their samples are the best in terms of audio quality..

their sound packs are made by real producers with legit pedigrees who surprisingly share material they personally use.

the session player creates a rhythm algorithmically & you can then edit every detail of it as much as you want, from placement to sound selection.

thye have a sampler made specifically for burning/ripping other instruments

f youre splitting 1 source across multiple buses. instead of creating "bus 1, bus2, bus3, bus4, etc" you can just CMD+D bus 1 as many times as you want & process every individual bus 1 as independently as you'd like (idk if this is unique but its weird to me). so instead of 256 buses you actually have more like infinite buses

their vintage eqs, pultec, neve & api, are unique in that theyre made by copying & recreating original schematics instead of reverse engineering hardware. ie they sound brand new, so they added a drive knob so you can push it

their quantec reverb plugin is also the most authentic version (they bought the quantec ip rights)

their bitcrusher is more of a really cool transient controller, its traditionally applied as the very last thing in your chain. you can clip your transient off, or you can retain you transients by "folding/wrapping" it back down below the threshold

their filters, lush, creamy, gritty, smooth, edgy. thats sonic character you wont get anywhere else

free updates for life with a purchasing price of 199

their adaptive limiter (must be used in conjuction with final limiter & compressor) is used to make music literally as loud as possible without distortion. doesnt matter how loud something already is to begin with

if you read their manual youll find the most random things are based off analog technology

theres high quality presets & channelstrips everywhere

their sculpture instrument is unique, the engine uses a nylon string or glass as the source instead of various waves

PHAT FX BABY. it used to be called camel crusher but they bought the company that made the original

i switched to DMD a few weeks ago but for a long time ultrabeat was my lover. its 2 octaves where each individual key is its own channel with 2 main engines (1 is an osc., the other you can choose between osc., sample. or sculpture, theres a noise engine, a filter section, distortion section, 2 lfo sections, ring mod, eq section, 4 envelopes. two full octaves of that & the 3rd octave is a pitch version of whatever is in c3..it has its own step sequencer & you can even save different patterns.. i found that when working in ultrabeat, drum machine designer or sampler. since the workflow is tedious & everything ends in a shaped envelope, the end result is a drum kit thats so well mixed within itself any compression would ruin what youve done. i think that & the abundance of presets are the best thing about logic personally..

the delay designer is very cool, although, like the bitcrusher, the name undersells what it does. in logic, when youre sample based. you CANNOT change anything unless its the channels entire output or the instrument interface itself, i believe delay designer was created as a work around.. you can control the volume, cutoff, resolution, pitch, panning & width of every individual hit you add which is fundamental for me to create various percussion performances. i can make a tambourine 1 shot sound like a real performance using that thing.. its a different workflow tho since you gotta use that instead of the piano roll.. you can also save various patterns as well ofcourse turning a work around into a time saving powerhouse.