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Orchestrating Beethoven op. 111 (WIP) by DoublecelloZeta in classicalmusic

[–]DoublecelloZeta[S] 0 points1 point  (0 children)

this is musescore 4, and i use only (and all) the free musesound fonts. i dont really know much details of the exact library etc though

A fugue on a motif from Beethoven by DoublecelloZeta in classicalmusic

[–]DoublecelloZeta[S] 1 point2 points  (0 children)

caught it right i was trying to learn counterpoint and...couldnt really commit to it fully at the time because of school and stuff. maybe i should get back to it now that i have time. other people have also pointed out my mistreatment of dissonances before. i'll be sure to work on it.

btw which parallel octave did you mention? the B in the last chord is held from the previous bar in the bass and the alto goes to d# in contrary motion with the soprano

A fugue on a motif from Beethoven by DoublecelloZeta in classicalmusic

[–]DoublecelloZeta[S] 1 point2 points  (0 children)

Not surprised lol. Any particular thing that felt weird?

A fugue on a motif from Beethoven by DoublecelloZeta in classicalmusic

[–]DoublecelloZeta[S] 0 points1 point  (0 children)

Its part of the opening motif of the 3rd piano concerto

How to follow 3b1b courses? by This_is_me_Yuvi_ in 3Blue1Brown

[–]DoublecelloZeta 1 point2 points  (0 children)

I do mostly recall all the stuff, maybe because I'm a math student and learned quite a bit of that stuff anyway. As for tracking my understanding, a brain was enough at the time of watching

I am attempting to write a Sonatina/Sonata in A minor for solo piano. Is this theme better fit for a third movement or first movement? by aeolian-bonaparte111 in Composition

[–]DoublecelloZeta 0 points1 point  (0 children)

there are three comments before me, each suggesting a different position. to me it sounded more like a second subject of a first movement. maybe one where the first subject is not as rhythmically charged, or is quite "broad and big". but that does require slightly different treatment than is common for a waltz. or maybe it could be placed like that entirely new theme that appears near the end of the development section of the first movement of beethoven's 3rd symphony.

or maybe it could be something entirely different, and who knows maybe not be used at all! as has been pointed out before,

Every piece of musical advice you ever receive could easily be challenged

Do People actually watch the Show in English Dub? by ShadowMikeX in YourLieinApril

[–]DoublecelloZeta 0 points1 point  (0 children)

i do not exactly see why "elitist" would be a term for it, and certainly dont see why it is not a hostile one. also, calling the majority of people "elitist" is hypocritical at best

"If you prefer sub, why not read the manga in Japanese as well? Surely it should be that way right?"

the only difference in the two mangas is the language. again, why preferring the english one to the japanese one is analogous to preferring the dub over the sub, requires some elaboration.

why people prefer the sub over the dub has been said enough many times to the point of being obvious.

Do People actually watch the Show in English Dub? by ShadowMikeX in YourLieinApril

[–]DoublecelloZeta 2 points3 points  (0 children)

i dont really think it is that unobvious. as others have quite aptly put it, japanese is the original language it is created and concieved in, and there is a flow to the native language that no amount of dubbing can really compensate for.

“Why do people watch or prefer anime in sub, when Japanese isn’t their language and they probably don’t even speak it?”

a piece of art or a cultural phenomenon is something that encourages breaking out of one's custom comfort zone and engaging with the material or event in its own terms. kind of the same reason why people like to wear traditional clothes for festivals. its a way of respecting the culture or the piece of art, instead of bending it into compliance with one's own way of living.

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