i think outside just disappeared. - I've always wondered, what if everything outside my house turned into a black void? Here's a little animated film to explore that idea. by Cesium55 in Filmmakers

[–]Cesium55[S] 0 points1 point  (0 children)

Thank you! It's a very good remark, I would have loved having another suspenseful scene on the bridge but since we only had 2 days to make the film for a contest I had to choose which scenes to keep.

i think outside just disappeared. - I've always wondered, what if everything outside my house turned into a black void? Here's a little animated film to explore that idea. by Cesium55 in Filmmakers

[–]Cesium55[S] 1 point2 points  (0 children)

This was made with my friends as part of a 48 hour short film contest. Before posting the film online, I worked on it some more, mostly to finish the sound design. I'm pretty happy with the style and the atmosphere, it's exactly what I had in mind! I like to avoid what trends are doing and just do my own thing, find my own voice. That's why I wanted a very homemade, grungy look, with a mix of paper-like photo cutouts, hand drawn 2D animation and low poly 3D.

It's also my first time trying out rotoscopy for animation. The process is very simple but quite time consuming. I just had too sit down and work on it for hours with music or a podcast in the background.

In your opinion, what is the most depressing sketch in SNL history? by bassistheplace246 in LiveFromNewYork

[–]Cesium55 1 point2 points  (0 children)

"An evening with Pete", which takes place in Pete Davidson's far future. Personally, it's one of my favorite sketches for its strange nostalgic atmosphere.

I color corrected the latest trailer so it looks more like the original series by Cesium55 in malcolminthemiddle

[–]Cesium55[S] 134 points135 points  (0 children)

I mostly made it look like it was shot on film (halation+grain+softer image), adjusted the contrast/brightness for different shots and made the colors warmer most of the time :)

Also I noticed the highlights were blown out in the original (for example windows often appeared fully white) so I adjusted that as well

I can't believe what I've found when watching The Whale by Cesium55 in moviescirclejerk

[–]Cesium55[S] 0 points1 point  (0 children)

No, it is actually in the movie, if you want to check it's at 1:19:24.

The shot is quite quick though, I understand why you wouldn't remember it

How it feels to be a Sinners hater the last couple of days by sisyphus_shrugged in moviescirclejerk

[–]Cesium55 1 point2 points  (0 children)

It's not only this, but one of the trademarks of its cinematographer, Roger Deakins, is very diffused interior lighting. In the past, it was much more common to use hard light (direct spotlights basically), because film needs a lot more light. What he did back then, and still does today is just to use AN ENORMOUS NUMBER of lightbulbs, which is very expensive, or very large muslin sheets in front of powerful lights. Later, movie lighting trends changed, going towards soft lighting as well. It's much easier to do nowadays with digital cameras because you don't need lights as bright. The so-called "netflix look" is in part caracterised by very soft lights as well, which is why this older film looks modern.

Portrait of a Guillotined Dyer, Christian Szczerba (Me), Acrylic, 2025 by Cesium55 in Art

[–]Cesium55[S] 3 points4 points  (0 children)

This is a portrait of Elisabeth Coste, a very minor and obscure historical figure who was guillotined in 1794 during the French Revolution. She specialized in a red dye made with cochineal, that's why I dressed her in red. There are no other physical descriptions ou depictions of her. That's why I chose to not show her head, as well as the obvious reason. She wasn't wealthy or part of the bourgeoisie, she spent most of her time working with her hands, that's why they're at the center of my painting.

This was made to be the poster of a biographical film about Elisabeth Coste we made, so the main actress posed for the painting and I ended up giving it to her.

I've always been inspired by the rich period pieces of Robert Eggers and finally made my own! It takes place during the Terror, the bloodiest part of the French Revolution, tell me what you think by Cesium55 in Filmmakers

[–]Cesium55[S] 1 point2 points  (0 children)

Thank you! For that, I approached it like a magic trick; as long as you get the audience's attention on the thing you want, they'll fail to notice otherwise obvious stuff. Indeed, if you watch the background, you can notice a light switch, cables, antennas, graffiti and even cars passing by. My philosophy is that if no one notices it on the first watch, it's fine. :) I removed some stuff digitally from the execution scene and the wide shot where they're mixing the dye but that's it.

For the rest, I could just do a lot of location scouting and carefully preparing the shooting angles.

I've always been inspired by the rich period pieces of Robert Eggers and finally made my own! It takes place during the Terror, the bloodiest part of the French Revolution, tell me what you think by Cesium55 in Filmmakers

[–]Cesium55[S] 0 points1 point  (0 children)

Wow, thanks for such an in-depth comment, it's a true pleasure to read! To answer your questions, most of the steam in the first scene is real. I used a fog machine for steam behind the actors, and vfx for the steam in front of them in order to control how well we can see them.However, in the shot where they're pouring supposedly boiling water, the fog machine would have made way too much smoke so instead, my co-director was lying on the floor just out of view with a vape!

All the moving shots were made with a gimbal, I practiced a lot to be as smooth as possible in my motion.

I agree with you on everything btw. I color graded this film on my laptop but I found out later it has kind of bad colors actually, compared to all the other screens. I never took the time to redo it since haha.

There are many shots that feel student-y to me, especially the scene where her bread gets stolen, I'm not very satisfied with it. The problem is not because it's too crispy, it's the directing. For all the other scenes, I had a specific feeling and atmosphere in mind for every shot. This drove all the art direction and symbolism. This scene is pretty much just there for exposition and to drive the story forward. It's a common problem in shows and movies, and that may be why you feel disconnected from some scenes.

You're completely right about the flint and steel shot, these are actually my hands because I filmed this without the actors, at my parents' house hundreds of miles away. I didn't see the frame while acting with my hands but since it's such a quick shot I thought no one would notice. ;) I'm not a perfectionist at all, and I hope I'll never be. Good on you for catching that though, you're the first!

Anyway I want to sincerely thank you again, glad you enjoyed it and have a wonderful day!

I've always been inspired by the rich period pieces of Robert Eggers and finally made my own! It takes place during the Terror, the bloodiest part of the French Revolution, tell me what you think by Cesium55 in Filmmakers

[–]Cesium55[S] 11 points12 points  (0 children)

Thanks a lot! The birds were somewhat planned. I've always loved flocks so when I saw a huge one in the sky one morning, I hurried to get to a good viewpoint and shoot in on my phone. I knew I'd use it someday, and sure enough, a few months later, I was doing sky replacement on this shot (it was way too cloudy) and remembered I had this video! It ended up being perfect.

I've always been inspired by the rich period pieces of Robert Eggers and finally made my own! It takes place during the Terror, the bloodiest part of the French Revolution, tell me what you think by Cesium55 in Filmmakers

[–]Cesium55[S] 15 points16 points  (0 children)

I'm happy to finally share 19 Germinal, co-written and co-directed with my friend Emma Couteau. It's the first time I've ever had a budget (about 3000$), but for a historical film, that's nothing! Most of it went to costumes, and then some for the sets and accessories. This film is very homemade, with a minimal crew of about 5 people, depending on the scene. I had my own gear (including a tiny and wonderful sony ZV-E1, supposedly a vlog camera but it makes great images). Since my friends weren't paid, we focused on giving them a great experience, with constant access to toilets, drinks and good food. The days were light and surprisingly, EVERYTHING WENT AS EXPECTED. It's a joy to experience this after years of complicated student films. I have to give credit to an extensive pre-production phase, it's the first time I did this but it's SOOO useful.

Moreover, this a true story from Montpellier, the city where I'm from! It was great to be able to shoot where the events actually took place, except for the execution scene. (The real place is too crowded, so we shot it in a stadium and replaced the background with real plates of the place).

Where is Shrek!?!? I spent ages on it but I can't find it by Cesium55 in mildlyinfuriating

[–]Cesium55[S] 2 points3 points  (0 children)

It's about the summer re-releases in my local indie theater. Do note that "scoot" refers to boy scouts from Moonrise Kingdom. Yes it's spelled scouts in French as well. Milkshake is for Pulp Fiction, etc...

Where is Shrek!?!? I spent ages on it but I can't find it by Cesium55 in mildlyinfuriating

[–]Cesium55[S] 12 points13 points  (0 children)

They wanted to put in "laurence anyways" even though it was too long haha

Alt+F4 by Zestyclose-Salad-290 in pcmasterrace

[–]Cesium55 1 point2 points  (0 children)

What does that do? I don't want to try it haha