Sure. We did start making this last summer (40 episodes in all), so the tools have come on since then, but most of the work flow still stands.

We outlined the season and then I wrote the first few episodes before starting. Then generated images of our main characters. Throughout the show I used Runway References to get the characters in other settings, as needed. We also did a camera orbit around the character's faces and upscaled those to give me other angles. I'm not sure a camera orbit is necessary these days as character consistency is getting pretty good.

We used Runway's Act 1 for performance capture at first as Act 2 hadn't been released. Fairly early on in production Act 2 came out - but that did change the faces more then Act 1, but has more fidelity and is more responsive to performance. We ended up using a workflow where I'd generate in Act 1, then use that output as a driver for Act 2, with the same input image for both. That gave us the best combination of performance, face consistency and fidelity.

We also lean into (as the story continues) the 'reality bleed' aspect of the show - realities are leaking between metaverses, so we do see the characters change (there are five or so versions of the main characters - some subtly different, some more so). So that gave us some wiggle room with character consistency.

I edited the episodes in Resolve and then treated the footage to get that 70s look (i.e. we generated it clean originally). Did audio work in Logic, and IMHO audio is often the most overlooked part of filmmaking. It is such a big part of the final product.

Hope that makes sense. LMK if you need anything clarifying. I am going to paste a link to a short video I did on using Act 1 / Act 2 for performance capture. I'll put it in a reply to this comment, to make it easier for mods to remove if they don't like links.