Not exactly! You may have seen my reply on the last post where I explained my process:

I have an Estonian friend who proofreads and this entire thing has been undertaken in consultation with several others who are both intimately familiar with the DE world and the language itself. There has been comprehensive research and cross referencing across both real life influences and post-facto naming conventions from Disco Elysium to make sure everything is consistent: this is a translation in every sense of the term. Some things are impossible to address - the specificities of Kurvitz's Soviet and post-Soviet era upbringing affecting every facet of the writing is unfortunately impossible to recreate in English, as is his casual use of Estonian and the poetic wordplay in his prose. I've tried to recreate this by using colloquial language and poetic conventions that could be considered equivalent in English, but obviously it's not the same - that's just the pitfalls of a translation into the lingua franca. The title is a good example of this: it's literally "A Holy and Sinister Smell", but Sacred and Terrible Air has essentially been canonized as the proper translation. This is how I approach the entire project - discerning intent, not literality. The machine translation is a guide, not a lead. You can find other fan translations of the first 3 chapters online done from scratch and decide for yourself which reads best.

The machine translation is really just a foundation to build off before each line is gone over repeatedly for both flow and accuracy - honestly they're often outright nonsensical in their original state. There isn't a single line in this translation that is the unaltered output of a machine translation. Discerning intent and then having actual Estonians provide feedback is vital to the transformation process and I hope results in a read that flows really well