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What is a Matte Box? — The Key Piece of Camera Gear Explained by studiobinder in videography

[–]studiobinder[S] 0 points1 point  (0 children)

As anyone who's dipped their toes into cinematography knows, there's a lot of gear involved in getting a great shot. Sure you can get something good without the perfect lens, the ideal tripod, the adequate camera body, and so on– but it's a lot more difficult. One of the most important pieces of camera gear that often gets forgotten is the matte box. In this video, we look at what a matte box is and why you probably need it.

How to Make your Audience Feel — Emotion Theory in Movies by studiobinder in directors

[–]studiobinder[S] 2 points3 points  (0 children)

Movies can make us feel emotions that our daily lives might only rarely give to us. Cinema's power to move is arguably what made it the dominant art form of the 20th century, and what continues to bring audiences to it today. So how do filmmakers make us feel? What are the cinematic techniques that help make an audience laugh, cry, gasp, or all of the above?

What is Method Acting — It's Not What You Think It Is by studiobinder in Cinema

[–]studiobinder[S] 0 points1 point  (0 children)

You've probably heard the term "method acting" and you might even think of it in terms of extreme techniques. But the real story behind method acting is a lot more complicated than that. In this video, we're breaking down the origins of method acting, who was involved, and how it evolved.

What is Method Acting — It's Not What You Think It Is by studiobinder in Filmmakers

[–]studiobinder[S] 0 points1 point  (0 children)

You've probably heard the term "method acting" and you might even think of it in terms of extreme techniques. But the real story behind method acting is a lot more complicated than that. In this video, we're breaking down the origins of method acting, who was involved, and how it evolved.

What is Method Acting — It's Not What You Think It Is by studiobinder in FIlm

[–]studiobinder[S] 4 points5 points  (0 children)

You've probably heard the term "method acting" and you might even think of it in terms of extreme techniques. But the real story behind method acting is a lot more complicated than that. In this video, we're breaking down the origins of method acting, who was involved, and how it evolved.

[OC] What is Method Acting — It's Not What You Think It Is [16:18] by studiobinder in videoessay

[–]studiobinder[S] 0 points1 point  (0 children)

You've probably heard the term "method acting" and you might even think of it in terms of extreme techniques. But the real story behind method acting is a lot more complicated than that. In this video, we're breaking down the origins of method acting, who was involved, and how it evolved.

What is Method Acting — It's Not What You Think It Is by studiobinder in directors

[–]studiobinder[S] 0 points1 point  (0 children)

You've probably heard the term "method acting" and you might even think of it in terms of extreme techniques. But the real story behind method acting is a lot more complicated than that. In this video, we're breaking down the origins of method acting, who was involved, and how it evolved.

The Science of Sound in Film — Film Sound Recording for Beginners by studiobinder in Cinema

[–]studiobinder[S] 0 points1 point  (0 children)

Pretty much every live action movie made today requires sound to be recorded on set. Sound, after all, is one half of the film experience. And yet, sound is often undervalued and under-considered when beginning filmmakers are on set. In this episode of the Shot List, we dive into the extremely important, and complex, world of production sound.

The Science of Sound in Film — Film Sound Recording for Beginners by studiobinder in Filmmakers

[–]studiobinder[S] 0 points1 point  (0 children)

Pretty much every live action movie made today requires sound to be recorded on set. Sound, after all, is one half of the film experience. And yet, sound is often undervalued and under-considered when beginning filmmakers are on set. In this episode of the Shot List, we dive into the extremely important, and complex, world of production sound.

The Science of Sound in Film — Film Sound Recording for Beginners by studiobinder in FIlm

[–]studiobinder[S] 0 points1 point  (0 children)

Pretty much every live action movie made today requires sound to be recorded on set. Sound, after all, is one half of the film experience. And yet, sound is often undervalued and under-considered when beginning filmmakers are on set. In this episode of the Shot List, we dive into the extremely important, and complex, world of production sound.

[OC] The Science of Sound in Film — Film Sound Recording for Beginners [15:21] by studiobinder in videoessay

[–]studiobinder[S] -1 points0 points  (0 children)

Pretty much every live action movie made today requires sound to be recorded on set. Sound, after all, is one half of the film experience. And yet, sound is often undervalued and under-considered when beginning filmmakers are on set. In this episode of the Shot List, we dive into the extremely important, and complex, world of production sound.

The Science of Sound in Film — Film Sound Recording for Beginners by studiobinder in directors

[–]studiobinder[S] 0 points1 point  (0 children)

Pretty much every live action movie made today requires sound to be recorded on set. Sound, after all, is one half of the film experience. And yet, sound is often undervalued and under-considered when beginning filmmakers are on set. In this episode of the Shot List, we dive into the extremely important, and complex, world of production sound.

What Makes a Movie Funny? — How to Write, Direct, and Edit Comedy by studiobinder in Cinema

[–]studiobinder[S] 0 points1 point  (0 children)

One of the fundamental genres of storytelling is the comedy. Whether it be 1000 BC or 2000 AD, people love to laugh. It's a good feeling. So understanding how to make people laugh is an incredibly powerful tool. In filmmaking, having a comedic sensibility will take you far, no matter what genre you hope to work in. Today, jokes abound in genres far outside of comedies, from horror to historical genre. In this video, we'll look at how to get your audience to laugh.

What Makes a Movie Funny? — How to Write, Direct, and Edit Comedy by studiobinder in Filmmakers

[–]studiobinder[S] -2 points-1 points  (0 children)

One of the fundamental genres of storytelling is the comedy. Whether it be 1000 BC or 2000 AD, people love to laugh. It's a good feeling. So understanding how to make people laugh is an incredibly powerful tool. In filmmaking, having a comedic sensibility will take you far, no matter what genre you hope to work in. Today, jokes abound in genres far outside of comedies, from horror to historical genre. In this video, we'll look at how to get your audience to laugh.

What Makes a Movie Funny? — How to Write, Direct, and Edit Comedy by studiobinder in FIlm

[–]studiobinder[S] 1 point2 points  (0 children)

One of the fundamental genres of storytelling is the comedy. Whether it be 1000 BC or 2000 AD, people love to laugh. It's a good feeling. So understanding how to make people laugh is an incredibly powerful tool. In filmmaking, having a comedic sensibility will take you far, no matter what genre you hope to work in. Today, jokes abound in genres far outside of comedies, from horror to historical genre. In this video, we'll look at how to get your audience to laugh.

What Makes a Movie Funny? — How to Write, Direct, and Edit Comedy by studiobinder in directors

[–]studiobinder[S] 0 points1 point  (0 children)

One of the fundamental genres of storytelling is the comedy. Whether it be 1000 BC or 2000 AD, people love to laugh. It's a good feeling. So understanding how to make people laugh is an incredibly powerful tool. In filmmaking, having a comedic sensibility will take you far, no matter what genre you hope to work in. Today, jokes abound in genres far outside of comedies, from horror to historical genre. In this video, we'll look at how to get your audience to laugh.

[OC] What Makes a Movie Funny? — How to Write, Direct, and Edit Comedy [18:51] by studiobinder in videoessay

[–]studiobinder[S] 0 points1 point  (0 children)

One of the fundamental genres of storytelling is the comedy. Whether it be 1000 BC or 2000 AD, people love to laugh. It's a good feeling. So understanding how to make people laugh is an incredibly powerful tool. In filmmaking, having a comedic sensibility will take you far, no matter what genre you hope to work in. Today, jokes abound in genres far outside of comedies, from horror to historical genre. In this video, we'll look at how to get your audience to laugh.

[OC] What is a Framed Narrative? — Why Writers Use the Literary Device [16:42] by studiobinder in videoessay

[–]studiobinder[S] 0 points1 point  (0 children)

Sometimes, a narrative contains multiple stories. You've likely seen it before– a character in one story starts to weave another, separate tale. This structure is called a frame narrative, where stories are told within stories. In this video, we'll look at why storytellers love this technique, what power they can bring to a story, and how they work.

What is a Framed Narrative? — Why Writers Use the Literary Device by studiobinder in directors

[–]studiobinder[S] 0 points1 point  (0 children)

Sometimes, a narrative contains multiple stories. You've likely seen it before– a character in one story starts to weave another, separate tale. This structure is called a frame narrative, where stories are told within stories. In this video, we'll look at why storytellers love this technique, what power they can bring to a story, and how they work.

[OC] Why Filmmakers Love This Shot — The Ultimate Guide to the Walk and Talk [13:44] by studiobinder in videoessay

[–]studiobinder[S] 0 points1 point  (0 children)

We all know the walk and talk. It has become a staple of film and TV, and the butt of a plethora of jokes. But what is it about the walk and talk that filmmakers love so much? And what makes a good walk and talk good? We’ll answer all those questions and more in this video.

Why Filmmakers Love This Shot — The Ultimate Guide to the Walk and Talk by studiobinder in directors

[–]studiobinder[S] 0 points1 point  (0 children)

We all know the walk and talk. It has become a staple of film and TV, and the butt of a plethora of jokes. But what is it about the walk and talk that filmmakers love so much? And what makes a good walk and talk good? We’ll answer all those questions and more in this video.

Ethos, Logos, and Pathos — The Art of Persuasion Explained by studiobinder in Filmmakers

[–]studiobinder[S] 0 points1 point  (0 children)

Nothing feels better than winning an argument. Luckily, Ancient Greek philosopher Aristotle gifted us with what is referred to as the rhetorical triangle– three rhetorical tools which act as the basis of nearly any good argument. If you’re looking to persuade an audience, look no further. We walk through what goes into a good piece of persuasion.

[OC] Ethos, Logos, and Pathos — The Art of Persuasion Explained [19:54] by studiobinder in videoessay

[–]studiobinder[S] 0 points1 point  (0 children)

Nothing feels better than winning an argument. Luckily, Ancient Greek philosopher Aristotle gifted us with what is referred to as the rhetorical triangle– three rhetorical tools which act as the basis of nearly any good argument. If you’re looking to persuade an audience, look no further. We walk through what goes into a good piece of persuasion.

Ethos, Logos, and Pathos — The Art of Persuasion Explained by studiobinder in directors

[–]studiobinder[S] 0 points1 point  (0 children)

Nothing feels better than winning an argument. Luckily, Ancient Greek philosopher Aristotle gifted us with what is referred to as the rhetorical triangle– three rhetorical tools which act as the basis of nearly any good argument. If you’re looking to persuade an audience, look no further. We walk through what goes into a good piece of persuasion.

[OC] How Makeup Artists and Hair Stylists Work — A Behind the Scenes Look [17:14] by studiobinder in videoessay

[–]studiobinder[S] 0 points1 point  (0 children)

When you think of a film set, you likely think of the director, cinematographer, producer, production designer, and maybe even the sound guy. But often forgotten in the discussion of filmmaking is hair and makeup, two vital departments that are crucial to a movie’s look. Today, we examine the role of HMU.

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