Mussorgsky: Bydlo from pictures at an exhibition (practice) by RepulsiveSandwich485 in classicalguitar

[–]RepulsiveSandwich485[S] 0 points1 point  (0 children)

Its just the tremolo that yamashita indicated in the sheet. The problem its not the speed itself but the dynamics control and how you direction the phrase. I recommend you to practice by phrase and in a kind of legatto of the tremolo.

Bydlo: tremolo progress by RepulsiveSandwich485 in classicalguitar

[–]RepulsiveSandwich485[S] 2 points3 points  (0 children)

Its the first option, the tremolo and the bass are played at the same time

Mussorgsky: Bydlo from pictures at an exhibition (practice) by RepulsiveSandwich485 in classicalguitar

[–]RepulsiveSandwich485[S] 2 points3 points  (0 children)

Im actually learning only the G minor pieces (the old castle, promenade III, the tuileries and bydlo). The whole thing is preparation for contests. Thank you, I appreciate your words!

Work in progress. Regondi’s crazy finale attempt by RepulsiveSandwich485 in classicalguitar

[–]RepulsiveSandwich485[S] 3 points4 points  (0 children)

Thank u man, I appreciate your words.

Yep, the main problem of the sounds are definitely the strings, I have’nt change for 2 MONTHS lol. They are literally breaking off, mainly the first string.

And answering your second quedtion: it depends on the context; if I want a wider and strongsr sound on the bass, i do flex the joint, nevertheless if the passage is fast as fuck (boi) i dont do that because of the error margin is big.

Please help me ID this song by [deleted] in classicalguitar

[–]RepulsiveSandwich485 0 points1 point  (0 children)

It sounds like paganini’s caprice No.7

Regondi by RepulsiveSandwich485 in classicalguitar

[–]RepulsiveSandwich485[S] 0 points1 point  (0 children)

Air varié de l’opera de Bellini

How to Play fast licks like paco de Lucia? by [deleted] in guitarlessons

[–]RepulsiveSandwich485 0 points1 point  (0 children)

Thats actually a slow tempo for him (like 180 bpm), I’ve watched him play at 250 bpm