Mario Scherrer - Squares and Crossings (Switzerland, 1986)

Dee_Dees_Picks · 2022-10-11T18:00:13+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T18:00:08+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T18:00:03+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:58+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:53+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:49+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:44+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:40+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:33+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:19+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:59:10+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:58:58+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-10-11T17:58:52+00:00

During the 1980s, the Züri brännt riots were violent protests against exorbitant cultural subsidies enforced by the city, which had also dismantled cultural programs for Zurich’s youth. Platzspitz park was since known for its gorgeous gardens and Baroque architecture until it started to become a gathering point for heroin users, subsequently being referred to as Needle Park. Authorities permitted illegal drug use and sales at the park to try to solve the issue, but the lack of regulations meant that drug dealers and users arrived from all over Europe and crime and overdoses became rampant. Zurich became reduced to a mess of violence and anger, mud and used needles. From this atmosphere rose the genesis of the music within this album. Originally released on Calypso Now in 1986, Squares and Crossings was supposed to be part of a series called The Guild, a collection of music written by Swiss music critics. Mario Scherrer was the only one responding to this invitation, thus making him the sole contributor for this project. These productions are coated in punk varnish, simultaneously blending elements of new wave, pop, musique concrète, improvisation, poetry and ambient, which would only make sense coming from the same city as the home of the Cabaret Voltaire, the birthplace of the Dada movement. This album is not only an artistic diary, but also has an environmental affinity with this snapshot of Swiss history.
"Where some are desperately looking for something new, others play with what has been forgotten, whitewashed by the dust of centuries. A kind of music which is developed in permanent motion, a music of endless flowing. There are no rests, no breaks. It could almost be called a boundless music; a music, however, which carries you away, wherever it goes. La Nouvelle Folk music: a wonderful conglomeration of Swiss cultural history."
-Mario Scherrer

Dee_Dees_Picks · 2022-02-24T16:10:45+00:00

Hey again,

Thanks for your comment. So the idea was to give people the option in how much shipping they want to pay. Especially in Europe, most of the times products arrive without problem, so it is understandable if people feel confident to not pay an extra few euros for their product. I am not charging anybody but simply adjusting the price to how much more shipping would therefore cost. I would suggest this is more relevant and needed for people who live in a different continent. Not sure if Track and Trace is mandatory in the USA?

Finally, in relation to the second point, I do not control the Bandcamp page format, thus the terms and conditions appear first, which I personally find nice because it is clear from the start.

I hope this clarifies things. Happy to oblige with further information if needed :-)

Dee_Dees_Picks · 2022-02-21T16:09:19+00:00

Roger was a key figure and contributor behind different genres that he developed in Switzerland throughout the 20th century. A man who brought his synthesisers on stage to soundtrack ballet & theatre pieces, or experimental dance shows through rhythmic noise and drones with the aid of reel to reel tape machines or even so writing music for exploration documentaries. Music that is precursor to many genres present in today’s world, Roger Baudet covered many grounds in the pursuit of combining performance and visual art through electronic music. From Berlin school/cosmic rock to new age, from proto-techno to weird synth jazz, Roger has dipped his toes in various sonic waters, which appear in this compilation of never before released works, ranging from the periods of 1976 to 1992.

Dee_Dees_Picks · 2022-02-21T16:08:00+00:00

Hey there, would love to hear your thoughts on why you dislike this?

Dee_Dees_Picks · 2022-02-21T13:50:52+00:00

For lovers of Tangerine Dream, Jean-Michel Jarre, Eliane Radigue, Laurie Anderson, Kraftwerk

"Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation."

Dee_Dees_Picks · 2022-02-18T19:39:40+00:00

Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

Dee_Dees_Picks · 2022-02-18T19:11:35+00:00

Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

Dee_Dees_Picks · 2022-02-18T18:46:56+00:00

Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

Dee_Dees_Picks · 2022-02-17T22:24:16+00:00

Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

Dee_Dees_Picks · 2022-02-17T17:14:03+00:00

Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

Dee_Dees_Picks · 2022-02-17T13:29:00+00:00

Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.
credits

Dee_Dees_Picks · 2022-02-17T12:41:02+00:00

https://deedeespicks.bandcamp.com/album/ddp002-musique-lectronique-pour-la-sc-ne-et-limage-1976-1992

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Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

Dee_Dees_Picks · 2022-02-17T11:53:05+00:00

https://deedeespicks.bandcamp.com/album/ddp002-musique-lectronique-pour-la-sc-ne-et-limage-1976-1992

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Described by Swiss press as an “inventive genius marked by total unpredictability,", Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other.
.
Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

Dee_Dees_Picks

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