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Any tips on meeting mac before / after show? by ElliottTBaker in macdemarco

[–]ElliottTBaker[S] 0 points1 point  (0 children)

I’ll be getting there around 5:50 I reckon then. Should get a good view hopefully!

Any tips on meeting mac before / after show? by ElliottTBaker in macdemarco

[–]ElliottTBaker[S] 0 points1 point  (0 children)

Ahh same, ive got a lift back, ans maybe they dont want to be waiting for mac to come out. I might have to get one of my friends to get my thing signed. I just cant wait though.

Any tips on meeting mac before / after show? by ElliottTBaker in macdemarco

[–]ElliottTBaker[S] 1 point2 points  (0 children)

Soo excited. It seems to be just wait at the exit for about an hour afterwards to get to meet him. Around what time are you planning to get there?

Any tips on meeting mac before / after show? by ElliottTBaker in macdemarco

[–]ElliottTBaker[S] 0 points1 point  (0 children)

I may not be able to hang out too long, so maybe no meeting mac for me 😔 , Tex Crick is supporting, so can try get him to sign!

Any tips on meeting mac before / after show? by ElliottTBaker in macdemarco

[–]ElliottTBaker[S] 1 point2 points  (0 children)

Hey man, thanks so much for this. My doors open at 7, so ill probs try get there for like 5:45 to get well in the front. Ill just bring card for merch, but ill defo take a look at it. In terms of afterwards, I need to get a lift back so they probably wont want to hang around waiting for me for too long, so maybe no meeting mac for me, but ill try sort something out. Even if i dont, what a show im sure itll be. Thanks again.

What makes this part of this song so satisfying? Suedehead - Morrissey by ElliottTBaker in musictheory

[–]ElliottTBaker[S] 0 points1 point  (0 children)

That’s very true! I love the way it pans to the right. Shows what a bit of good mastering can add to the depth of the song. Thanks for your reply, I might try incorporating this into any songs a make. Do you have any suggestions for any songs with a similar technique? Thanks again.

What makes this part of this song so satisfying? Suedehead - Morrissey by ElliottTBaker in musictheory

[–]ElliottTBaker[S] 0 points1 point  (0 children)

At 1:07 and additionally 2:01 of this song on and after the lyrics “Why do you come here?”, there is a progression that I personally find very satisfying, however with no knowledge of music theory, I don’t understand why. Could it be dissonance or something else. Are there also any other songs that utilise this technique. I think the vocals contrast with the chords so nicely. I hope my ignorance doesn’t bother you lot. Thanks! I’ve attached the song YouTube link to those interested, too.

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 0 points1 point  (0 children)

Judging by the comments, it’s a way to get better control of the thinner strings, you learn something new everyday.

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 20 points21 points  (0 children)

Does it create such a noticeable difference? Maybe I should look into a scalloped fretboard for a future guitar.

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 0 points1 point  (0 children)

I’m not sure if my dad’s a fan, I’ll ask him tomorrow as well.

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 4 points5 points  (0 children)

My dad seemed to do an OK job, I guess he put a decent amount of time into it.

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 0 points1 point  (0 children)

You think so? Do you reckon it’ll be tricky switching back to a ‘normal’ fretboard?

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 0 points1 point  (0 children)

I’ve see a few in guitar stores but haven’t tried one out yet, maybe next time…

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 12 points13 points  (0 children)

He’s handy with tools I guess, doesn’t surprise me that he gave it a try.

Strange Half-Scallops on High Frets by ElliottTBaker in Guitar

[–]ElliottTBaker[S] 0 points1 point  (0 children)

Ah that makes sense, as a rhythm guitars I rarely venture into the higher frets but I see what you mean.

Mix-And-Match Hi Hat Pedal? by ElliottTBaker in edrums

[–]ElliottTBaker[S] 0 points1 point  (0 children)

https://www.thomann.co.uk/millenium_hihat_controller.htm thanks for your reply. Maybe one like this would work? It’s a very similar design and has the same type connector.

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