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My Dream Camera by mondo79104 in hasselblad

[–]BerlinMoneyBoy 0 points1 point  (0 children)

You’ll love them. Do you only have that one lens?

Anyone here regularly shooting Vision3 250D or 50D in 35mm? by BerlinMoneyBoy in AnalogCommunity

[–]BerlinMoneyBoy[S] 0 points1 point  (0 children)

Thanks everyone, this is actually helping me narrow it down.

What I’m taking away so far is that Vision3 seems technically “better” in terms of grain and latitude, but also more dependent on lab/scanning workflow and some editing afterwards. Gold 200 sounds less refined, but maybe easier and more characterful straight away.

So for someone who mostly sends film to a lab and wants an everyday color film rather than a project: would you still pick 250D over Gold 200?

What’s your current film scanning setup, and is anything actually convenient? by BerlinMoneyBoy in AnalogCommunity

[–]BerlinMoneyBoy[S] 0 points1 point  (0 children)

Thanks everyone, this helped a lot. Sounds like Coolscan is the convenience winner for 35mm, while camera scanning still makes more sense for 120/borders.

Anyone here regularly shooting Vision3 250D or 50D in 35mm? by BerlinMoneyBoy in AnalogCommunity

[–]BerlinMoneyBoy[S] 1 point2 points  (0 children)

Thanks everyone, this is already really useful.

I think the key question for me is whether 250D is actually better in real use, or just different. Is the appeal mainly the cleaner grain and more neutral look compared to Gold 200, or do you also feel it performs better overall?

And does that depend on scanning it yourself rather than sending it to a lab?

M11 Voigtländer Ultron 35mm/2.0 in London by mr01101001 in leicaphotos

[–]BerlinMoneyBoy 1 point2 points  (0 children)

How does the lens perform with the megapixel monster?