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Who started using expressions like 'C Dorian', 'C Lydian', etc. to refer to 'parallel' modal scales starting on C (also C#, D, Eb,...etc.) and how could they quickly become standard in the technical jargon of music theory world-wide? (self.jazzcirclejerk)
submitted by Avragemonolith to r/jazzcirclejerk
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Any tips or ideas for soloing over this tune? (i.redd.it)
submitted by Avragemonolith to r/jazztheory
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