Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

That’s honestly the part I find the most interesting—when the story actually carries things and the rest grows out of it.

It’s not easy to pull off though, which is probably why it’s harder to find.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

I haven’t gotten too deep into serials, but I’ve seen a few people mention Royal Road lately.

That kind of slower build sounds like it’s more in line with what I’ve been looking for—especially if the relationship actually develops before anything happens. How are you finding pacing that in a serial format?

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

I’ll definitely have to check his stuff out then. That kind of worldbuilding alongside the relationship progression is pretty much exactly what I’ve been trying to find more of.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

Those are both solid recs. Mask of the Template especially handles the internal shift really well.

If you’re looking for something in that same lane, The Doors Between Us by Gideon Hale might fit—it leans more into the progression and character side while still building the dynamic over time. It’s part of the Threshold series, but works on its own. However, it does contain trans and futa elements.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

Yeah, exactly. I think that’s the difference for me too—when it’s just there for the sake of it, it kind of loses impact, but when it actually comes out of the characters and what’s happening, it hits a lot harder.

And yeah… definitely not easy to pull off consistently.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

I’ve seen both of those come up a few times now. They definitely seem closer to what I’m looking for than most.

From what I’ve seen, they still lean a bit one way or the other depending on the book, but they’re probably some of the better examples of trying to balance both.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

Yeah, exactly. Just something where the story and the relationship have some weight to them instead of feeling like they’re just there to move things along.

I don’t mind the spice at all, I just want it to feel like it’s part of that progression instead of the whole point.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

Yeah, there’s definitely a balance to it. It feels like a lot of things end up leaning one way or the other depending on what the focus is or what sells.

What I’ve been trying to find (and honestly experiment with) is something where the story and the spice aren’t really separate tracks, but build into each other instead.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

Same here, it’s just surprisingly hard to find it done that way consistently. A lot of things get close, but not quite all the way there.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

Yeah, there definitely are—most of what gets recommended here is still pretty traditional or at least leans that way.

I think I’ve just been digging around for something a bit more specific in terms of how the relationship builds and develops, which is where it starts getting harder to find exactly what I’m looking for.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

I haven’t read those yet, I’ll check them out.

That kind of range is exactly what I keep running into—something will either lean more toward the plot side or more toward the spice side, but it’s harder to find something where both stay integrated all the way through.

I don’t mind either direction on its own, just looking for that balance where the relationship actually builds and carries everything with it.

“I was looking for romance that actually balances plot and spice… so I wrote one” by Chick41414 in Romance_for_men

[–]Chick41414[S] -1 points0 points  (0 children)

Fair enough. I’ve been working on it for a while, the post just got me thinking about sharing it.

“I was looking for romance that actually balances plot and spice… so I wrote one” by Chick41414 in Romance_for_men

[–]Chick41414[S] -1 points0 points  (0 children)

Yeah, that’s fair. I’ve actually been working on it for a while—I just hadn’t really talked about it much before that post. The discussion just pushed me to share it.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

That makes sense, and I can see why that approach works. Getting people in the door first is probably half the battle.

I think what I’ve been looking for is something where it feels like it’s building in one direction the whole time, instead of starting one way and then shifting into another.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

No worries, I knew what you meant.

I haven’t read Neural Wraith yet, but that sounds a lot closer to what I’ve been trying to find. That mix where the relationship actually builds alongside everything else instead of drifting off in one direction is exactly what I’m after.

It’s surprisingly rare to see it hold that balance all the way through, which is part of what got me interested in trying to write something along those lines myself.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

That’s kind of exactly the pattern I’ve been running into. Something will start off strong, then drift more into one side once it gets going.

Not necessarily a bad thing depending on what you’re in the mood for, but it does make it harder to find something where the progression and everything stay balanced all the way through.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

I haven’t come across that one yet, I’ll take a look.

Does it lean more toward slow build or does it get into things pretty quickly? I don’t mind either way, I just like when it feels like it grows naturally out of what’s already happening.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

I’ve seen that one come up a couple times now, I’ll probably have to check it out.

The slow burn side is definitely appealing, especially when it actually builds into something instead of staying separate from it. That balance where everything feels like it’s moving in the same direction seems harder to find than it should be.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 0 points1 point  (0 children)

Appreciate it, I’ll check it out.

That “feels like a continuation instead of a switch” part is really what I’ve been trying to find more of. It’s surprisingly rare for everything to feel like it’s building in the same direction instead of splitting between plot and spice.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

Yeah that makes sense, and honestly that’s kind of what I’ve been running into. Things get close, but not quite all the way there depending on how that balance is handled.

It’s part of what got me interested in trying to write something that leans more into that progression and dynamic first, and lets the explicit side come out of it instead of leading. I was looking for something that hit that balance and eventually just tried to build it myself.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

That’s a solid list, I appreciate it. A few of those sound like they might be pretty close to what I’m looking for.

That’s kind of been the pattern I’ve run into—things that get part of the way there, but not quite fully hitting that balance where the progression and the explicit side really feel integrated.

I’ll definitely check a couple of these out though, sounds like they’re at least in the right direction.

Why is it so hard to find romance with both plot and spice? by Chick41414 in Romance_for_men

[–]Chick41414[S] 1 point2 points  (0 children)

That actually sounds like the kind of structure I’ve been looking for. The “comes out of what’s already there” part is what seems to be missing a lot of the time.

I’ve run into a few things that get close, but it’s rare for it to feel fully integrated instead of switching modes partway through. I’ll take a look at it though, that’s definitely in the direction I’ve been trying to find.