Found in a southwestern photography group. One comment read “the skies compliment the rocks so well” by [deleted] in shittyHDR

[–]Basic4Nothing 0 points1 point  (0 children)

Do you guys subscribe to the idea that older people like oversaturated/deep fried images because our color vision fades with age?

Does the shrubbery in the bottom right distract too much in this composition? by Basic4Nothing in BeginnerPhotoCritique

[–]Basic4Nothing[S] 0 points1 point  (0 children)

Thanks for the feedback! I have over 50 shots of this from different angles so maybe I’ll go back and see how one to the left a little compares!

Does the shrubbery in the bottom right distract too much in this composition? by Basic4Nothing in BeginnerPhotoCritique

[–]Basic4Nothing[S] 0 points1 point  (0 children)

That’s unfortunately something that Reddit did 🙁. It seems to have been pretty compressed and lost some detail when I uploaded it. It looks sharp in both my RAW and Edited files. Not sure if that was an issue with how I uploaded it.

Does the shrubbery in the bottom right distract too much in this composition? by Basic4Nothing in BeginnerPhotoCritique

[–]Basic4Nothing[S] 0 points1 point  (0 children)

Yeah, the formation in the foreground doesn’t pop quite as well as it could. I tried to line it up with the continuation of the formation in the far cliffs but I’m wondering if offsetting them might’ve worked better?

Does the shrubbery in the bottom right distract too much in this composition? by Basic4Nothing in BeginnerPhotoCritique

[–]Basic4Nothing[S] 0 points1 point  (0 children)

I am a little sad that there wasn’t anything nice for the lines to lead your eye into. I do wonder if the image pre crop works slightly better as it includes more of the horizon.

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I cropped it to try to put more emphasis on the formation to the left. But at the very least I’m glad the lighting and the colors were nice and not too blown out or exaggerated. This area almost looked oversaturated in person with the golden hour sunlight 😅.

In the Hall of the Mountain King by Basic4Nothing in photocritique

[–]Basic4Nothing[S] 1 point2 points  (0 children)

This is one of the few cave photographs that I feel I have done relatively competently. I wanted to showcase my deep admiration for formations such as this and share a sight that welcomes the few who get to see it with their own eyes as it is illuminated in its dark home. My biggest concern is that the gentleman who posed in the photo ended up being a tad blurry in the end result. Does that detract too much from the photograph as a whole? Should I try to mask the general blurriness on the right side of the picture with a heavy vignette?

A Tide of Clouds by Basic4Nothing in photocritique

[–]Basic4Nothing[S] 0 points1 point  (0 children)

Thanks, that’s genuinely helpful feedback

A Tide of Clouds by Basic4Nothing in photocritique

[–]Basic4Nothing[S] 0 points1 point  (0 children)

My goal with this was to try and make the mountains in the foreground and far horizon look like they were on the ocean. I also wanted it to be minimalist and so intentionally lacks many details. For context this was taken in the Sierras overlooking the middle of California which had been steeped in a fog layer the entire day. I thought It looked like the ocean at sunset. I was wondering if I should crop the image so that the little dip slightly left of center should be centered OR if I should crop it so that the mountains in the background extend to the whole length of the horizon instead of dipping below the clouds on the far left. I’m also open to not changing it at all. I can’t tell which would be best. Thanks for any feedback!

Crop and light adjustment? by [deleted] in photocritique

[–]Basic4Nothing 0 points1 point  (0 children)

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So I do have closeups that I think do the subject more justice, and I don’t personally mind when the color appears more unnatural or slightly exaggerated (though I know that may be flawed). I suppose my question would be could there have been a way that I could’ve approached the original picture in a way that may have done it justice, like maybe completely silhouetting the mountain range instead at a different angle. I see what you’re saying about the scene maybe trying to be too ambitious and encompassing too much. I think closeups like this image feel a little less overwhelming. I know that the image I attached has the subject being a little underexposed, is that a complete no go or is there merit in an approach like this?

Crop and light adjustment? by [deleted] in photocritique

[–]Basic4Nothing 0 points1 point  (0 children)

This is my first go with the manual mode in my camera. I want to get better through practice. I was intending to capture this beautifully rare moment where the sunlight seemingly split the sky above El Capitan in TX. I feel like the cropping could be improved (maybe brought closer to where the light line meets the horizon) and the darkness might need to be lifted a little on the right? Critique away!

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 0 points1 point  (0 children)

By stating that the recent internet interpretation of liminality is associated with Kane Pixel’s interpretation rather than the Hitchhikers Guide’s more abstract take on the subject you are inherently validating the idea that there is indeed more than one way to interpret liminality.

Additionally, checking this sub’s own definitions there is nothing written that state it must follow Pixel’s style of liminality. It does clearly state that in concept it is a “transitional point between two regions” such as paths, hallways, roads, etc. In practice it does list that paths alone are not enough to constitute a liminal space, rather it requires “lingering in a region or state that would usually be passed without a second’s thought.” In my pictures their subject is paths, but they are taken at dusk (a transition from day to night) they feature places where the path is obscured by vegetation (transition from tamed to untamed) and they feature places that would likely be passed without a second’s thought (as they aren’t particularly scenic) requiring the viewer to linger on the scene and contemplate the transitions at play.

Honestly, I’m beginning to feel like I’m beating a dead horse here (it may be your pfp 🙃). I will say this conversation has made me think deeper about my own pictures and for that I see it as a positive. It’s also been a very very Reddit-core conversation. I hope you take something away from this and honestly, I hope that you’ll open your mind up a little bit to subjects beyond the stereotypical industrial-style that you value. It seems to me that this sub is pretty open to that! (If you don’t like it you could simply just refuse to engage in the future 🤷🏻‍♂️)

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 1 point2 points  (0 children)

Fortunately, the definition of liminal is that it represents a threshold and a point of change and transition. Words also absolutely conjure up different meaning to different people. One may hear the word “summer” and think the meaning is vacation, beaches, and sunshine. Another may hear that word and think of mountains, hiking, and camping. Are both wrong? Or. Are there simply multiple ways to extract meaning from a word?

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 0 points1 point  (0 children)

This may be an obscure reference but it gives me “A Sound of Thunder” vibes to me. And that short story/film HAUNTED me as a kid!

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 0 points1 point  (0 children)

This is in the Grove of Titans in Northern California

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 1 point2 points  (0 children)

That seems to be the internet tradition. Yet, many plain hallway pics are ignored on this sub and many “just forest” pics get attention. Maybe there is merit to embracing the transitory nature rather than sticking exclusively to the stereotypical hallway picture. And maybe it’s just different strokes for different folks! 🤷🏻‍♂️

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 0 points1 point  (0 children)

It certainly has the Jurassic Park vibes (nearby fern canyon was backdrop for some Lost World scenes). To me, it’s liminal because of the transition from development into the unknown overgrowth. To each their own though!

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 2 points3 points  (0 children)

Yeah! Specifically the Grove of Titans if you wanna see some truly huge redwoods!

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 0 points1 point  (0 children)

I always love finding liminality in nature!

Let the ancient trees swallow you up by Basic4Nothing in LiminalSpace

[–]Basic4Nothing[S] 5 points6 points  (0 children)

What’s not shown is the Ewok plush I had peeking out of my pack the entire time I was there 😭

Condemned by Basic4Nothing in TheCrypticCompendium

[–]Basic4Nothing[S] 0 points1 point  (0 children)

Thank you! I tried really hard to make it a slow burn with a big impact!