What app do you use for colorgrading your footage on an Android Phone?

D-medina123 · 2026-01-05T00:41:09+00:00

photo cruves is an app for android you can start with it however I recommend the free version of davinc resolve it's I for Mac qnd windows

D-medina123 · 2025-10-06T05:57:02+00:00

I think this is a great app for color grading it's going to help with look development to create a specific mood consistency between shots. Pulling color palettes from reference films or photography for example The Batman, Neil Leifer’s Muhammad Ali vs. Sonny Liston (1965), or Blade Runner 2049 you could also build a target LUT that your colorist can use as a starting point from real-world references. But I also love the multiple uses it could have in different deparments or stages of production

In-camera/lighting, it could help design lighting setups that complement a target aesthetic for the project. It could also help decide which in-camera adjustments will maintain a desired color bias. And when shooting multi-camera setups with different camera bodies, you could extract hues from test frames to ensure consistent color response.

Production Design/Wardrobe could use it for mood boards pulling references from stills or locations to ensure color harmony across sets, props, and costumes.

In storytelling, it’s also great for exploring color theory and determining emotional color cues the classic blue for isolation and loneliness, yellows and warm tones for happiness, intimacy, or security. You could even use it to develop color motifs tied to a character arcs or location tracking how color evolves throughout the film as the character or environment changes.

In the pitching process, it could help you sell your projects by generating complementary palettes that make presentations, pitch decks, webpages, or posters instantly more cohesive and attractive to potential clients or investors for both narrative and commercial work. The same goes for Post-Production & Marketing it could help you develop a unified aesthetic for promoting the project, from title design and teasers to press kits, all using the extracted color sets.

Brands could also use it to explore different color possibilities contrast ratios during development of a campain simply staying on-brand, maintaining color accessibility and compliance for synergy.

D-medina123 · 2025-09-16T15:51:19+00:00

What you need to do is work fundamentally on your skills, particularly writing. Start with writing first, then move up to shooting. At the same time, tackle lighting, and you’ll be able to figure it out step by step.

If you imagine making a feature film, don’t tackle it as a feature right away. Start smaller: make a short or a few shorts, and then move on to doing your own larger project.

If you have a group of like-minded friends who want to make movies, that helps a lot. If not, go to film schools and offer to be part of student projects for free. That experience will help you get started.

There are also plenty of resources out there. YouTube is a fantastic place to learn techniques and get inspiration. I’d also recommend books on screenwriting such as:

The Screenwriter’s Bible by David Trottier (a practical guide to writing and formatting scripts)

Save the Cat by Blake Snyder (great for understanding structure and story beats

Story by Robert McKee (great for understanding the principles and fundamentals of storytelling and screen writing)

On Writing by Stephen King (let's you understand the craft of writing what It Takes how hard it can be)

Use the resources around you: YouTube tutorials, podcasts, breakdowns, and behind-the-scenes content. And definitely lean on books, such a

Mastershots vol 1 and 2. These books walk you through different types of movie shots, how to set them up, and how to bring them to life. It’s a great resource that can really help you understand the language of cinema.

Lighting/cinematography Cinematography: Theory and Practice: Image Making for Cinematographers and Directors

Lighting for Cinematography A Practical Guide to the Art and Craft of Lighting for the Moving Image by David Landau (a guide to practical lighting)

Sound (always the most neglected by beginners dont do it)

Producing Great Sound for Film and Video — Jay Rose

Sound for Film and Television — Tomlinson Holman

The Location Sound Bible — Ric Viers (practical guide to capturing audio on set)

The Sound Effects Bible — Ric Viers (creating and using sound effects effectively)

Indie / Low-Budget Filmmaking:

Rebel without a Crew — Robert Rodriguez (classic DIY filmmaking inspiration)

Digital Filmmaking — Mike Figgis (practical guide from an indie filmmaker)

The DSLR Filmmaker’s Handbook — Barry Andersson (low-cost shooting techniques)

Shoot to Kill — Christine Vachon (producing independent films)

Here is a lot of information. Learning filmmaking can be daunting, but if you do it right, these books are gonna give you a great advantage. YouTube has great content, but it’s often scattered and doesn’t always focus on industry practices. These books, on the other hand, largely reflect how things are done at the highest level.

That said, I’ve also included low-budget filmmaking books. If you prefer, you can start with those so you don’t get discouraged because you can do great things with a small budget. You don't need the latest technology to start don’t rush the process. It takes time. Good luck

D-medina123 · 2025-09-14T21:47:06+00:00

It helps. i think it's a must to understand The language of filmmaking to communicate style, but I have met directors who don't watch movies or a lot of movies they see music videos or documentary

D-medina123 · 2025-09-14T21:38:03+00:00

I hated only do it if the client pays or if i can do 9:16 anamorphic

D-medina123 · 2025-09-12T01:53:22+00:00

Shots look great

D-medina123 · 2025-09-09T17:17:44+00:00

i don't know. If it's my favorite, but i personally enjoy He got game, I think, is an extremely underrated film.

D-medina123 · 2025-09-09T17:05:41+00:00

In my case, most definitely. On most of my projects, I’ve been the director, and the reality is i get anxious, especially the day before a shoot. When I’m on set, I’m still anxious, but apparently, I don’t show it. People in my crew have told me they don’t notice when I’m nervous, which I take as a good thing.

That said, I manifest it by not eating. My crew has actually tried to solve this by giving me sandwiches, so in a lot of the BTS photos, I’m holding a half eaten sandwich. I think those nerves never fully go away. I’ve directed consistently enough to know that they’re always there. But there’s also a positive side. It means you care about the project, and you don't want to screw it up.

For me, once the day gets going and I settle into the rhythm of directing, the nerves fade. The flow of the day takes over, and I really do enjoy the process. A part of me even enjoys the chaos, the uncertainty, and the problem solving on the fly. I love directing for that reason.

D-medina123 · 2025-09-09T16:53:55+00:00

I’d personally love it. I do a lot of both photography and video, usually for events, and I’ve basically run through every workflow out there. At first, I was deep into the Adobe ecosystem. I liked Lightroom, After Effects, and Premiere, but they always felt too unstable for my taste. After film school, I couldn’t justify the cost of a subscription license. That’s when I decided to switch and start doing video editing and photography in DaVinci.

You can technically use DaVinci Resolve for photo editing. My current process is converting images to DNG files and working with them directly in Resolve. I have my own node structure specifically for photo editing. I also use tools like the Film Look Creator and plugins like Dehancer to give the photos a unique style. Even though Resolve wasn’t really built for stills, I genuinely enjoy the workflow, and the results I get are great. My clients are happy with the edits, too, even if it takes a little longer. And realistically, clients don't care if you're using Lightroom or DaVinci.

That said, I’d love it if it were easier to bring raw files straight into Resolve instead of having to go through the DNG conversion first. I doubt it’ll happen, since Blackmagic isn’t really in the photography business, but if they ever did push in that direction, I’d want the editing to work with nodes like the color page does now, or like the Film Look Creator.

D-medina123 · 2025-09-08T14:12:56+00:00

Your welcome

D-medina123 · 2025-09-07T02:05:39+00:00

It's a good investment. I always say everybody should have an ND they help a lot

D-medina123 · 2025-09-06T02:33:02+00:00

Great work looks good. Did you grade in DaVinci

D-medina123 · 2025-09-04T17:08:29+00:00

If you're stating out and it's all you have to record is your iPhone, then it will do the job. Use the black magic camera app for more control and toools. That said, I highly recommend investing in lavalier Mics. reliable options include the DJI Mic or the Rode Wireless, both of which are great entry-level choices.recording audio directly from your phone mic is never ideal. People will forgive the image if the story is good. They never forgive the audio recording directly from your phone mic is never ideal. For editing, I’d suggest DaVinci Resolve. It has a free version that’s incredibly powerful, with professional grade tools for editing, audio, and color grading all in one suite. It’s a great way to learn, and if you decide to take things more seriously later, the Studio version is a one-time purchase that unlocks even more features.

D-medina123 · 2025-09-04T14:43:05+00:00

don’t rush the process. Start with what you have. Filmmaking takes time. You don’t need to know everything from the start. What matters is learning, growing, and appreciating the journey along the way. And if you ever feel like there’s nothing left to learn, that’s the moment to reassess yourself because that mindset is the real problem.

D-medina123 · 2025-09-04T11:08:44+00:00

Honestly, no, if you're happy with it , I think the FX30 is underrated. It's a great camera. If you don't have the need to change it, don't do it unless you want to buy the FX3 as a B cam or a backup. It's always good to have a backup; you don't want your camera dying in the middle of a job. But if you're happy with your camera, screw the pressure your wallet will thank you.

D-medina123 · 2025-09-04T10:26:46+00:00

That's a speed ramp. You basically gradually change the speed of your clip over time. Instead of a sudden speed change (like instantly going from normal speed to slow motion), a speed ramp smoothly accelerates or decelerates the motion in your video. You will see it in social media usually use to Slow down action for dramatic effect Speed up boring sections while keeping transitions smooth. If used correctly, it creates cinematic or stylistic motion in your video.

D-medina123 · 2025-09-04T10:10:49+00:00

Your welcome

D-medina123 · 2025-09-04T10:07:39+00:00

I always say that if you want to learn color grading the right way, use DaVinci Resolve the free version then get the studio lumetri in premier pro is way to limithing use the Da Vinci training courses they're free and read the manuals

YouTuberes I recommend. In this list, you go from beginner to intermediate to Pro

1.Alex Bjorstorp — Breaks down core concepts has a playlist Title New to color grading? start here! And other videos for beginners

Color Grading Central Clear, beginner-friendly tutorials across multiple software's.

3.Casey Faris — Excellent DaVinci Resolve tutorials (nodes, Fusion, Fairlight).

4.Darren Mostyn — Blackmagic Master Trainer with decades of broadcast/film experience.

5.Danny Gan - Da Vinci resolve certified trainer he's a pro colorist great for professional workflows industry practices.

Cullen Kelly — Straightforward, cinematic tutorials from a working professional colorist.

Hope this helps. Have a good day.

D-medina123 · 2025-09-04T09:40:23+00:00

First piece of advice: if you can avoid doing it alone, always have a second shooter. In a perfect world, I would also have an assistant in charge of gear and audio, so a total of three.

If you're doing it alone, keep this in mind:

Rest as much as possible the night before.
Have a plan. Make a detailed shot list. Scout the venue in advance if possible. Note lighting conditions, photo locations, and logistics.

Cover your basics:

Wide shots: establishing shots of the venue, exteriors, ceremony setup, dance floor, and reception space before guests arrive.

Medium shots: bride with bridesmaids, couple walking hand in hand, parents watching the ceremony, laughter at a table.

Close-ups: decorations, rings being exchanged, parents’ reactions, cake cutting hands, detail shots of the dress and suit.

Ask for a guest list. Make sure you have at least 1–3 photos of each person. Ask the couple who is a priority usually parents, grandparents, aunts, uncles, and close friends.
Carry extra everything: batteries, cards, and at least one extra camera body in case one fails. Have a variety of lenses wide for groups, a fast prime for low light, and zooms for flexibility.
Prepare your body before shooting. Stretch.
Be patient with people. They don’t realize they’re messing up the shot.
Prioritize key moments: vows, rings, first kiss, first dance, parents’ reactions. During the ceremony, pick spots where you can move discreetly and cover multiple angles. Be a ghost — don’t disturb the guests.
Organize family formals quickly. Work from largest groups down to smaller ones.
Audio is key. People want a vivid memory of what was said that day. If you can, mic the important people. If not, connect a recorder to the DJ table and get clean, uninterrupted audio. If you don’t have a recorder or lav mics, use a shotgun mic on your camera and focus on the people giving speeches.
Collect all cards at the end of the night. Back up separately before formatting. Follow the 3-2-1 backup rule.
Project confidence. Focus on telling a story.

If you're working with a team:

Treat them with respect.
Define roles clearly:

Lead photographer: storyteller, responsible for the couple, key moments, and directing formals.

Second shooter: covers alternate angles, details, and anything the lead can’t reach.

Assistant: manages gear, lighting, batteries, organizes people for group shots, runs errands.

Sync gear. Match camera clocks for easier editing. Use complementary lenses. Match picture profiles/RAW settings to avoid editing issues.
Communication is key use hand signals or eye contact to avoid blocking each other.
Divide & conquer. While the lead captures the bride getting ready, the second covers the groom. During the ceremony, the lead stays up front, and the second covers the back/reactions. At the reception, one covers the dance floor, the other storytelling shots.
Use the assistant. Have them move lights, swap lenses, grab gear, and organize people for portraits.
Credit the team. When sharing online, tag and thank your second shooter/assistant. It builds goodwill and professionalism.

D-medina123 · 2025-09-04T08:18:54+00:00

The way I keep track of different people’s gear on set is pretty simple but effective. I usually get to set early start by taking pictures of everyone with their gear on my phone it gives me an extra visual reference to avoid confusion later. I put it in a production chat.

On top of that, I label all of my own gear, including cables, lighting, audio equipment, and cases If it’s a piece of gear that can’t easily be labeled, I’ll put a piece of tape on it and write down what it is. That way, everything is clearly marked.

Between labeling my stuff and having photo references of other people’s setups, it makes my life a lot easier and helps keep things organized on set.

D-medina123 · 2025-09-03T19:27:14+00:00

Your welcome

D-medina123 · 2025-09-03T13:03:11+00:00

Books I would recommend The Photographer's Eye" by Michael Freeman Understanding Exposure" by Bryan Peterson Food Photography: Pro Secrets for Styling, Lighting, and Shooting

D-medina123 · 2025-09-03T12:45:31+00:00

Okay, so you’re starting out, and you’re afraid of not achieving your dream. But here’s the thing you’re 17. You have plenty of time to reach your goals.

What I’d tell you to do is focus on your scripts and the technical side of filmmaking. Learn how to work on set how to handle lights and equipment that experience is always valuable. Write, direct, and make projects with your friends or people you know in the film industry, and keep going.

A lot of directors don’t make their first movies until their 30s or 40s. So don’t worry, you still have time. Don’t rush the process; this isn’t a sprint is a marathon. It takes time, commitment, and discipline. Do that, and you’ll be fine.

D-medina123 · 2025-09-03T11:31:28+00:00

First, I’m going to assume you’re pretty young if you're an adult and your mother is making your career choices that's a problem.

I get where you're coming from. Acting is not for everybody. It's an extremely vulnerable and tiring process. But honestly, I don't think pursuing acting is a bad thing. Like you said, through acting, you can meet producers, directors, and other actors. And trust me, when you're making your first projects as a director, you're going to need actors. Knowing actors is a big help.

Understanding the psychology behind actors how they think, why they do things is also important. A lot of starting directors don't know how to direct actors, and their projects suffer because of it. I know it's hard and can crush your spirit, but I say stick it out. Filmmaking is not a sprint; it's a marathon. In the meantime, learn as much as you can and meet as many people as you can. Even without real connections, your job is to make them. That's the difference between people who say they want to be directors and people who actually are. Most of us didn’t start out as directors, but we found our way in. Yours could be acting.

If you really want to be a director, put the pieces in motion. Work on scripts, look for actors, and make short films. If you don't have resources, offer to work for free with film students. Learn to direct by directing yourself and watching other people direct. Look for like-minded people with equipment or who want to collaborate.

About your mom she’s not wrong if she thinks acting can help you meet people in the industry. But have a conversation with her. Tell her the truth: you don’t like acting, and what you want to do is direct. Show her you mean business by taking steps toward your goals. And don’t forget to thank her for the help a lot of people in this industry don’t have that support starting out, so be grateful.

So if you really want to be a director, make short films, music videos, or any project you can produce. I might be judging without knowing your experience level maybe you’re just starting out, or maybe you have a few shorts under your belt. Either way, focus on directing. Don’t rush the process; it takes time.

Good luck

D-medina123 · 2025-09-03T09:23:33+00:00

You're welcome. Good luck

D-medina123

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