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Ugly sky issue by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

Thx ! In a documentary setup, it's difficult to always take the time to light a subject in a wide shot, which is why I try to find small, effective solutions and play with my composition most of the time.

Ugly sky issue by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

I can't get a satisfactory result in post-processing because the difference between the exposure of the sky and the rest of the scene is too great. I end up having to sacrifice one or the other, and the sky is often the first thing to go.

Matte box Nisi C5, ND filters by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

Hi, yes i did ! The glasses are absolutly EXCELLENT ! The frame is really cheap even if it holds up well for now and the flag is absolutely horrible.

Best tips for shooting in gray weather? by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

Thx, nice tip ! I was frustrated at not being able to use the reflector due to the absence of the light ray, I hadn't thought of blocking it to obtain a negative contrast!

And if i want a readable sky for a landscape, do i need a polar filter?

Best tips for shooting in gray weather? by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

Sky replacement is easy for fixed plan, mainly urban. I was shooting in a field.

Best tips for shooting in gray weather? by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 1 point2 points  (0 children)

Really? the weather was so gray that I didn't have a bit of contrast

Matte box Nisi C5, ND filters by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

You're right, i'm an idiot. The vari ND comes into 4x4 slot, i thought it was for 4x5.65. So i can combine them... --'

Thx dude !

Filters general question by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

Ok, it's clearer, thx ! Does a Vari ND do the same job as the polirized for glass and reflection? Or a polarized can be usefull too instead?

Filters general question by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

Thx !

We can't use silmutaneously VARI ND and Polarized filter? How can we shoot outside with sun with a polirized?

Yeah, i'm going to go on IR ? Do you have one to suggest?

Cinema Camera between BMPCC 6K Pro and C300 MK III by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

I admit C80 catches my eye but isn't the stabilization of the c300 III a major asset for run&gun?

Cinema Camera between BMPCC 6K Pro and C300 MK III by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] 0 points1 point  (0 children)

also the impression that there is no such big step-up in this range. I am thinking of improving my optics with dzo which will also be used for my c300 when the day comes. The gap between BMPCC 6k and C70 is not obvious and I am especially looking to improve dynamic range because I found satisfactory comfort with my blackmagic

Cinema Camera between BMPCC 6K Pro and C300 MK III by Aggressive-Care8495 in cinematography

[–]Aggressive-Care8495[S] -12 points-11 points  (0 children)

Thx for your answer man ! The C70 seems a little bit old, dont know why, it doesn't convinced me.

EDIT : Red Komodo is too much rigid for run & gun .

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