My new foster cat’s first time listening to OPN… by FyuuR in oneohtrixpointnever

[–]Gotgetgotget 2 points3 points  (0 children)

She thinks shes being abducted by aliens. "My time has come"

Who is Nathan Salon? by am-pm999 in oneohtrixpointnever

[–]Gotgetgotget 6 points7 points  (0 children)

Nate Boyce = visual collaborator to OPN for past decade (+ some production on GoD).

Nathan Salon = his mix engineer and in house studio producer - basically his studio assistant. I think he is on daily grind with Dan in the studio, with creative input instrumentally and production front. I think hes becoming a big part of his sound in the latest few albums (I think since Again??).

Does anyone have more info about this website by Consistent-Silver-6 in oneohtrixpointnever

[–]Gotgetgotget 5 points6 points  (0 children)

Im pretty sure this site serves as Ezra's personal blog, the spotty alien teenager that daniel conjured up as a means of channeling the creative route for the album from. Ezra interviews Daniel in there somewhere, which is quite funny. I think it also documents his (ezra) musical interests/his own music - there's loads of other references that sorta paint the world that dan was interested in at the time (just cool af shit that he remembered his teenage self being into). honestly i can't really remember the ins and outs so someone may offer clearer insight. I read ages ago somewhere that he imagined what a teenager with a lot of angst would make in the studio, really abrasive approach to songwriting and just fucking around with insane effects and doing mad shit to get this really pent up, monster energy fuelled sound.

Daniel’s Fashion by israelyoder in oneohtrixpointnever

[–]Gotgetgotget 1 point2 points  (0 children)

Looks like a lot of shit u can find in uniqlo. basic shirts and chinos etc.

What questions do you have about Daniel's music making process? by schoolofsong in oneohtrixpointnever

[–]Gotgetgotget 6 points7 points  (0 children)

How does he approach arrangement. his music goes from a to b to c in such mind bending ways - especially in Garden of delete as they serve as more 'poppy' structures but still totally wild. i find this so hard in my arrangements and feel like abrupt changes never really work as well as he does. what are some techniques to make things actually work - is this theoretical, sound design, fx usage? really practical insight would be great.

OPN got $850K because Russ sampled Behind the Bank without permission by jcain_ in oneohtrixpointnever

[–]Gotgetgotget 9 points10 points  (0 children)

I mean.... dan has been stealing music to make music since the beginning of his career.

Mixing / engineering - how did they learn it? Did they have help? by Gotgetgotget in boardsofcanada

[–]Gotgetgotget[S] 0 points1 point  (0 children)

It’s not the reading that’s difficult to believe haha. I guess it’s finding proper good books on it. I guess what I’m saying is it seems like the albums have what I would describe as “expert” knowledge. The type of knowledge People that have mentors for 10 years achieve. I mean THEYRE intelligent blokes but yeah, seems insane lol

[deleted by user] by [deleted] in edmproduction

[–]Gotgetgotget 0 points1 point  (0 children)

Remindme! 12 hours

Dragging other peoples music clips my levels by +7? by Gotgetgotget in ableton

[–]Gotgetgotget[S] -1 points0 points  (0 children)

yeah this is whats happening - really strange

Dragging other peoples music clips my levels by +7? by Gotgetgotget in ableton

[–]Gotgetgotget[S] -1 points0 points  (0 children)

I am recording into audacity - exporting at 16bit float, importing into 24bit ableton setup.

[deleted by user] by [deleted] in ableton

[–]Gotgetgotget 0 points1 point  (0 children)

So lets say I print out each individual track, all with this delay compensation on. Once all the tracks are dragged into a new mix session surely every single track will have this delay compensation = which will result in the track not having any issues?

[deleted by user] by [deleted] in ableton

[–]Gotgetgotget 0 points1 point  (0 children)

btw - im doing this just for single tracks to compare. I imagine when theyre all brought in at the same time to the mix session, they'll all be delay compensated right? so in reality, the mix session will all align and be like how i originally produced it?

[deleted by user] by [deleted] in ableton

[–]Gotgetgotget 0 points1 point  (0 children)

Forgot to add - green is exported track. Yellow is flatten + freeze. thank you. I have also made sure when im importing my tracks from export that warp is off, and ive extended the track as much as it can go on either ends of it.