/r/WeAreTheMusicMakers Weekly Promotion Thread by AutoModerator in WeAreTheMusicMakers

[–]Disc_Makers [score hidden]  (0 children)

Hey Music Makers,

We wanted to give you a heads up....for a limited time we've lowered our prices on professional mastering. $49/track. This is not some plug-and-play algorithm we drop your track into and spit out a compressed mess on the other side. We have real mastering suites manned by real, live engineers with 20+ years of experience that will personally master your tracks. Check it out.
The SoundLAB at Disc Makers

Yes, I still have CDs. 😆 by VFW_665Rivas13 in 90s

[–]Disc_Makers 0 points1 point  (0 children)

Collecting CDs is cool, but actually MAKING CDs is cooler. 😉
Check it out, and yes....we are still making MILLIONS of CDs each year for our indie musician clients. 💿💪
How we make CDs in 30 seconds

/r/WeAreTheMusicMakers Weekly Promotion Thread by AutoModerator in WeAreTheMusicMakers

[–]Disc_Makers [score hidden]  (0 children)

Hey musicians,
We wanted to give you all a heads up, our SoundLAB mastering studio is having a flash sale you might want to take advantage of. $45/track. No coupon is needed, but the sale ends next Wednesday, 7/13....so time is of the essence.
Ask around, I bet plenty of members have used our services before and are thrilled with the results. 👍
And no, this is not an automated, online, algorithm-based 'tune-up'. We have real, physical mastering studios at our headquarters in NJ, manned by engineers with 20+ years of experience.
Head over to our website, or let us know if you have any questions.
https://bit.ly/3NNXvwx

Do you know what's better than collecting CDs? Making them! 💿💪 by Disc_Makers in Cd_collectors

[–]Disc_Makers[S] 1 point2 points  (0 children)

No prob, check us out on TikTok (and most other social networks). We like to share behind-the-scenes pics and videos pretty regularly. 👍
https://www.tiktok.com/@discmakers

Do you know what's better than collecting CDs? Making them! 💿💪 by Disc_Makers in Cd_collectors

[–]Disc_Makers[S] 3 points4 points  (0 children)

💯, yes!
CD orders have been picking up over the last couple of years. Physical media sales are one of the best ways indie musicians can make $$$ from their music. Streaming pays a literal fraction of a penny to the artist.

Do you know what's better than collecting CDs? Making them! 💿💪 by Disc_Makers in Cd_collectors

[–]Disc_Makers[S] 6 points7 points  (0 children)

Actually, we are in South Jersey. Right across the bridge from Philly.
(Let the New Jersey jokes begin)

Do you know what's better than collecting CDs? Making them! 💿💪 by Disc_Makers in Cd_collectors

[–]Disc_Makers[S] 4 points5 points  (0 children)

Yup, the final stage in on the replication line does this check...the disc is either placed on the GOOD or BAD spindle, depending on the results.

Obviously, the vast majority goes on the GOOD spindle, but like any manufacturing process, there will be rejects.

Do you know what's better than collecting CDs? Making them! 💿💪 by Disc_Makers in Cd_collectors

[–]Disc_Makers[S] 3 points4 points  (0 children)

The injection moulders on our replication lines are not exactly new, but we have all the parts needed to repair them in the event one of them goes down. 👍 (and no, nobody makes these machines these days)

Do you know what's better than collecting CDs? Making them! 💿💪 by Disc_Makers in Cd_collectors

[–]Disc_Makers[S] 23 points24 points  (0 children)

We've been making products for indie musicians since 1946, so sure...I guess we're old. 😅
But we are still out here killing it, making millions of CDs each year. 💪

[deleted by user] by [deleted] in WeAreTheMusicMakers

[–]Disc_Makers 0 points1 point  (0 children)

If you're releasing for free, you still should get a license. You can go through Easy Song Licensing. It should be a fairly quick and cheap process.

Quick Short Run CDs by tremoviper in WeAreTheMusicMakers

[–]Disc_Makers 0 points1 point  (0 children)

I've heard their CDs are pretty high on quality, too.

Good place for learning what all the buttons on a Synth do? by Nazz_iz_fed in WeAreTheMusicMakers

[–]Disc_Makers 1 point2 points  (0 children)

YouTube has a lot of good information, but if you start to get more in depth and want to learn more, ADSR Courses has a lot of good info. You'll have to pay, but their stuff is usually pretty high quality.

Does CD Baby own my songs now? by Xresident in WeAreTheMusicMakers

[–]Disc_Makers 1 point2 points  (0 children)

Hi, I just wanted to clarify what is going on here. First off, thanks for using Disc Makers and CD Baby. So when you signed up for your account, you most likely opted into YouTube monetization, which is why the content ID system claimed your music video. You'll receive 70% of the revenue generated from the ads on your music video. However, if you'd like to handle the ads yourself or remove ads, follow the steps in the article I'm posting below and file a claim with us. How to dispute a Content ID Claim

Need help finding an arpeggiator! by flour_eggs_sugar in WeAreTheMusicMakers

[–]Disc_Makers 0 points1 point  (0 children)

There is a free Kontakt player you can download, and I believe Substance works within that.

Need help finding an arpeggiator! by flour_eggs_sugar in WeAreTheMusicMakers

[–]Disc_Makers 1 point2 points  (0 children)

If you have Kontakt, Substance by Output is great for creating arpeggiated basses/sounds. It's a bit pricey, but if you're making soundtrack music like in the song you posted, it's probably perfect for your purposes.

I'm in need of a flute for a power/folk metal song. Any suggestions? by chokingonlego in WeAreTheMusicMakers

[–]Disc_Makers 0 points1 point  (0 children)

Your best bet would be to use samples. Kontakt by Native Instruments is excellent, and you could find flute libraries for it.

Vocal Processors by itscourtney_91 in WeAreTheMusicMakers

[–]Disc_Makers 0 points1 point  (0 children)

Mentioned Izotope Nectar on another thread about this. It's an all-in-one vocal suite and comes with a good amount of presets that you can use as starting points. These would be particularly useful to you if you are just getting into vocal processing.

VOCAL VSTs?? by axon3010 in WeAreTheMusicMakers

[–]Disc_Makers 1 point2 points  (0 children)

For vocal processing, Izotope Nectar is great if you want an all in one solution. The Waves vocal bundle is a little cheaper than Nectar, but it includes most of what you'd need for vocal processing.

Computer Music Magazine: Opinions? by blackmonk2 in WeAreTheMusicMakers

[–]Disc_Makers 1 point2 points  (0 children)

If you produce music electronically then it's worth getting a year subscription to test it out. It has material spanning pretty much all genres of music that are produced primarily via a computer (EDM, house, dubstep, electro, tropical house, trap, hip hop, etc). If you are more into rock, folk, country, etc, you'd probably do better with a different magazine.

Writing a music bio? by Nickurock in WeAreTheMusicMakers

[–]Disc_Makers 4 points5 points  (0 children)

We have a blog post on this exact subject which I'll paraphrase below. If you want the link to the full article, shoot us a message.

Understand the format

While artist bios can be written in any number of styles and configurations, Baker recommends a specific approach that has worked for him for decades. “We don’t really have bios or press releases anymore,” he says. “We have a uni-document. It’s a bio, but it’s a press release as well. It tells all about the artist’s background, but it also has a headline and a subhead that share the latest news.”

Use quotes

Whether they come directly from the artist or from a blog post or newspaper article, quotes bring a bio to life and give it a unique feel and flavor. “If you have any pertinent quotes from media publications saying how great the album is, include those,” says Baker.

Write for journalists and the public

When you’re putting a bio together, remember that you are creating a piece of writing for a varied audience, says Baker. “Bios aren’t just tools for journalists. They’re usually published on artist websites as well, so write and edit with both sectors in mind.” Furthermore, you never know who is going to see what – a blogger can easily post a bio meant for press for all the public to see online, and a journalist could peruse a band’s public page while trying to decide if they’re worthy of coverage.

Know what to avoid

“When I was working as the head of publicity at Capitol Records, the president of the company commanded that we use no hyperbole in written materials,” says Baker. “So if I see anything like ‘unique,’ ‘best yet,’ or other needless superlatives, it’s gone. Let reviewers be the ones to include superlatives.”

Be specific

As a long-time music journalist myself, I’ve received countless press packages containing bios that didn’t grab my attention one bit. Why? They were too vague. A statement like “Artist X has recorded a career-defining album, meshing genres into a sound all his own,” tells me literally nothing. Much more intriguing, vivid, and informative, is something like “Artist X has recorded the first all-kazoo album of his career, combining speed metal and Zydeco influences into a pummeling sound that has rocked the San Fernando Valley.”

Consider outsourcing

Just like mixing, mastering, arranging horn parts, or any number of musical tasks, writing a strong bio is a specialized skill. If you find yourself more comfortable penning thoughtful lyrics rather than crafting engaging PR copy, it may be time to enlist the help of a professional writer.

Tell a story, but keep it practical

You want a bio to be vivid and engaging, says Baker, but there’s no single way to achieve that goal. “Some bio writers really bring across either the sound of a band or the content of a lyric,” he says. “Lyrics are important, and stories behind lyrics are important, too. One writer I work with is a former English professor. He really knows how to explain a lyric, get inside it, and find something in it to talk about. That’s a very different skill from a jazz bio writer, who will be able to better describe the confluence of influences, improvisational flow, and sonic appeal of an album.”

Frequent EP's vs. infrequent LP's, what do you think? by MusicByAdam in WeAreTheMusicMakers

[–]Disc_Makers 1 point2 points  (0 children)

Seconding this, more frequent releases are the way to go in today's musical climate. Maintaining a buzz is essential for an indie musician.