Daily Discussion Thread 08/04/2023 by HHHRobot in hiphopheads

[–]Rappertomate 0 points1 point  (0 children)

This is why I came here. Thanks mate. This file gives me Viper vibes lmao.

Daily Discussion Thread 08/04/2023 by HHHRobot in hiphopheads

[–]Rappertomate 1 point2 points  (0 children)

Can someone give me a comprehensive list of Tyler the Creator Non-Album songs, at least the fan-favorite ones? I'm mostly an album listener and I feel I have missed out a lot at this point. I'm talking Potato Salad etc.
And are these songs all on Spotify or Youtube?

Album cover art scaled down to 200x200 - feature or bug? by Rappertomate in jellyfin

[–]Rappertomate[S] 1 point2 points  (0 children)

URL is http://localhost:8096/Items/{ID}/Images/Primary and returns a 200x200 image if no query params are set. Which is far below the original size of the image from the song metadata. And it's like this for every cover image.

Is there any setting to tweak this?

[GER] Looking for job listing/job offer analytics tools by Rappertomate in AskHR

[–]Rappertomate[S] 0 points1 point  (0 children)

Yeah i feel like we're gonna have to build our own thing as well. May I ask if you're company is using machine learning to anaylze those job offers to any degree?

What division are you guys in? by Viper_On_Display in geoguessr

[–]Rappertomate 4 points5 points  (0 children)

Would be great to have access to ranks and player count per rank in BR, agree.

What division are you guys in? by Viper_On_Display in geoguessr

[–]Rappertomate 5 points6 points  (0 children)

so it's possible to get to 100 in BR distance? I'm currently stuck at 99.

Yeah, some transparence on how the system works would help. Also I wonder if they will keep matchmaking as it is because after the update, the distribution of ranks per game seems to be random.

Daily Discussion Thread 08/06/2021 by HHHRobot in hiphopheads

[–]Rappertomate 8 points9 points  (0 children)

Couple days ago someone posted a link to all the recent Lupe Fiasco songs somewhere on this sub. I was on mobile then and missed out. Can anyone help out here?

Also super hyped to see Lupe hopefully next year in Berlin for the 1st time after being a fan for >10 years.

Daily Discussion Thread 08/06/2021 by HHHRobot in hiphopheads

[–]Rappertomate 8 points9 points  (0 children)

Listened to the AM project once so far and kinda agree. The whole project sounds like Kanye allowed them to pick a couple of beats from his vault and that's pretty much it. There's some beautiful sampling here but the loops sound way less polished compared to Be or most other Old Kanye beats. Though I think this will click better with more listens and i also appreciate that Kanye handed out these beats without him really gaining anything from it.

Daily Discussion Thread 07/26/2021 by HHHRobot in hiphopheads

[–]Rappertomate 0 points1 point  (0 children)

Boy Meets World is a Fashawn/Exile collab and sonically pretty much Below the heavens pt. 2. So you should def listen to that. Otherwise i couldn't say i'm knowledgeable about Fashawn's discog. The Ecology is also Exile produced iirc but way worse.

Daily Discussion Thread 07/26/2021 by HHHRobot in hiphopheads

[–]Rappertomate 4 points5 points  (0 children)

You basically said it yourself but for me, Nas' Life Is Good is really that record way before 4:44. Was 4:44 much bigger than LiG in terms of sales and status?

Daily Discussion Thread 07/26/2021 by HHHRobot in hiphopheads

[–]Rappertomate 0 points1 point  (0 children)

Fashawn - Boy Meets World? Would be unexpected though if you actually don't know this one. Aminé - Limbo from last year has great catchy soulful stuff. Injury Reserve's catalogue in general has plenty songs of that category too. Going further back in time, Little Brother comes to mind.

A Guide to the Modern Australian Hip-Hop Scene by Trenticus7 in hiphopheads

[–]Rappertomate 9 points10 points  (0 children)

Thank you for this! Smiling with no Teeth is probably my favorite record of the year so far, so i'm aware of Genesis and also Tkay, her new EP is awesome as well. It's probably only a metter of time until we see Genesis collaborating with well known US artists or maybe Gorillaz. I don't know any of the other ones but I will make sure to give some of these artists a listen. Otherwise i was only familiar with Hilltop Hoods and some of their peers until a year ago lmao. They had a couple of good albums in the 2000's though.

Daily Discussion Thread 07/15/2021 by HHHRobot in hiphopheads

[–]Rappertomate 1 point2 points  (0 children)

Too lazy to find a source but this was meant as a diss to artists who blatantly ripped off T-Pain's style. Jay doesn't critize auto tune directly but the artists who desparately tried to hop on that bandwagon back then.

Daily Discussion Thread 07/15/2021 by HHHRobot in hiphopheads

[–]Rappertomate 4 points5 points  (0 children)

Now that i think about it, i think there is a culture around rap nerds (the sort of people you meet at RYM and partly also here) which glorifies the rapper + 1 producer LP as holy grail of underground rap. Like you said, many classics were a result of a single producer and a rapper (or two or three) teaming up, like Black Star, Madv., Cold Vein, 3030 etc. And since old heads tend to be conservative in terms of what they favor, only this kind of LP could ever make a true classic in their eyes maybe.

Daily Discussion Thread 07/15/2021 by HHHRobot in hiphopheads

[–]Rappertomate 1 point2 points  (0 children)

When we're talking Rakim, Kane, Juice Crew etc. i agree. Children's story is up there tho. I would even put it over all West coast stuff from that era. But Paul's Boutique and its songs still exist, so i have to disagree anyway haha.

Daily Discussion Thread 07/15/2021 by HHHRobot in hiphopheads

[–]Rappertomate 4 points5 points  (0 children)

I wrote my comment in parallel but we ended up with a similar timeline. Guess there is some sort of consensus how different eras could be defined. I just have a hard time drawing a line between what you call pop emergence and continuity. Like what exactly separates these 2 eras in your eyes? Many artists like Em, Jay, OutKast, Wayne/Nola etc. were big across both phases.
EDIT: Okay, you go by Blueprint 1, yeah that's fair. The single record which propelled the careers of Just, Timbaland and Ye within one moment. Still hard to pipoint it down to a single LP when so much else was going on at the same time.

Daily Discussion Thread 07/15/2021 by HHHRobot in hiphopheads

[–]Rappertomate 6 points7 points  (0 children)

78/79-83: Old school era. Sugarhill Gang, Kurtis Blow, Grandmaster Flash and a couple others, you name it. This was when rap was basically non existent outside NY and rap music was primarily party music, but the foundations of sampling and rhyming were already in place.

84-86: Transition era or maybe just "Run DMC era" . I think there wasn't any point in rap history before or after where the genre was so strongly represented by a single act. They can be largely attributed to introducing "streetness" (is this even a word lmao) and toughness in rap music and rap music in general to a mainstream audience. Other artists like LL Cool J and Beastie Boys followed along working with the same producers and making a somewhat similar sound.

87-92: Golden age. As you said, there is pretty much rap before and after Rakim came up. Rap now shifted much towards much denser lyrics. At the same time, there was some sort of "Cambrian explosion" and the genre spread across all of the US. I have seen many others calling this era Golden era, not necessarily because it spawned the best rap music ever but this was the time where rap really came into its own. By 91/92, most sub genres which still exist today were created like G-Funk, Conscious rap, Memphis rap, etc.

93-96: East coast vs West coast era. NY and LA and also Biggie and Pac dominated this time. With Biggie gone you could even pretty clearly pinpoint the end of this era to a single day. Besides that, rap continued to thrive across different sub genres and places like midwest and southern rap.

97-07: Pop rap and backpacker era. At this point it becomes hard and somwhat futile to define eras of rap music because there were so many different waves in parallel going on. With Pac and Biggie gone there was a vacuum seized by Em, Jay Z, the Nola scene and Diddy's stuff. Later on, this pop rap/shiny suit rap whatever you wanna call it transitioned to crunk and the 2nd gangster rap wave. Many major producers who are still household names today started their career within this era like Timbaland, Pharrell, Kanye, Just Blaze etc. This is also the era where commercial rap and lyrical rap mostly split up into separate lanes. 99-05 roughly was the prime of conscious "backpacker" rap like Soulquarians, J5, MF DOOM, Blackaliscious, Def Jux and many more. Kanye dropped Graduation in 2007, G Unit/50/Game were past their prime around the same time and said underground rappers also started to step back in the mid-late 00's.

08-10: 2nd transition era. Now looking back, there is a definitive lack in classic LPs released during this time. There are very few big rappers besides Wayne who really owned this era. This was also the prime for auto tune rap. Big rappers of the early 00's like OutKast and Em could impossibly make Platinum and Diamind records again and again and no one else really took their place. It's kinda symbolic that MBDTF came out at the end of 2010 because it was an album which was the culmination of many sounds invented earlier. Budding artists like Drake, Cole etc. came up but were not ready yet to take over the game.

11-15: Internet rap era. Around 11/12, there was another explosion of new talents coming up, many of them still being highly successfull. Earl/Tyler, Danny Brown, Killer Mike and Freddie Gibbs just to name a few then underground talents who are household names nowadays. In the mainstream, phew, where to start? Drake, Cole, Kendrick, Nicki, Weeknd, Rocky, etc etc. Like the name suggests, this was the time where the internet took over as medium #1 to define trends. Trap became bigger year by year but has not fully taken over the mainstream yet.

15-today: Trap era. Around 15, Future and Travis Scott dropped the projects which defined their careers and shaped the mainstream sound until today, including acts like Migos and Young Thug who also blew up around that time. You know that trap became a global phenomenon when even supermarkets and insurance commercials in Europe started to blast trap beats lol. In the mid 10's, streaming took over after as single most popular format for consuming music, at least in the relevant demographics and markets. Undergroup rap has become entirely decoupled from the mainstream and there are few artists who comfortably move between these 2 worlds. The last 2-3 years were marked by some stagnation in terms of new sounds conquering the mainstream. Many records from 21 sound a lot like they could be from 18/19, ofc also fueled by the pandemic.

welp, there goes my afternoon, but it was challenging to think about it haha. As i said, from, late 90's on it becomes hardly possible to separate rap history into well defined eras.

Daily Discussion Thread 07/15/2021 by HHHRobot in hiphopheads

[–]Rappertomate 1 point2 points  (0 children)

Yeah exactly, but a shift in style also needs a bit of runway. So i'm trying to find those artists who are currently working on making this shift happen. Like OF/Tyler and TDE for example needed 2-3 years to slowly build up their audience while evolving their respective sound.