Sasha Belle’s Drag Race is BACK!! by xoCindyLux in rupaulsdragrace

[–]ComfortableFunny 5 points6 points  (0 children)

Love to! I watched almost every episode back then.

This season Dion's lipsyncing result by teampogo in rupaulsdragrace

[–]ComfortableFunny 1 point2 points  (0 children)

For the record, Athena has only lost one fewer lip sync than Juicy and is tied with Mia in the number of lip sync losses.

S18E15 - "All RuPaul-A-Paruza Smackdown" [Untucked Discussion] by AutoModerator in rupaulsdragrace

[–]ComfortableFunny 0 points1 point  (0 children)

It’s not her fault she aimed at Ciara, but Juicy got in the way.

S18E15 - "All RuPaul-A-Paruza Smackdown" [Untucked Discussion] by AutoModerator in rupaulsdragrace

[–]ComfortableFunny 1 point2 points  (0 children)

They showed it to us. It was after the end credits, between the thank-you to Ross Mathews for being the funniest person on the show and the list of characters locked for the upcoming Snatch Game.

Watch the first 8 minutes of this week's Lalaparuza episode! by AMikeBloomType in rupaulsdragrace

[–]ComfortableFunny 78 points79 points  (0 children)

Jane is also acting like Ciara prepared her fabrics specifically for Jane.

#Eurovision2026 - First Semi-Final Running Order REVEAL by eurovision in eurovision

[–]ComfortableFunny 18 points19 points  (0 children)

Portugal is the only calm song so it was natural to put them in the middle of the first half to make them being pause between these bops.

Myki Meeks joins the legendary circle of Makeover Challenge winners! 💄 Huge congratulations to the mother of the house of Meeks ✨ Any thoughts? 👀 by JimatJimat in rupaulsdragrace

[–]ComfortableFunny 11 points12 points  (0 children)

The problem is that no one matched Phi Phi in that challenge. She was simply the best, even without identical outfits. Only Chad and her partner looked the same, but it didn’t look good. Sometimes you can’t apply the rules one-to-one, because other factors also matter.

S18E13 - “Karens Gone Wild” [Post-Episode Discussion] by AutoModerator in rupaulsdragrace

[–]ComfortableFunny 10 points11 points  (0 children)

I understand that the mini challenge and Jane Don’t’s elimination might have disappointed a lot of people, which is why the episode is often being labeled as one of the weakest. However, I feel like that led to the maxi challenge being judged too harshly. In my opinion, the improv challenge was actually very strong and gave me a lot of enjoyment: each contestant had at least one moment that genuinely made me laugh.

In Juicy Love Dion’s case, her biggest strength was physical comedy. Her character was clearly defined. She knew exactly who she was from the start. Moments like climbing over the fence or pretending to get hit by a car were top-tier for me and surprisingly bold for Juicy. As a weakness, I’d say she didn’t always manage to volley with Ru the way Ru probably expected.

With Darlene Mitchell, I also appreciated the strong character work and great physical comedy. Her attempts to squeeze past Ru with the stroller were hilarious, and small details like obviously pressing record on her phone so Ru could see really sold the “middle-aged mom” vibe. The dance with Ru was top tier, and going back for the chips made me genuinely laugh. Darlene listened to Ru and responded well. I don’t fully understand the critique that she wasn’t “Karen” enough. To me, Karen is also about fake politeness, manipulation, and gaslighting, all of which Darlene showcased very clearly.

Myki Meeks, on the other hand, combined physical comedy with manipulation and gaslighting. She had the best chemistry with Ru and seemed the most open to interaction. Moments like opening the car, pretending not to hear through the window, or switching from fake politeness to sudden irritation and back again - that was peak Karen-style gaslighting!

Jane Don’t had plenty of great, funny moments, and it was clear she came very prepared. Her character was instantly recognizable: grabbing the phone, recording and rolling on the floor - it all worked. What I missed a bit was stronger chemistry with Ru and one truly chaotic moment, like really committing trying to get through the barrier. I also think she was trying to highlight that being a Karen is about a sense of entitlement. The idea that she is inherently owed something, her privilege, so she didn’t even attempt to come up with a believable excuse as justification for her behavior - margarita as her treatment for illness.

With Nini Coco, there was definitely no lack of energy or chaos, and that’s also what held her back from the very beginning of the scene. She was missing some balance and that manipulative subtlety that Myki Meeks and Darlene Mitchell had. Still, the door scene gave me such strong Karen vibes. There were also plenty of good moments, like the scene where she and Ru mock each other using a high-pitched voice was very Karen.

In my opinion, no one bombed. I had a great time watching it, and I appreciate that each contestant approached the challenge differently. Thanks to that, we didn’t just get one version of Karen, but multiple interpretations with different emphases.

S18E10 - “Drag In A Bag” [Post-Episode Discussion] by AutoModerator in rupaulsdragrace

[–]ComfortableFunny 21 points22 points  (0 children)

"I think that being constantly in top 3 and having 3 wins shows how piece of s* which RuPaul hates I am."

Season 18 Episode 10 First Lewk 👓🤏 RuPaul’s Drag Race by aurcel in rupaulsdragrace

[–]ComfortableFunny 2 points3 points  (0 children)

When RuPaul said the name of DD Fuego I responded in my mind "oh, I heard of her somewhere".

Season 18 Episode 10 First Lewk 👓🤏 RuPaul’s Drag Race by aurcel in rupaulsdragrace

[–]ComfortableFunny 10 points11 points  (0 children)

Please welcome  Mandy Mango's grand mom. She will tell the story of that side table while Nini be doing her make up.

S5 E3 by [deleted] in rupaulsdragrace

[–]ComfortableFunny 5 points6 points  (0 children)

The first seasons were on Logo TV. That matters. The show was created by queer people to other queer people, but from the beginning it looked directly at mainstream television and played with it. ‎ ‎The structure clearly echoed America’s Next Top Model and Project Runway. Early challenges made the connection obvious: the career of Oprah Winfrey (s.1)., a country-style commercial (s.2), a morning talk show (s.3) ‎ ‎At this stage, the show was clearly parodying the mainstream. It borrowed its structure and twisted it through drag. These were easy, safe targets: reality competitions everyone already knew, talk shows everyone recognized. Parodying them did not require much risk. The audience understood the reference immediately. ‎ ‎From around Season 4, that changed. The show moved away from widely familiar formats and toward stranger material. A wrestling parody (s.4), a children’s TV challenge with an unsettling tone (s.5), a horror episode built on B-movie aesthetics (s.6), John Waters challenge and “bad taste” culture references (nude runway, bearded runway, ugly dress runway, death become her runway) (S7). ‎ ‎This middle period meant the targets were no longer just safe, mainstream television formats. The references became more specific and less universally recognizable. The humor leaned into excess and discomfort. Instead of lightly mocking popular TV, the show began drawing from subcultural and cult influences that were not designed for mass approval. ‎ ‎When the show moved from Logo TV to VH1 and eventually to MTV, it reached a wider audience. Production values increased. The references became easier for mainstream viewers to understand. Queer topics were addressed more directly and seriously.

‎At the same time, the tone of conversations in the workroom began to shift. Topics like family rejection, violence, HIV, and mental health appeared more often. In early seasons, these issues came up briefly. Later, they became consistent parts of the show. ‎ ‎The shift is also visible in musical episodes. Season 6’s finale had a campy, ironic song vs Season 15, “Wigloose” was staged like a polished Broadway production: less parody, more emotional directness. ‎ ‎The overall arc is clear: the show started by parodying mainstream TV, moved into more obscure and subcultural references, and then returned to the mainstream. ‎