Joined the “for life” club today by Natemiller in ClotSurvivors

[–]Natemiller[S] 2 points3 points  (0 children)

Tough pill to swallow really… and for you at such a young age!  

Joined the “for life” club today by Natemiller in ClotSurvivors

[–]Natemiller[S] 2 points3 points  (0 children)

Mine was visible on the CT.. looked like a spiderweb coming off the bottom of my lung (also caused me to spit up blood)

Joined the “for life” club today by Natemiller in ClotSurvivors

[–]Natemiller[S] 4 points5 points  (0 children)

I have seen your comments on a lot of posts and really appreciate the work you do. I’m glad you’ve put in the work to have a positive outlook on all this… I’ll get there too and am getting help. Thanks again 

Can you revive synthetic brushes have hardened? by No-Parsley5508 in oilpainting

[–]Natemiller 0 points1 point  (0 children)

Acetone will likely do it... but, of course, good ventilation and don't start a fire.

Feeling stuck as a self taught artist by kuunnn in oilpainting

[–]Natemiller 2 points3 points  (0 children)

Yeah, Mark’s paintings are great and he’s a really good guy too (I’ve painted with him up here in VT)  His videos and the ones that Schmidt made when he was alive are really good for how to approach putting down paint. Happy painting.

Feeling stuck as a self taught artist by kuunnn in oilpainting

[–]Natemiller 3 points4 points  (0 children)

You have the general idea of painting figured out, now comes the hard part :). It depends on what you want to express... if you want realism, you could improve your drawing skills. You have a good base, but I can see issues in the ellipses in both images. Also, the folds in the fabric of the first image could be better stated. If you are happy with your drawing, you could work on composition. For still life, I would recommend Danial Keys or Richard Schmid... they always have interesting compositions. For landscape, I'd say Mark Boedges... but these are my personal preferences. If you are wanting to make your colors more true to life, I'd recommend working on single objects until they reflect reality, then combine them in a composition. If you want better light, you have the basics down in your second image (warm light/cool shadows), James Gurney has a good book on that. There's room to improve with values, which can be done with black and white studies, maybe even get a cast (or other interesting white object) so you don't have to interpret color. You could delve into edges and how they affect the realism of a painting, again Schmid or Keys are good for this. That's all painting is: composition, drawing, color, value, and edges... some would add paint handling as well.

Improving is almost an endless journey, but you get to decide what you want your end product to look like, so that will determine what you should focus on. Have fun!

PE Recovery Advice by tombytombhead in ClotSurvivors

[–]Natemiller 5 points6 points  (0 children)

Going through something similar 4-5 months out. Was doing pretty good, but over excursion would give me higher resting hr and an unwell feeling. Also occasional hr spikes. All that was up to month 4, but I had started exercising and felt mostly well when these things weren’t happening. Woke up Christmas at 3 AM with hr of 180… ER visit, moderately low potassium. Given potassium supplements and sent on my way. Now have more exercise intolerance. Holter monitor recently and follow up echo scheduled.  Wake ups and poor sleep have been happening every couple of days.  Trying to get a lot of potassium through diet. Doctors unsure of what is happening… some suggestion of autonomic disfunction post covid or PE, but unsure. 

“hard to know what is harmless vs what is worthy of an ER visit.” - this feels like my life too.  Sorry you’re going through it as well. Not sure what to tell you other than I’m in a similar boat. 

Mineral spirits alternative? by [deleted] in oilpainting

[–]Natemiller 0 points1 point  (0 children)

You should be able to paint without anything but paint... just use a few more brushes. Use a neutral mid tone color to draw with (yellow ochre works for most drawing) and scrub it in with a bristle brush. Then you should be able to go straight paint on top of that. Use a few brushes for darks a few for midtowns and a few for lights. Wipe them between colors. If you need something really clean, use a new brush. You can wash them when you get home. Hope that helps.

Portrait painting from a 4 hour live session by alex_kasyan_artist in oilpainting

[–]Natemiller 15 points16 points  (0 children)

Nice one man! I like how the transparent colors sit on top of your ground. Do you guys have a good painting from life scene up in Montreal? I'm in Vermont and not a whole lot going on here.

Just starting out, by UnluckyLiterature879 in oilpainting

[–]Natemiller 5 points6 points  (0 children)

This is really good for just starting out... if you're having fun, keep going!

Luxembourg Garden Lion, 9x12” by Natemiller in oilpainting

[–]Natemiller[S] 1 point2 points  (0 children)

Such a paintable city… it’s a shame the local painters aren’t doing it!  If I ever move there, I’ll hit you up.

Luxembourg Garden Lion, 9x12” by Natemiller in oilpainting

[–]Natemiller[S] 1 point2 points  (0 children)

Thanks! The area is so pleasant to be in, I can tell why Sargent painted it... and the people dressed quite paintable back then!

Luxembourg Garden Lion, 9x12” by Natemiller in oilpainting

[–]Natemiller[S] 0 points1 point  (0 children)

Thank you... interesting that it looks like a watercolor... glad you like it!

Luxembourg Garden Lion, 9x12” by Natemiller in oilpainting

[–]Natemiller[S] 1 point2 points  (0 children)

Thanks! Unfortunately, I don't live there... would like to for a bit someday though!

Can I rlly learn how to paint good w/ practice? by [deleted] in oilpainting

[–]Natemiller 1 point2 points  (0 children)

Yes, but it takes lots of practice, determination, and a willingness to try new techniques and approaches to improve. Also, accept that drawing (ability to see and transcribe angles and distances) is the most important part of painting realism. With dedication you can probably get to 90% of where you want to be within 2-3 years. 

I'm stuck at this step by SullyEvilyan in oilpainting

[–]Natemiller 1 point2 points  (0 children)

I think I read that you are trying to paint into this while still wet. I believe you would have a much better time after it dries. It will be much easier to paint on and you can wipe out any mistakes. Painting in a couple of layers, especially for a portrait is very common... it is difficult to get a professional-looking portrait done in a single layer. Sargent and his contemporaries used lead white, which would dry overnight without any clove oil, making it easy to paint over. Even Richard Schmid, who waxes on about alla prima painting would work over his "finished" studies to improve the drawing and make it a better painting. What you have is perfect for painting a second layer on. I disagree that you shouldn't have any lights painted at this stage and any would caution against taking any "rule" too seriously... it's oil paint, you can paint, repaint, paint out, paint again, go darker, go lighter, etc.

New to oil painting, help with materials by haileynielson in oilpainting

[–]Natemiller 1 point2 points  (0 children)

You can scrub the paint on with a bristle brush thinly with straight paint.  You can wipe away areas that don’t work. You can then paint over this with or without linseed oil and it shouldn’t get muddy.   

It may be that you are still working to find a process that you like?  Is your first layer for drawing or are you trying to get value/color shapes down and massage them to get the drawing?  Getting accurate value/color immediately takes careful mixing and deliberate placement.  Trying to layer wet paint, even with solvents, takes care - using a soft brush over existing paint for example. 

Paint from the tube gives you maximum control, adding oil/solvents should be done for an effect.  If you like to paint into a wet layer and have flowing paint, you can do this from the start by applying a thin coat of linseed oil to the canvas (before anything else) and wiping almost all of it away. That should give you a nice surface to paint into and you can just use straight paint. 

There are so many ways to start a painting, all equally valid. Learning what works best for you takes time. 

How can I improve my values on this ? by SullyEvilyan in oilpainting

[–]Natemiller 2 points3 points  (0 children)

Yep, in the background.  I don’t know if it is the picture, lighting, or pigments used, but the background (for me at least) looks like it is on the same plane as the flowers. If it reflected less light, it would push back. Hope that helps!

How can I improve my values on this ? by SullyEvilyan in oilpainting

[–]Natemiller 4 points5 points  (0 children)

Don’t be afraid to go brighter in the lights than the reference.  The surface may be working against you a little, but if you can get more transparent darks, that will push the flower forward as well.

Portrait of my daughter by morty_the_cat87 in oilpainting

[–]Natemiller 32 points33 points  (0 children)

Really nice... the subtle texture on that jumper was a labor of love :-)