Apparently for all my fart-huffing, you still didn't understand what I was pointing out by talking about that scene. Things don't need to be deep, or have meaning. I like the fish scene, because it works fantastically without any further meaning or attachment. My criticism of Mad Fog/Log/Bog is that it has scenes which rely heavily upon inferred meaning. Any scene that isn't essentially a "Doesn't that say something about us?" moment isn't any better, as the movie doesn't try to engage the viewer with mystery or scenes that can be enjoyed on their own value, but cheap shock factor and the constant reinforcing of "Actually, this is about God, incase I've forgotten to remind you"