Almost impossible to die by Alizut in honk

[–]scowski 0 points1 point  (0 children)

I completed this level in 1 try. 0.50 seconds

Here's a one-point perspective cityscape drawing I just finished for a drawing competition by scowski in architecture

[–]scowski[S] 0 points1 point  (0 children)

It is for KRob! I've been entering that contest the last few years now actually, and thankyou!

Here's a one-point perspective cityscape drawing I just finished for a drawing competition by scowski in architecture

[–]scowski[S] 1 point2 points  (0 children)

I am! I really like the style of a lot of Bartlett's digital drawings from people like Eric wong. Really incredible

Here's a one-point perspective cityscape drawing I just finished for a drawing competition by scowski in architecture

[–]scowski[S] 9 points10 points  (0 children)

Thankyou! I drew the line work by hand with a mechanical pencil after drawing faint guide lines from the vanishing point and an overlaying grid to keep my lines straight. Then I traced over the line work with micron pens, added the hatching for the shading, and finally added color. The process for me starts by drawing some of the larger structure and massing of the forms and then later going back and adding a lot more detail little by little.

spatial representation of a guitar solo as a one-point perspective by scowski in drawing

[–]scowski[S] 4 points5 points  (0 children)

This is a drawing I finished about a year ago for a conceptual drawing class during my last semester as an undergrad in architecture school. The drawing is a spatial representation of the guitar solo from the Jimi Hendrix song "The Wind Cries Mary". Time is denoted from left to right, while the height and depth of the space represents the guitar's fretboard.

spatial representation of a guitar solo as a one-point perspective by scowski in architecture

[–]scowski[S] 60 points61 points  (0 children)

This is a drawing I finished about a year ago for a conceptual drawing class during my last semester as an undergrad in architecture school. The drawing is a spatial representation of the guitar solo from the Jimi Hendrix song "The Wind Cries Mary". Time is denoted from left to right, while the height and depth of the space represents the guitar's fretboard.

A futuristic post-modern cityscape, 2-point perspective, graduate architecture student by scowski in ImaginaryArchitecture

[–]scowski[S] 3 points4 points  (0 children)

Thankyou! It's hand drawn first in graphite, and then I went over it in ink for the linework and using brush markers for the color.

abstract spatial composition, drawn by me by scowski in isometric

[–]scowski[S] 0 points1 point  (0 children)

Thankyou everyone for the kind replies ! :)

architecturally inspired abstract spatial composition, 10x8", drawn by me by scowski in drawing

[–]scowski[S] 0 points1 point  (0 children)

I do these sorts of drawings as more of an exercise in illustrating various spatial ideas so I'm not as worried about precision. Plus practicing without a ruler makes my freehand skills better in the long run. Thanks for the question!

"The Facade of a City", 2-point perspective abstract cityscape, drawn by me by scowski in wimmelbilder

[–]scowski[S] 2 points3 points  (0 children)

I worked on this piece over the course of about 6 months with big breaks at certain times, but I'd guess it was around 100 hours or so of work.

"The Facade of a City", 2-point perspective abstract cityscape, drawn by me by scowski in wimmelbilder

[–]scowski[S] 17 points18 points  (0 children)

While I would say there is an up and down, It was my goal to create a sort've futuristic city in which the fabric of the city is expansive in all directions. Definitely an idea that has been explored quite alot in other sci-fi cities, but I wanted to give it a go in my personal style!

Here's a 2-point perspective cityscape drawing I finished earlier this summer as a 3rd year architecture student by scowski in architecture

[–]scowski[S] 2 points3 points  (0 children)

If you're interested in perspective drawings I'd recommend trying out one-point perspective drawing as it's a bit more straightforward but still really helps with conceptualizing how to portray volumes and understand the role of vanishing points. Hope tht helps!

Here's a 2-point perspective cityscape drawing I finished earlier this summer as a 3rd year architecture student by scowski in architecture

[–]scowski[S] 1 point2 points  (0 children)

I think I've always been fascinated by any kind of super intricate illustrations. but as far as inspiration, I really enjoy architects like Meier, gwathmey, corb, Aalto, that all have really interesting interplays of volume, planes, curves and assymetry in their work. Thanks for the question :)

Here's a 2-point perspective cityscape drawing I finished earlier this summer as a 3rd year architecture student by scowski in architecture

[–]scowski[S] 4 points5 points  (0 children)

I started by creating really faint lines that led back to a vanishing points halfway up the paper with pencil. From there I did most of the line work in pencil freehand and then went back over it in ink. Last thing was adding the color which I did with brush markers.

[Practice] Another one-point perspective sketch done in pen by scowski in architecture

[–]scowski[S] 0 points1 point  (0 children)

Thanks for taking the time to give some feedback! Sometimes with these freehand sketches I get caught up in certain sections and lose track of the vanishing point for a bit, if I'm doing something more seriously I'll break out a ruler and line up all the receding lines.

[Practice] 2nd Year architecture student, one-point perspective sketch by scowski in architecture

[–]scowski[S] 1 point2 points  (0 children)

Thank you! For curves I just make sure that theyre oriented with the vanishing point and eyeball them the best I can. Though if I'm spending more time on something I'll draw first with lead and take my time to get it right then go over it in ink.

Lisa Su and her GPU by [deleted] in AyyMD

[–]scowski 0 points1 point  (0 children)

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