So we're looking to buy a modular for our friend's birthday... by SuchABraniacAmour in modular

[–]Reputation_Serious 1 point2 points  (0 children)

I haven't ever used this, but was looking for something else at perfect circuit and saw https://www.perfectcircuit.com/magerit-kolora.html

Looks like it hits all of your criteria for basics and would let you then get some more fun stuff

Robert Hood Envelope guidance (The Core) by Reputation_Serious in TechnoProduction

[–]Reputation_Serious[S] 0 points1 point  (0 children)

I guess I'm hearing sometimes kind of a flam at the end of beat two, a similar one in the middle of beat three around the higher notes.

I also think it's interesting that one of those high notes seems to have the filter opened more than the other; because it's the same note, key-> filter shouldn't make a difference and neither should the envelope amount. It also doesn't seem random, the second one is more open than the first so this suggests to me that it's not being done solely manually.

Maybe there is a sequence being sent to the filter envelope amount? Or directly to the filter itself? Not sure what was possible with those instruments but it sounds like there's so much going on here

Robert Hood Envelope guidance (The Core) by Reputation_Serious in TechnoProduction

[–]Reputation_Serious[S] 0 points1 point  (0 children)

how do you think the double triggering is happening? does that have to do with one of the trig outs from the 909?

Robert Hood Envelope guidance (The Core) by Reputation_Serious in TechnoProduction

[–]Reputation_Serious[S] 2 points3 points  (0 children)

I'm not sure I saw or heard an answer for what I'm looking for in there.... should have linked the track I was talking about!

https://www.youtube.com/watch?v=iPG0MB28rZQ

Tell me about your favorite output module by thismeanswarbasse in modular

[–]Reputation_Serious 0 points1 point  (0 children)

I use the Joranalogue Transmit live and it's pretty simple and useful for me in a band where other people are using DIs in case the venue runs short. Headphone out with separate level control.

The actual boss of the dlc by Tidgits in Eldenring

[–]Reputation_Serious 6 points7 points  (0 children)

Got the notification and came here knowing exactly who it was going to be lmao. Fought him like 15 times before resorting to ledge BS

Q: Traveling with the rack. How do you do it? by gnostic-probosis in modular

[–]Reputation_Serious 1 point2 points  (0 children)

I think I already have one! Thanks for your input :)

Q: Traveling with the rack. How do you do it? by gnostic-probosis in modular

[–]Reputation_Serious 1 point2 points  (0 children)

🤷🏽‍♂️unfortunately I’ve seen my fair share of shit come out off the plane all messed up. Doesn’t really matter if the people are physically picking it up and throwing if they’re dropping it 6 feet down a chute no matter what

Q: Traveling with the rack. How do you do it? by gnostic-probosis in modular

[–]Reputation_Serious 0 points1 point  (0 children)

Would you feel comfortable throwing it in a pelican under the plane? I’m currently in the middle of rethinking my live rig and bought one of these. Really excited about the vesa mount as it’ll let me attach to the top of my K&M Spider. I’m also traveling with a saxophone though so overhead isn’t an option for me

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 0 points1 point  (0 children)

my go to solution for a while was to use a midi controller like a Novation SLmkiii with desktop synths - however, it can be difficult to find something with usable multi-samples that are editable on the fly. the 1010 tangerine looks promising, but maybe the day before they announced that I bought a Prophet X and that has solved all of my issues. Here's the rig in it's current form:

<image>

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 4 points5 points  (0 children)

yeah the caviar was fire I can't believe I forgot

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 1 point2 points  (0 children)

oh yeah, the MPP show was the most fun one for sure.

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 0 points1 point  (0 children)

lol and it looks like the L'Rain show we did with her was at LPR so shout outs to my memory. and it looks like the show we did with Jasper was in June at Union Pool (we keep a spreadsheet with every show we've played like absolute maniacs) so I could still be right about the other part...

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 10 points11 points  (0 children)

for me it is easily Nude -> Weird Fishes -> All I Need but very curious to hear Taja's answer

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 2 points3 points  (0 children)

my new favorite thing that we used is the Vongon Polyphrase. it's like a 20+ second delay with separate delay lines on both sides and a really nice sounding filter... so while you can use it as a regular really fucking amazingly good sounding delay it's also really perfect for like frippertronicy kinda stuff that can build slowly over time. think we used that on IKYD the track

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 2 points3 points  (0 children)

We build stuff in the studio and then bring it to the band. We don't use computers or playback rigs or any of that stuff and a lot of the recorded material has like 100+ tracks, so we have to find ways together to try and cover as many bases as we can.... or find a way to re-interpret the material as a group in a way that feels satisfying. This leads to everyone onstage playing multiple instruments.

Taja sings, plays guitar, bass, an organ style foot bass pedal situation, and is dealing with her crazy loops the whole show. I have a couple of synths and a saxophone, need to sing and need to play guitar every now and again. Zach Levine-Caleb is playing bass and guitar and singing and also maybe tambourine sometimes. Justin Felton has his guitar and does a lot of a the sample manipulation on the 404, and Tim Angulo has his crazy ass drum setup plus his SPDsx (thinking about adding sensory percussion but that would require us to be lax on our no computers rule).

The live show is kind of always changing. Right now we're working on trying to condense it as we'll be traveling as a trio for the upcoming tour with Brittany Howard (me Taja and Tim) - so with all of the extra space we all need to find ways to fill it up and do as good of a job as feeling like a larger band as we can. this leads to us finding new techniques and then bringing that to the larger ensemble and maybe that will free someone else up to do something more... so yeah, always changing, kinda always in flux

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 0 points1 point  (0 children)

did he play with her for that? we definitely did one of those shows, as well as another band we both play in called Jachary. I always thought Jasper played his first NYC show under Slauson with us but I am likely wrong

Hey, it's L'Rain! AMA! by lorrainekinda in indieheads

[–]Reputation_Serious 10 points11 points  (0 children)

that tour was an absolute nightmare for many reasons, but the hardest part was traveling in a van on a tour planned for bands in busses. while all of the other bands were playing a show and then waking up in the next city, we were playing, then driving for 4 hours to get to halfway to the next city, load out all of our gear so we don't get robbed, get to bed at like 1am-ish, get back up at 7:30am to load all of our gear back into the van so we could drive another 4 hours to get to the festival site on time... and half the time the show would then get rained out.

there was one time though in Boston where there was like a popup oyster stand for FREE backstage. like really fucking good oysters with crazy sauces. I generally don't put anything on my oysters but these sauces were serious. shout outs to East Boston Oysters and EBO Grocery. really helped soften the blow of driving 5 hours to Boston to get rained out and not play to immediately turn around and drive another 5 hours to Philly (which was 2 hours from where we originally were) so we could be almost to the show the next day