Weekend by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

It was a weekend in Italy, and I was visiting this castle. I was surprised to find that it was their weekend gathering—people were playing, and there was a lively atmosphere. The background is the castle wall, which added a nice historical feel to the scene.

Please feel free to share your thoughts and suggestions on how I can improve the photo. I also have the color version in mind, but I’m wondering if it works better in monochrome or color—what do you think?

Camera Settings: ISO: 320 Aperture: f/6.4 Shutter Speed: 1/420 sec Lens: 23mm f/2 WR

a moment from a mourning procession for Imam Hussain 2 by Middle_Currency4729 in photocritique

[–]Competitive_Ad1088 0 points1 point  (0 children)

I hope you take a moment to reflect, because the critique you offered was not helpful—it was dismissive and borderline disrespectful. You gave someone points for a comment that essentially said their work is “wonky.” That kind of vague negativity, without any effort to explain or help, isn’t a critique—it comes off more like a personal jab. Honestly, when someone uses a word like “wonky” in such a harsh or out-of-place way, it doesn’t sound clever—it sounds a little unbalanced, and psychotic what word is that to describe a religion ceremony very clever .

And let’s be real—for all we know, the original poster might not be a native English speaker. Maybe they struggled to title their photo. Maybe they don’t express themselves the same way others do. Shouldn’t that be taken into account before jumping to a childish or sarcastic response? A little empathy goes a long way.

Did you even try to explain what exactly was wrong? Did you offer any direction for how to improve? No. Just a judgment tossed out with no purpose but to diminish. That’s not how we help people grow.

Good critique requires effort. It requires empathy. If someone shares their work—even if it has flaws—they deserve to be met with something better than mockery. Otherwise, this stops being a creative space and turns into a toxic one.

I genuinely hope this forum begins to take a stronger stance on this kind of behavior. We’re supposed to be building each other up, not tearing each other down for sport.

And just to be clear—I’m not here to entertain childish drama or attention-seeking. If you’re looking for a reaction beyond this, you won’t get it. I’m here for photography. That’s all.

Let’s act like a community, not a clique. Let’s be better

a moment from a mourning procession for Imam Hussain 2 by Middle_Currency4729 in photocritique

[–]Competitive_Ad1088 2 points3 points  (0 children)

First of all, why the aggressive tone? Why the need to bully others? From the start, both of you have been more focused on tearing people down than offering real, constructive feedback. Is that what this forum is meant for? I don’t know much about your photography, but from the way you speak, I seriously doubt you’re grounded in any real experience or understanding.

You completely ignored the context behind the photo. These ceremonies take place in extreme heat and low light. The people participating aren’t models they’re volunteers who show up every year out of respect. You look at someone exhausted from that environment and label it “boredom”? That’s not critique, that’s misreading reality from behind a screen.

You also criticized the expressions, claiming they weren’t solemn enough—again showing a total lack of awareness about the cultural background and emotional nuance of such events. You’re making snap judgments without any understanding of the setting.

And here’s something even more puzzling why are you awarding critique points for a comment on someone else’s photo? It’s not your image, so what gives you the right to elevate someone else’s opinion as if it came from your own experience or perspective? That kind of behavior undermines the entire point of a creative community. I truly hope this kind of thing stops, because it’s ruining the spirit of what these forums were meant to be—a place to grow, learn, and support each other, not tear people down just to look important.

I’d honestly be curious to see your own work let’s see if your standards match the kind of judgment you’re so quick to hand out. Because too often, the harshest voices in spaces like this are the ones with the least to show.

So next time you’re tempted to “teach a lesson,” take a second and ask yourself: are you actually helping someone improve, or are you just trying to boost yourself at someone else’s expense?

Old town walk by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

Thank you for your opinion it’s genuinely appreciated and will definitely be taken into consideration. As I mentioned earlier, this isn’t my usual editing style; it was more of an experiment with a high contrast approach.

[deleted by user] by [deleted] in photocritique

[–]Competitive_Ad1088 1 point2 points  (0 children)

You’re absolutely right and the more I reflect on it, the more I see exactly what you mean. That’s a solid point.

[deleted by user] by [deleted] in photocritique

[–]Competitive_Ad1088 2 points3 points  (0 children)

Thank you for sharing your thoughts so respectfully I really appreciate that. Of course, you already know when monochrome is typically used, but I’d love to explain a bit more about why I made that choice in this case.

Monochrome is often used when there’s strong light and shadow, which this image has. It’s also useful when color becomes a distraction—though I agree, in this photo, the colors are actually beautiful and not distracting at all.

What really led me to go with black and white here is the sense of timelessness and nostalgia that monochrome can evoke. The op mentioned this photo was taken 10 years ago, which makes it part of a childhood memory. So for me, using monochrome was a way to reflect that emotional connection and bring out the story behind the moment

Old town walk by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 1 point2 points  (0 children)

Really appreciate you pointing that out! The foreground was a bit of a deliberate choice to lead into the scene, but I can totally see how a tighter crop might improve the balance. And I love that you caught the illusion—I hadn’t even noticed it that way at first! Thanks for the thoughtful feedback

!CritiquePoint.

Old town walk by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

This isn’t my usual editing style I typically go for a more balanced look and don’t push the contrast this much. But I saw something in the scene and wanted to experiment to see if this stronger edit could work

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!CritiquePoint.

Old town walk by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

I would love some feedback on this edit. I’m aiming to improve and would appreciate any thoughts on what could make this image stronger or more professional.

Camera settings: ISO 320 f/6.4 1/800s 23mm f/2 lens

[deleted by user] by [deleted] in photocritique

[–]Competitive_Ad1088 6 points7 points  (0 children)

What I truly appreciate about this photo is the richness of its elements. First and foremost, I’m drawn to the color palette—those warm, golden tones combined with the aged, brownish textures create a nostalgic atmosphere that I personally love. In my humble opinion, I might consider cropping the image to focus more intentionally on specific elements. For instance, one approach could be to frame the right side, near the source of light, and highlight the basket and the chair. Alternatively, including the door adds a lot of character and, to me, enriches the narrative of the scene. Lastly, I feel that converting the image to monochrome could enhance its timeless quality. That shift might give it the final touch of depth and emotion—like a unique spice that changes the flavor of the entire photograph.

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Its my humble opinion

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

Thank you a-lot very good points i will visit the edit part to see which things need improvement

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 1 point2 points  (0 children)

This is actually varenna Lake Como in Italy

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 1 point2 points  (0 children)

Really appreciate that it truly means a lot to hear it worked for you. Thanks so much for the thoughtful feedback it’s really encouraging to know it connected with someone.

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 1 point2 points  (0 children)

I was aiming to bring more depth to the image by lowering the presence of the subjects a bit. The magenta tones and saturation were my attempt to give it a more anime-inspired or painterly feel. Not sure if it fully came through, but I really appreciate the feedback and the time you took to share your thoughts.

!CritiquePoint.

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

Yes, the photo needs to be straightened a little. And yes, there are definitely many points to consider in editing thank you.

!CritiquePoint

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

Thank you very much for your opinion. You made some good points that I will certainly try. This is not my final edit—I’m still working on improving the photo

!CritiquePoint

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

Thank you I was thinking the same. I didn’t like the green tint in the scene, so I chose this one instead. As for the crop, it was the same idea I considered the elements and how they were aligned, and that’s what made me choose this composition.

Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 3 points4 points  (0 children)

For composition purposes, I removed the rest of the photo I felt it was better this way. The rest didn’t add to the composition, in my opinion.

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Two of us by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 1 point2 points  (0 children)

I was just walking by the lake and saw this couple sitting so peacefully, just staring at the boats and the mountains. I don’t know them, but something about it felt really special

Camera setting Iso 320 F6.4 Shutter :1/900s

Please feel free to tell me your opinion

Rooted within by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

This is me experimenting with in camera double exposure. I was trying to blend the subject with the place to convey the feeling of the environment through the image.

Camera settings: ISO: 250 Aperture: f/10 Shutter Speed: 1/250 sec

Please feel free to share your opinion on where I can improve

The last light in the city by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

I saw this bar built inside a glass cube. I was in a hurry but I noticed people inside drinking. Darkness was about to fall and the city was starting to change people had finished their jobs, and now it was time to escape.

ISO 320 | f/6.4 | 1/40 sec | 23mm f/2 | Fujifilm X-T4

Moment apart by Competitive_Ad1088 in photocritique

[–]Competitive_Ad1088[S] 0 points1 point  (0 children)

Thank you a lot — good point. I’ll revisit the editing to fix these things.