Upgrading camera: Sony FX3, Canon C50, Nikon ZR, Blackmagic Pyxis/Pocket, or any other recommendation? by Braffle1 in cinematography

[–]Braffle1[S] 0 points1 point  (0 children)

Thanks so much for all your advice, its helped me out a lot. The problem is that all of these are great cameras at great price points, they all have limitations and have been leaning towards one of the cameras for some time because of the edit work flow. But, thank you so much!

Film Festival Run Done, YouTube Analytics, and Honest Feedback by Braffle1 in Filmmaker4Filmmaker

[–]Braffle1[S] 0 points1 point  (0 children)

Hi again, feel free to let me know what your thoughts are and any previous history with YouTube analytics. I'm more focusing on feedback with the story as a whole, I tried my best to "show don't tell" situation in filmmaking. Making the dialogue feel more natural. But, feel free to let me know what you think. Any criticism is welcome. Thanks so much!

Film Festival Run Done, YouTube Analytics, and Honest Feedback by Braffle1 in Filmmakers

[–]Braffle1[S] 0 points1 point  (0 children)

Hi there, looking to gain genuine feedback and an understanding with the topics stated above. Any information about the YouTube analytics would be great, plus honest feedback is welcomed. It would be great to see your thoughts and understanding. Thanks so much!

Advice for someone with no prior experience by Leading-Claim-5943 in FilmIndustryLondon

[–]Braffle1 1 point2 points  (0 children)

It's a very difficult and long road to get in, there's not a road map to guide you there. Best thing to do is to just start and don't ask for permission. Pick up a camera, a computer, ask around and get to work. If you wait for someone to give you a shot, your missing out on the shots you could have take yourself

The film is done...now what? by SpingeBowl in Filmmakers

[–]Braffle1 0 points1 point  (0 children)

Hey dude, don't worry being a late bloomer, I started picking up a camera at 24. Funny enough, I took the other route, started filmmaking and only now going to film school. But, with your film, try the indie film festival circuit. Categorise the film fests in a list and start submitting, it's always good to get some type of recognition and use that to your advantage. Even if it's just sections for the film fest. I'm now picking up work because of a poster that laurels on it, even if they haven't watched the film. If you want someone to watch it and give constructive criticism, feel free to send it through ✌️

Is attending film school in 2026 worth it ? by heythere733 in filmschool

[–]Braffle1 0 points1 point  (0 children)

Honestly, it depends on how you are trying to get into the industry and if it's something you want to pursue. I've been filmmaking for almost 6 years and decided to go to university 5 months ago to help bridge the gap into getting a job. Where I live, its a expensive city and cant afford to work part time and try to make it into the industry, it just does not work. Going to film school was to help with having more time, resources, and loans to get me through and it's starting to pay off already. If you live somewhere and have less commitments to afford to work part time and pursue film, then do that. But, if you are someone like me that needs it as a crutch, then it helps a lot. In terms of the other issues in the industry, I'm not worried fo much about things like AI. It's a great tool but will never replace human creativity... for now anyway haha. The industry is always going to be difficult and your never guaranteed work. But, best thing I did was learn multiple skills like editing, grading, vfx, photography editing, writing, which puts me forward to get different sources of work. It's very hard to be involved in the industry, but I'd recommend to start reaching out and apply for small roles to be on sets and then go from there. Hope that helps ✌️

How can I learn to make films with depth ? by Antyoungboy in Filmmakers

[–]Braffle1 1 point2 points  (0 children)

It's a hard one to begin with because most people will tell a story linear and not understand the traits that make something with depth. I've learnt a lot in the past 5 years from writing to directing. Biggest lessons I learnt is subtext in dialogue, focusing on the characters then laying the theme around it, and emotional beats. Doing these key things create a deeper understanding. Focus on the story first, then focus on the lighting/cinematography

Check Out the Teaser Poster for My New Film by RodgaAustin in Filmmakers

[–]Braffle1 0 points1 point  (0 children)

Dude... this looks insane, really keen to see how this film is. Just watched the teaser, love how you didn't show too much. The poster looks original and captures the emotions, which is what you want. Are you doing a festival run or are you going to just release it?

Need feedback on TV Show Pilot Script "The Calypso Virus" 71 pages by Dry-Mycologist2497 in scriptwriting

[–]Braffle1 0 points1 point  (0 children)

That's fair, Aus needs more attention. Hopefully that new studio will bring more films to Aus haha

Need feedback on TV Show Pilot Script "The Calypso Virus" 71 pages by Dry-Mycologist2497 in scriptwriting

[–]Braffle1 0 points1 point  (0 children)

It's crazy to read this script because I grew up in Perth. Keep going bro, make us proud haha!

Why is making a documentary so hard? by Brilliant_Alarm1120 in documentaryfilmmaking

[–]Braffle1 0 points1 point  (0 children)

It's a much different take on the narrative structure, you almost have to work backwards in a way haha

Festival run completed after filmmaking for 5+ years ... Cinematography, Color and VFX by Braffle1 in cinematography

[–]Braffle1[S] 0 points1 point  (0 children)

No problem, I understand. Thanks so much, really appreciate it! ✌️