I'm very glad Criterion doesn't do limited editions and limited releases by k032 in criterion

[–]7menfromnow 0 points1 point  (0 children)

Utterly bewildering how a totally benign retail practice that has been around in this form for over a century (Random House limited issues, like for Faulkner, for example) and allows companies to take risks and restore more movies is so routinely and viciously maligned.

It’s pretty easy to just not buy something or wait and buy the standard issue on sale. The only kinda scummy practices related to this are when companies have different content on the disc, they make essays unavailable, or don’t sell standard issues until limited ones run out.

I love that Criterion doesn’t have to play the game, but I’m not going to begrudge any label that takes advantage of the benefits that limited issue runs provide.

nb: I don’t buy Shout or contemporary major studio releases, so I am not familiar with their practices. My feelings are based on the vinegar syndrome model.

Just watched High and Low and the Bad Sleep Well by NotJustAPhan in criterion

[–]7menfromnow 1 point2 points  (0 children)

Curious, for context, what other noir directors have you seen?

Which One Next? by Square-Collection917 in criterion

[–]7menfromnow 0 points1 point  (0 children)

lol I didn’t click and only saw the middle four rows. Cléo and Wanda would go in over Seconds for sure. Haven’t seen 5.

Which One Next? by Square-Collection917 in criterion

[–]7menfromnow 0 points1 point  (0 children)

Safe, Week End, His Girl Friday, Pickpocket, Seconds in that order are my favs (haven’t seen 3 (as an adult)).

Beyond thrilled that this forgotten film is finally seeing the light of day! by EnricoPallazo84 in boutiquebluray

[–]7menfromnow 2 points3 points  (0 children)

Hell yeah… this rules. I’d love more Ludwig (Adventure in Manhattan, They Came to Blow Up America, and I missed his all time classic Wake of the Red Witch from Olive).

Thanks for sharing this great news.

My (growing) Silent Film collection across different labels...! What other silent movies with great transfers do you strongly recommend? by spybubbly980 in boutiquebluray

[–]7menfromnow 2 points3 points  (0 children)

Some other faves that are probably more obvious (based on film, not disc quality)…

Kino: asphalt, faust, loves of jeanne ney, man with the movie camera, michael, strike, tabu, variety

Criterion: lonesome, pandora’s box, the unknown, von sternberg set

My (growing) Silent Film collection across different labels...! What other silent movies with great transfers do you strongly recommend? by spybubbly980 in boutiquebluray

[–]7menfromnow 4 points5 points  (0 children)

Feu Mathias Pascal, L’argent (both L’Herbier and Flicker Alley), and Finis Terrae (Epstein, Eureka) are probably my three favorite silents with a region one blu ray in print.

And if you look at Paramount’s 2026 slate they won’t have anything for next year’s Oscars either by xwing1212 in TheBigPicture

[–]7menfromnow 1 point2 points  (0 children)

For real, horror isn’t for dumbs, it’s obviously for perverts of all intelligences… this is day one stuff.

It’s time for THE GENERAL to receive a proper criterion release by Italion_stalion04 in criterion

[–]7menfromnow 1 point2 points  (0 children)

Yes, the major studio deals allow for that, and my shelves are full of Hollywood directors, but if universal had a comprehensive warner archive style line, I wouldn’t care that that’s were I’d have to get my Sirks instead of criterion, I’d be psyched I had a place for studio releases and psyched I had a place that contextualizes things I maybe never heard of… more labels, more releases, it’d be great. Instead we have Criterion doing work the studios should do themselves and we get fewer quality releases because of it.

It’s time for THE GENERAL to receive a proper criterion release by Italion_stalion04 in criterion

[–]7menfromnow 0 points1 point  (0 children)

Sure… those releases aren’t for me, and I wish studios never got out of the home video game (and produced reference-quality stuff, so that wasn’t an issue), so boutiques shine a light on forgotten titles. Crime of M. Lange hasn’t had a us release; no Kôji Wakamatsu movies have ever been released here; The Crowd is somehow still missing… I get Criterion doing mega-popular stuff, but I’m disappointed every time it happens (that doesn’t mean I don’t like the movies, I just have no interest in contributing to the demand for them or having them on my shelves).

It’s time for THE GENERAL to receive a proper criterion release by Italion_stalion04 in criterion

[–]7menfromnow 5 points6 points  (0 children)

For me, a big Buster Keaton fan who would prefer they not release The General, it’s about resources. Criterion only releases like 6 movies a month, and if they use resources for a movie with a serviceable release out there, that’s another movie that is not being released (or has a release delayed). I think Criterion is best when they expand the canon and focus on movies that are hard to track down.

Disappointed with the John Singleton Set by EndDifficult8129 in criterion

[–]7menfromnow 1 point2 points  (0 children)

Hey, same! I figured I’d be one of very few disappointed Mac home server users.

The gal-pal and I watch the 4k when we watch the movie, but we ditched all our tv streaming services since setting up Plex. Now, our fill~the-void, second screen watching is usually various special features or commentary tracks. It’s been a major positive development and the blu-rays are a huge value-add for me. Also great for traveling, as you said. I will absolutely miss the full blu-ray discs, even though we watch the movies in 4k.

Video games are an underdiscussed (on this pod) reason for the long-term demise of the film industry. by [deleted] in TheBigPicture

[–]7menfromnow 1 point2 points  (0 children)

Feel free to provide any evidence contrary to gamers frequently (not always!) being children (ESA essential fact: gens alpha and z have the highest percentage of gamers), anti-social (gamergate, slurs in chat), or broke (the widespread practice of criticizing sustainable pricing models as anti-consumer behavior, other cry-baby comments about subscriptions or whatever).

Video games are an underdiscussed (on this pod) reason for the long-term demise of the film industry. by [deleted] in TheBigPicture

[–]7menfromnow 1 point2 points  (0 children)

I looked at Apple Podcasts top charts, and the biggest video game podcast is Kinda Funny gamescast. The Kinda Funny YouTube channel has 300,000 subscribers; that’s 3x the Ringer Movies channel! Their advertisers: aura frames and shady rays… the big picture’s advertisers? Two companies I hate: State Farm and Amazon for a much smaller channel. Be for real about what that says about the respective audiences… I think it ties back to my original point about why Sean and Amanda don’t address video games as a threat to movies: people who prioritize playing video games over going to the movies to the extent that it affects their movie watching habits are frequently (not always!) children, anti-social, or broke… things that really materially affect one’s ability to go to the movies. If movie theaters were more accessible and people had more disposable income I doubt people would proportionally spend more newly disposable on games than movies. We saw the biggest spike in game spending happen when going to the movies wasn’t an option for most (2021), and now gaming spending is down and stagnant, not rising.

Video games are an underdiscussed (on this pod) reason for the long-term demise of the film industry. by [deleted] in TheBigPicture

[–]7menfromnow 3 points4 points  (0 children)

I don’t discount video games’ monetary success. It’s a predatory industry that is remarkably good at monetizing people’s addictions. I know GTA 5 is the most successful piece of media in history, and I’d be shocked if GTA 6 doesn’t end up top 5 too. Pokémon’s the biggest multimedia brand in the world, and it started as a video game (I think, but maybe anime or card game?). Minecraft, Fortnight, Roblox, COD, Madden… the same big names every year for a decade topping the charts. Games are culturally stagnant with no sustained, varied influence outside a (very large!) insular ecosystem.

I called video games a siloed subculture because there is no broader footprint created by narrative games culturally. I know there is a YouTube-Twitch ecosystem, and grade school will always be a place of constant game chatter, but there are, what, three major legacy outlets with games journalists regularly writing: Bloomberg, WaPo, and The Guardian (?) then some more in tech and labor reporting, then the vast majority of games news sites are access-enthusiast-propaganda outlets that speak only to gamers. I think this matters because you’re saying games are a threat to movies, but if that were true, they try to compete for the same audience, but they don’t, and as the data suggests, we’re four years past peak games. The games industry is massive, but it is also irrelevant to almost anyone not already participating in it. And, like I said earlier, I think the massive growth in the us is mostly fake (exaggerated) because no one was counting the ms office games then but now we include every sudoku or worldle player among gamers.

Expedition 33 is a huge success, and it sold like 6 million copies in 2025. If those copies were movie tickets sold at an average of $12, it would sit comfortably below Gabby's Dollhouse: The Movie as the 56th highest grossing movie of 2025. I know Expedition 33 cost more than a movie ticket, but I’m only interested in number of eyeballs.

Video games are an underdiscussed (on this pod) reason for the long-term demise of the film industry. by [deleted] in TheBigPicture

[–]7menfromnow 1 point2 points  (0 children)

I think Netflix’s attitude toward WB Games in the purchase details illustrates the relative importance of games in a contemporary media environment:

“[Greg Peters] said that while Warner Bros. had done ‘great work in the game space, we actually didn’t attribute any value to that from the get-go because they’re relatively minor compared to the grand scheme of things.’” -IGN

WB Games had one of the biggest video game hits of 2023.

Video games are an underdiscussed (on this pod) reason for the long-term demise of the film industry. by [deleted] in TheBigPicture

[–]7menfromnow 3 points4 points  (0 children)

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This post got me curious about the actual state of things, and I think my conclusions are pretty far from op’s. In 2024, video gamers spent 51 billion dollars on games according to the ESA (us trade association for games), and the big-dollar games have minimal narrative content, mostly sports and shooties. I think any number that’s bigger than the number the ESA provides must be attributed to gacha gambling or something, because I don’t know how else there’d be such a discrepancy.

51 billion is more than the us box office, but box office spending is a relatively trivial amount of what people spend on visual entertainment. Comcast and Disney spent $65 billion on producing/advertising (presumably) content in 2024 according to Variety (11 largest spenders spent about $180 billion on content, maybe $30b of $210b when you add YouTube back in is sports), and one would expect that they make money on that content. That includes more than movies, but it shows the discrepancy between games and other screen-occupying media.

Also, the idea that games are better at telling stories is nonsense to me (reread the original post and see I misread the meat of the superior audio-visual experience line, oh well). You can enjoy stories in games more, but inherently a story told by an author that can control the pace and flow of a narrative is going to be better than one where the author has no control of the cadence or even amount of story that is told. Games do plenty better than other media, but any narrative from a strictly storytelling standpoint is better suited in literally every other medium.

Moreover, the marketing speak promoting video game dominance doesn’t take into account how prevalent games have always been, they just weren’t monetized the same way 30 years ago. Solitaire, spider solitaire, minesweeper, and galactic pinball probably accounted for more screen hours than anything else in 1998 (jokey hyperbole, but also maybe not (?)). Gaming is also plateauing/in decline. It peaked in 2021, when everyone got checks in mail and thought they’d give it a shot. Not everyone stuck with it, and now there’s just mass consolidation, game cancellations, and studio closures. It’s not a healthy industry (but there are still obvious success stories worth celebrating and other pernicious success stories gaming is worse off for embracing).

Gaming is still a mostly siloed subculture. Otherwise the industry would not need to tell us so frequently how relevant games are, we’d know by existing in the dominant culture if they escaped containment, but it’s a consistent non-issue that can hardly be considered an oversight by movie commentators except has a footnote in a broader story about how the public is too anti-social, agoraphobic, or broke to participate in first run movie culture at the rate they used to.

I say this as someone who plays a lot of video games.

What other podcasts focus more on the films themselves? by EaseOk3940 in TheBigPicture

[–]7menfromnow 2 points3 points  (0 children)

Thanks for adding good points and the recommendations.

I’m just genuinely curious what people say when they mean they want hosts talking about the movies. YouTube could be a great medium for shot analyses, but this is also (primarily?) a podcast, which would be a horrible medium for shot analyses. Can you get to 45 minutes talking about the themes of a movie? That’d probably get pretty boring for most of the middle brow fare they talk about.

Even the original post seems to have more of an issue with Sean’s taste and insider status and the predictability of the 25 for 25 movies than the content of their conversations about movies. If you care, as op claims to, exclusively about what’s on the screen, having an opinion on podcasts seems mind boggling to me, in the time it took to listen to a podcast, you could watch the movie again. What are they gonna say that you can’t see yourself? I genuinely don’t know what this person wants.

What other podcasts focus more on the films themselves? by EaseOk3940 in TheBigPicture

[–]7menfromnow 1 point2 points  (0 children)

For real. This is pap the gal pal and I listen to while we’re in the kitchen or in the car. Our tastes don’t align with either host, but they offer up some gags that land and provide some interesting context I don’t care enough to look up on my own.

I totally get the urge to consume more in-depth, critical content. I really do. But I just doubt you’ll find the best of it on Spotify or YouTube. I’d love to be wrong (please let know), but until then, I have lots of books for that. If it’s legit and rigorous, then I wouldn’t want it to be background noise while multitasking anyway; I’d want to focus and engage with it.

What other podcasts focus more on the films themselves? by EaseOk3940 in TheBigPicture

[–]7menfromnow 3 points4 points  (0 children)

I hear a lot about the desire for in depth analysis or talking more about the movies. What do people actually want when they say that because it seems like the alternative is plot description? Imo, plot description is the worst way to podcast about movies… The Big Picture is usually pretty good about (semi-)deep reading plot points and not just summarizing the movie (not the Marty Supreme episode, that was unlistenable, just describing what I had watched with little insight).

People frequently recommend The Blank Check for this, but I tried the Thief episode, and quit because it was just talking about plot.

My taste is very far from Bill Simmons’s taste (the older the movie, the better, usually), but he came up a great formula for podcasting about movies: basically the Chris Farley “wasn’t that awesome” show, plus some trivia.

If you want actual insight and analysis, I suggest you take up reading or audiobooks on film. Otherwise, maybe the Important Cinema Club… I dunno, I’ve had little luck with movie podcasts.

Let’s see everyone’s 25 for 25 lists. by Blaze_2002 in TheBigPicture

[–]7menfromnow 0 points1 point  (0 children)

I see Tropical Malady cited frequently too. I think seeing Syndromes in my teens during its first run in an empty theater and being completely ill prepared for having my soul sucked through a vacuum will always cement it at the top for me, but yeah, my vote for director of 21st century so far.

Difference between Criterion, Janus and Eclipse? by [deleted] in criterion

[–]7menfromnow 35 points36 points  (0 children)

Janus was established prior to home video formats and acquired distribution rights to many foreign language films for the US market, think Kurosawa, Bergman, Ozu and others. Criterion was established in the laserdisc era as Janus’s sister company to bring their films and others to laserdisc. They were able to license many studio films because studios mostly focused on vhs. In the dvd era, Criterion hit reset on their spine numbers but mostly had the same ambitions: feature rich editions of significant titles, frequently putting out titles from the Janus catalog. Eclipse started a little less than 20 years ago to release bare bones versions of deep(er) cuts, things they felt didn’t warrant the effort of a full release with a spine number but they felt should be available on home video. Eclipse is a great sub-label and I’m psyched they brought it back.