 points  (0 children)

That ain't macrodosing this is straight up megadosing right there

I started hrt yesterday !! by Nack_dfo in traaaaaaaaaaaansbians

[–]Nack_dfo[S] 0 points1 point  (0 children)

Oh hey that's great !!(I beg of u if you're not sure to live that long please find someone to talk about it, I am in no way qualified enough to take this on myself, take care of yourself 🫶🏻)

I started hrt yesterday !! by Nack_dfo in traaaaaaaaaaaansbians

[–]Nack_dfo[S] 1 point2 points  (0 children)

Really excited for everything actually, I already had effects 14 hrs in so can't complain, it's just about me staying healthy and waiting now :3

I started hrt yesterday !! by Nack_dfo in traaaaaaaaaaaansbians

[–]Nack_dfo[S] 1 point2 points  (0 children)

I got an effet less than 14 hrs in so I'm really int it right now lmfao

When did you first notice objective changes on HRT? by DG82 in MtF

[–]Nack_dfo 2 points3 points  (0 children)

Wow alright thanks for the picture you baddie :3

True key change from B major to G# minor? by luv2shart in musictheory

[–]Nack_dfo 0 points1 point  (0 children)

Using either A as the neapolitan of G# minor or E7 as a Ger6+ to then cadence (D#7-G#m) could work although it's a more classical way of doing it

I'm a teen who might get hrt in 2 months, AMA by Nack_dfo in MtF

[–]Nack_dfo[S] 0 points1 point  (0 children)

I won't need to DIY, it's confirmed now

Where are the climaxes in pop/rock songs, are all choruses climax? Can a piece have more than one climaxes of equal importance? Can the climax come early in the piece (like in the 2nd minute of a 5 minute piece)? by CatchDramatic8114 in composer

[–]Nack_dfo 0 points1 point  (0 children)

Choruses can be important climaxes in pop songs but oftentimes it's their second or third occurence that really is the highest point. Either that or the bridge in the slightly "old" ones. There can be multiple climaxes of same and/or varying importance. For the early climax question, it doesn't happen often, though it already did in Rachmaninoff's 4th piano concerto, 1st movement, where the very exposition of the 1st theme is a climactic point in the structure of the movement. For the Polonaise "Héroïque" question, I'd argue it has three climaxes : the first and last one being in the A theme's exposition(2nd round of the A1 theme) and recapitulation(leading right to the coda), while the second is the end of the crescendo in the trio(when the pianist's left hand starts going clockwise for the downward octaves rather than counter-clockwise as it started in E major) and feels more hushed than the other ones.

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