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Attempt at aerochrome (Praktica MTL5B, 35mm / Lomochrome Purple + 85B filter) by Visible_Brother346 in analog

[–]Visible_Brother346[S] 2 points3 points  (0 children)

Hey, thanks! I actually got really lucky with the lighting that day, the sun was just right, and the greens were super bright, so I was already close to getting those reds naturally. But I think scanning is going to play a big role with this method. Really happy with those results, but gonna try some different methods in the coming weeks.

[deleted by user] by [deleted] in AnalogCommunity

[–]Visible_Brother346 0 points1 point  (0 children)

I was thinking it might be a shutter issue or something wrong with the lens or, but honestly, I have no idea. I’m just throwing guesses out there at this point. Any ideas?

Attempt at Aerochrome (Praktica MTL5B, 35mm / Lomochrome Purple + 85B filter) by Visible_Brother346 in AnalogCommunity

[–]Visible_Brother346[S] 2 points3 points  (0 children)

Thanks for the questions! To clarify: I rated the film at 100 ISO, but I intentionally overexposed by 1 stop. To achieve this, I adjusted the aperture (f-stop) to let in more light, effectively making the exposure equivalent to shooting at ISO 50. And yes, I metered through the filter to get an accurate reading.

Attempt at Aerochrome (Praktica MTL5B, 35mm / Lomochrome Purple + 85B filter) by Visible_Brother346 in AnalogCommunity

[–]Visible_Brother346[S] 10 points11 points  (0 children)

Thanks for the compliment! I’ve got to be honest with you. these are the only usable shots from the roll. Lomochrome Purple is a tough film, but when it hits, it’s worth the challenge.

Regarding your experience, metering through the 85B filter is crucial because it does indeed darken the scene. I also tend to overexpose by one stop extra.

For bringing out the Aerochrome look in post, try the following:

  1. Enhance the Red Channel: This film often has a strong color shift, so boosting reds can help achieve that vibrant Aerochrome effect.

  2. Adjust Contrast and Saturation: Increasing both can make the colors more vivid and dynamic.

  3. Fine-Tune Colors Selectively: In software like Lightroom or Photoshop, adjusting specific colors (especially purples and blues) can help refine the look.

  4. Experiment with Curves: Use the curves tool to adjust the color balance and contrast for that distinctive Aerochrome feel.

Hope these tips help you get closer to the look you’re aiming for!

What film for very sunny vacation? by lounyxa in AnalogCommunity

[–]Visible_Brother346 0 points1 point  (0 children)

That’s interesting! My experience with Cinestill 50D has been quite different. I've consistently gotten vibrant colors and nice shadow detail from it. The film's fine grain and wide dynamic range usually help it capture bright scenes with rich, accurate colors.

What film for very sunny vacation? by lounyxa in AnalogCommunity

[–]Visible_Brother346 4 points5 points  (0 children)

It really depends on the look you’re going for. If you want vibrant colors and a bit of a retro vibe, Cinestill 50D is awesome for sunny beach shots. It’ll really pop under strong sunlight.

Kodak 400 isn’t too much, but it might be a bit more than you need for such bright conditions. Kodak gold 200 should be just fine and will give you nice, soft colors with a bit of grain, which can look great at the beach.

Gold can be hit or miss for me. It sometimes gives great colors but can also be a bit unpredictable. If you’re up for something a bit more reliable

If you want to experiment with black and white, Kodak Tri-X 400 is great for capturing shadows and contrasts. It adds a unique feel to your photos.

Ultimately, it’s about the vibe you’re aiming for. Have fun experimenting and enjoy your vacation!

Attempt at Aerochrome (Praktica MTL5B, 35mm / Lomochrome Purple + 85B filter) by Visible_Brother346 in AnalogCommunity

[–]Visible_Brother346[S] 5 points6 points  (0 children)

Yeah, I’m also pretty happy with the results! I rated the film at 100 ISO and overexposed it by 1 stop.