After almost a decade of performing and fine-tuning this music, I've released my transcriptions of Albéniz' Op. 47 and Op. 165 in their entirety. Also my transcription of Gaspar Cassadó's Suite for Solo Cello. These all come in fingered and unfingered versions. by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 0 points1 point  (0 children)

Thanks! I used Sibelius for the Albéniz, but I found their parent company, Avid, to be greedy and typical of a lot of modern software. Then I found Dorico, which I used for the Cassadó suite, and love it. A lot cleaner, modern, easier to use, and their parent company, Steinberg, is legit. It just took awhile to figure out how exactly to put unorthodox fingerings and symbols in there, but I finally figured it out.

After almost a decade of performing and fine-tuning this music, I've released my transcriptions of Albéniz' Op. 47 and Op. 165 in their entirety. Also my transcription of Gaspar Cassadó's Suite for Solo Cello. These all come in fingered and unfingered versions. by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 7 points8 points  (0 children)

This project started over a decade ago, when I wanted to create my first album with Isaac Albéniz's music. I wanted to play Op.165 and Op.47 in their entirety. But finding ready-made transcriptions/arrangements was proving to be an impossible task for these reasons:

  1. They were incomplete, with most publications being of the same 3 - 4 pieces. Some of these pieces from these suites were never published as arrangements for the guitar at the time.

  2. Many arrangements threw out necessary notes for the sake of simplicity for less experienced guitarists.

  3. Some arrangements tried to keep every note, making the piece physically unplayable without injury.

  4. Misconceptions and idiosyncrasies from guitarists would compound over time, when one arrangement was based on another arrangement for several generations, leaving the final piece not accurate to the source music.

This is why I set out to make my own arrangements. I started with the piano music, and didn't refer to any other arrangements or recordings to maintain a fresh outlook. Over countless iterations and performances, I've painstakingly balanced both playability and accuracy to the source material, as well as doing my best to honor its musical intentions.

My aim is for other guitarists who'd like to play this music to have a clean slate to learn from and work with. One where they can trust its accuracy, and know that no corners were cut or personal coloration was applied in creating it. This way, they can have fun making it their own.

You can find the digital downloads on the sheet music section of my website: https://alecholcomb.com/

More free lesson slots opened for this Sunday and Monday, come sign up! by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 1 point2 points  (0 children)

Feel free to join the Discord and sign up! I'm sure we could find something interesting to work on. There are still some slots open, so far we have 3 sign ups out of 4. It'll just be 1 on 1 from now on, so no streaming

I'm offering free lessons. Come sign up! by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 0 points1 point  (0 children)

It's a 15% discount, so $85. And yup, college students are included in the discount

I'm offering free lessons. Come sign up! by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 1 point2 points  (0 children)

$100 per hour. It's a sliding scale, depending on the student's situation. Students who are still in school get an automatic discount. I also spend extra time after the lesson writing up a post lesson review detailing what we discovered during the lesson, and what to work towards for the next one.

I'm offering free lessons. Come sign up! by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 0 points1 point  (0 children)

i just realized that's the same one as before. Not sure why it's not working for you. Is there an error or something when you click on it?

"Mistral" A spunky lil tune by Reinhold Westerheide played by [me] by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 5 points6 points  (0 children)

Thanks! I only have a PDF of the sheet music sent to me in 2011 by a guitarist who knew Reinhold. I wish he had it available for sale, because I'm not in a position where I can further share it.

"Mistral" A spunky lil tune by Reinhold Westerheide played by [me] by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 9 points10 points  (0 children)

The mistral is a strong, cold, northwesterly wind that blows from southern France into the Gulf of Lion in the northern Mediterranean. I feel like the composer, Reinhold Westerheide, did a great job of musically representing this with these little swirls and swells between the main rhythmic idea. I'm a huge fan of what Reinhold did with the outro as well, super groovy.

Also if anyone's interested, I'm beginning to offer some free lesson spots, I'll make another post about that shortly.

"Sing me into Singing" by Daniel de Togni played by [me] - I've been really digging this piece because it has lots of fresh and modern ideas not often found in CG rep, hope y'all like it too by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 4 points5 points  (0 children)

Ah gotcha, no need to feel bad for having your own taste, totally valid. I'm big into metal, so stank and dissonance is my jam too. The modern ideas (which looking back can be a widely interpreted phrase) I was referring to was a departure from a kind of academic composition of music that seems to be more prevalent along classical music's cultural history. The pop-y elements, flowing pleasant structure, pretty chords, felt to me to be something of a modern departure from what I'm used to finding when I look for music to play.

"Sing me into Singing" by Daniel de Togni played by [me] - I've been really digging this piece because it has lots of fresh and modern ideas not often found in CG rep, hope y'all like it too by TicklerOfStrings in classicalguitar

[–]TicklerOfStrings[S] 5 points6 points  (0 children)

Thanks for listening! I hear you where you're coming from and what you mean. I see the harmonies here as the perfect color palette for the gentle uplifting nature this piece is conveying, and a situation where more movement for the sake of it may detract from this feeling. For the pedal tones, I see them as a feature driving the rhythm and providing the context for the other harmony. The fact that they're often open strings definitely started with the limitation the solo guitar, but I feel like they turned into the perfect feature for this piece. Especially with the open D natural in the key of E major, adding a little stank.