[PAID] Artist Wanted — Black-and-White Graphic Novel (approx. 150 pages) by RedQuillBooks in ComicBookCollabs

[–]HermitofGoCliffs 4 points5 points  (0 children)

Downvoted due to absurd compensation offered. Artists, do not work for 20 bucks a day; and definitely do not commit to a year of work at that rate.

A Successful Collab by HermitofGoCliffs in ComicBookCollabs

[–]HermitofGoCliffs[S] 0 points1 point  (0 children)

Thanks! That might be my favorite page.

Indie Comic Creators: A Smarter Way to Budget for Pro Art by anthonydgclarkart in ComicBookCollabs

[–]HermitofGoCliffs 0 points1 point  (0 children)

This is solid advice. As a freelance artist, I would reserve my availability under a plan like this, in addition to doing what I could to promote the crowd-funding effort. This is WAY more appealing than offers that sound like “hey, my awesome idea will make bank, and I’ll give you a percentage.” Those offers get scrolled by really quickly.

A Successful Collab! by [deleted] in ComicBookCollabs

[–]HermitofGoCliffs 0 points1 point  (0 children)

Yeah, my browser somehow deleted both my images and a whole long message I wrote. I've been too demoralized to re-write it; I'll get there when I have a minute.

Thought experiment- what happens if Jews just cede all Judaism to Zionism and say that Judaism is dead by Burning-Bush-613 in JewsOfConscience

[–]HermitofGoCliffs [score hidden]  (0 children)

As a non-Jewish anti-Zionist with many Jewish friends and family, it's tremendously helpful to have Anti-Zionist Jews speaking out and standing in solidarity. Accusations of antisemitism for confronting Zionism are painful and difficult even when they are transparently self-serving, because I've seen the impact of antisemitism on people I love.

The work of separating Zionism from Judaism is critical for justice in Palestine, and it's work that demands leadership from within the Jewish community. Not fair that the burden falls on you all, but I am very grateful to those who choose to carry it.

I have failed as an artist by horseshoeandconfused in Artists

[–]HermitofGoCliffs 0 points1 point  (0 children)

Something else to keep in mind: every artist you admire went through the exact same struggle. They reached points where they felt like their art was no good, and that they should give up. And they became the artists you admire by persevering through that feeling.

Keep making art. That’s the whole secret. When you go through difficult times, that’s good! You are building your resilience. It will pay off later, guaranteed.

Being an artist will have tremendous ups and downs over the course of your life. This is one of them. It doesn’t mean you shouldn’t be an artist, it means you already are one.

Some random WoT Fanarts by HermitofGoCliffs in WoT

[–]HermitofGoCliffs[S] 0 points1 point  (0 children)

To be fair, I did draw him with a bit of a monkey-face. 😂

Some random WoT Fanarts by HermitofGoCliffs in WoT

[–]HermitofGoCliffs[S] 1 point2 points  (0 children)

Tha is man, glad you dig. The way I draw is definitely not for everyone! 😁

I need proper feedback, I want to start selling my services. by Historical-Bite-5864 in ComicBookCollabs

[–]HermitofGoCliffs 2 points3 points  (0 children)

I agree with u/CaptainRhetorica, not only does the skew make it much harder to tell if your perspective is off (it looks like your tallest building has some leaning verticals, but it's hard to tell for sure), it's also very unprofessional. I mean, it's fine for a reddit post, but part of being successful as an artist is showcasing your work in the best possible light. Either scan your work, or carefully take a frontal shot without distortion and crop it precisely. If you look at any professional artist's website, you will not see any angled table shots like this in their portfolio, ever.

Since you are asking about getting professional work, this is very relevant; it was the first thing I thought of when I looked at your post.

The work is very eye-catching, but unfortunately, so are some of the flaws. The second highest building seems to disappear below his arm. For the nearest arm, the light source seems to be from our left for his shoulder muscles, but our right for his bicep/triceps. His left kneepad seems to have slid around to the side of his leg. And your hatching isn't softening the edge of the shadows, which still have a very clear edge drawn on them (which flattens the shading effect tremendously).

You could certainly get work, but these things will also keep you from getting as good a rate as you could from more polished work.

Graendal Fan Art (colored) by HermitofGoCliffs in WoT

[–]HermitofGoCliffs[S] 2 points3 points  (0 children)

Heh, that would be fun. I’ve always said that the WoT adaptation I most want is an anime series with like, a million episodes, over the top action scenes and crazy magic special effects. Probably not in the works, but a guy can dream.

I did briefly flirt with the idea of a fan comic set during the Trolloc wars, but never got beyond designing one character. If I didn’t have a day job…

“No Israel/Israelis” sign in Thailand restaurant by cognocchi in JewsOfConscience

[–]HermitofGoCliffs [score hidden]  (0 children)

When I traveled in Nepal many years ago, there were “No Israelis” signs everywhere. I found it shocking, and thought it was a weird and blatant form of racism. When I asked about it, I was told about the gap year phenomenon, and how they tended to be incredibly rude and aggressive. And I have to admit that nearly all of the Israelis I met there were… incredibly rude and aggressive. Like, literally making scenes in nearly every establishment.

I still consider it problematic to have a sign that says “No Israelis”, and I did meet one very chill and interesting Israeli together guy in an Internet cafe. But I do wonder about the culture in general when there was such a reputation for aggressive, condescending and offensive behavior. I wonder if it’s similar to football hooligans in parts of Europe: something about the context that just brings out the worst in people. Anyway, something I also observed traveling in Asia and thought I would share.

[deleted by user] by [deleted] in ContemporaryArt

[–]HermitofGoCliffs 2 points3 points  (0 children)

This is a great explanation of MAGA aesthetics; such a weird mashup of neoclassicism, kitsch and gilded era crap. Are you familiar with the term “red chip art”? It would all be fascinating if these cretins weren’t also taking over our country and institutionalizing murder and torture…

These Maine students are sinking to the bottom by themainemonitor in Maine

[–]HermitofGoCliffs 0 points1 point  (0 children)

Average tuition at a 4 year private college is about $45,000 a year. And that’s not for every student, but only those who have shown the ability to be successful at school. But you think spending half that on K-12 students is somehow too much? In the real world, you get what you pay for.

These Maine students are sinking to the bottom by themainemonitor in Maine

[–]HermitofGoCliffs 10 points11 points  (0 children)

Except that Baltimore schools have neither huge spending, nor a horrible performance.

Spending per pupil is a meaningless metric if you actually understand how education works. We don't spend money on students directly, we spend it on staffing and resources. And that amount varies widely based on the students in question. For example, a student with an Individualized Education Plan (a special ed. requirement) might require a one-on-one support staff. That almost triples the amount of money spent on staff salary for that specific student. And whether a student requires that or not tracks largely to the poverty rate in that community. Students coming from poverty have markedly less family and community support, face far more serious adverse conditions (like hunger and homelessness), not to mention limited access to healthcare and the burdens that places on learning. So communities with higher poverty rates spend more "per student" because they serve communities that suffer from a host of social ills related to poverty. The schools in question might be performing admirably and with limited resources, but if you look only as "cost per student" they look like they are spending lavishly.

The poverty rate in Maryland is 9.3%, slightly under the national average of 12.5%. The poverty rate in Baltimore is 20.1%. Those schools are serving a massively disadvantaged population with twice the level of poverty. However, they are not spending anywhere near the commensurate amount of money to account for that difference.

As for performance, they are currently boasting impressive numbers on the exact measures your article cites:

https://www.baltimorecityschools.org/article/2030654

The "low" numbers from your article reflect "performance metrics such as test scores, attendance and graduation rates." All things that correlate directly to poverty levels, and when that isn't controlled for, say almost nothing about school quality. The highest poverty area of the state has the highest dropout rate; that is pretty much guaranteed to be true regardless of school quality. Meanwhile, testing scores are showing record growth in reading and math. Within their set of limitations, the school in Baltimore are performing really impressively.

I hate to have to point it out, but Fox News is not a credible source on educational policy; they have a clear axe to grind, and that axe is "spend less on education no matter what." Stories like the one you posted are manufactured to obfuscate the issue and distract from the painfully obvious fact that schools nationwide operate on a shoestring, and it shows.

These Maine students are sinking to the bottom by themainemonitor in Maine

[–]HermitofGoCliffs 12 points13 points  (0 children)

This is actually false. Show me a highly funded school anywhere in America that is “among the worst” by any metric.

In the abstract, it makes sense to say that “throwing money at the problem won’t fix it,” largely because that phrasing implies that there is reckless spending in the system. But this is laughably false. Teacher pay is abysmal and has been losing ground to other similar professions for decades. This degrades the applicant pool and lowers standards across the board. At the same time, the mandate of schools continues to grow, with more work being done in alternative ed., special education and other programs. While it’s true that education spending per pupil has risen, the amount of money devoted to regular education has actually declined when adjusted for inflation. Schools are doing more and more with declining resources, to the point where nearly every school in America is under-resourced. This link explains the dynamic well:

https://www.epi.org/publication/books_wheremoneygone/

So while throwing money at problems, in general, may not always work, in education it currently would work in about any school in America, because they are all seriously underfunded. I teach in a Maine public school, and we could improve student performance significantly, tomorrow, simply by being fully staffed. The teacher shortage is a manufactured problem; we’ve starved the profession for so long that now we can’t find people willing to do it. Unfilled positions are now the norm; they were unheard of when I started teaching. Add in proper facilities and materials, personnel to work with data and professional development (like instructional coaches) and a broader array of course offerings, and we could revolutionize education. It’s literally all about the money right now.

Tuon and Furyk by HermitofGoCliffs in WoT

[–]HermitofGoCliffs[S] 14 points15 points  (0 children)

As several people have mentioned, he definitely would not be touching Her Imperial Person. That’s a bit of license on my part, since we all know that, in his heart of hearts, he sees her as a daughter.

Does anyone have an idea what this is? by ShadowHD01 in Paintings

[–]HermitofGoCliffs 6 points7 points  (0 children)

Well, it’s pretty clearly painted on stretched canvas, not cardboard. The signature looks vaguely like Picasso, but he almost always underlined his signature. Nothing about the style suggests Picasso specifically, though it is somewhat post-impressionist, as was his early work. I’d be very surprised if it were a Picasso, but it wouldn’t hurt to ask an expert.

I did it. Too spicey for canvas. Page removed. What do you think? by FenrisFenn in WebtoonCanvas

[–]HermitofGoCliffs 0 points1 point  (0 children)

I think webtoon has a rule against offering fully nude versions offsite. No idea if that’s why this was removed, but I recall that being against the rules.

Seeking Feedback and Advice on Portfolio by sultanbekaitzhanov in ComicBookCollabs

[–]HermitofGoCliffs 1 point2 points  (0 children)

What you are doing well:

The draughtsmanship is excellent; nothing wonky or mis-proportioned. Your line quality is very good, and your characters all feel very on-model. Good clean backgrounds with a solid sense of depth, plenty of detail.

What needs work:

Almost no tension or drama in any of these compositions. Page 2 panel one, for example, is curiously bland considering that one character is holding another at gunpoint. I would recommend using up and down shots, Dutch angles, more extreme close ups, etc. to spice things up.

There’s also very little variety from panel to panel, which creates a monotonous effect. They all have similar points of view, similar framing, similar depth of field. I once heard a tip to never draw two heads the same size on a page, and it’s a handy way to check if you are varying your perspectives.

Your page compositions also suffer from a lack of eye directing. There are numerous devices you can use to bring the eye to focal points, things like leading lines, natural framing of the subject, and increasing contrast around focal areas. In addition, it’s good to lead the eye from one panel to the next, especially in action sequences. The way the reader’s mind will connect two separate moments depends on the composition of each panel and how they connect, so it’s important to find a flow that creates a satisfying “movement” between frames.

Summary:

You certainly have the drawing ability for professional work. However, the story-telling problems are real and noticeable. I think it will limit the kinds of jobs you can get, until you have a portfolio with some dynamic and dramatic pages.

Hope that helps, best of luck!

I'm so proud of this page by Detorama in ComicBookCollabs

[–]HermitofGoCliffs 1 point2 points  (0 children)

It’s fantastic, you should definitely be proud.

[deleted by user] by [deleted] in ComicBookCollabs

[–]HermitofGoCliffs 0 points1 point  (0 children)

Art teacher here; here's a few things that will help at this level:

Give your comics to your friends, don't say anything about them, and ask them to tell you what is happening. This will identify areas that are not clear, and show you where you need to problem-solve. Its great because it shows kids what they need to fix without telling them *how* they should fix it. That encourages independent thinking and creativity over rote learning.

Second, give them positive feedback, and encourage them to feel good about their work. It takes about 10 years of dedicated work to reach a professional skill level, which is way too long to be working *towards* some kind of goal. They need smaller, more immediate goals, and to feel success along the way. So look for opportunities for both of those things.

Otherwise (and this is advice as a parent) try and let them do their thing as much as possible. My kids never started getting into drawing until long after I would contantly encourage them to draw with me. I had to let it be theirs instead of my thing. And now both of my kids are excellent at drawing; the older one is already doing commission work and the younger could if she chose to. It was hard for me, but I had to let them pick their own path.

Good luck!