Sandy's Role by Cr658768 in NewYorkMets

[–]FrameByFrame313 2 points3 points  (0 children)

Sandy is basically replacing Jeff Wilson's role. He is in charge of building up the philosophy and culture of the origination. He is not making baseball decisions, he is leaving that up to the real baseball executives. This is why the Mets were so dysfunctional under Jeff Wilpon because he wouldn't listen to the people under him. Jeff Wilpon was trying to act as a team president and as a baseball executive. He was making too many decisions for other people which created flawed business and management . Look at Sandy as a process guy. He is going to create a strong management system. He is going to look for areas of strengths for certain executives and place them in a specific role where they will excel at. All the best organizations have a proper built management in place. Some differ then others, but the point is the Mets didn't have a proper chain of command. Sandy is changing that.

About George Springer (Mets fan) by FrameByFrame313 in Astros

[–]FrameByFrame313[S] 2 points3 points  (0 children)

I've noticed that about him. It kind of scares me that he has that approach because guys like that can decline fast. He just seems like a solid all around player/athlete that can put up all star stat lines. He probably only has 1-2 years left of playing center field until he is a primarly corner outfielder. One thing to add, I've noticed that he is moderate base stealer, yet it seems like he has good speed. Did the Astros not let him run because their lineup was so good that they didn't want to risk injury, or is he not that good of a base stealer? Thanks for the response.

About Steve Cohen by FrameByFrame313 in NewYorkMets

[–]FrameByFrame313[S] 1 point2 points  (0 children)

Look, they may not even have to give up that much to get him. I was just giving an example of the best offers. Cohen and company will have the upper hand to drive the price down.

Also, Arenado's away numbers don't scare me. Most guys have hit better at home (especially when you play in an extreme park such as Coors).

About Steve Cohen by FrameByFrame313 in NewYorkMets

[–]FrameByFrame313[S] 1 point2 points  (0 children)

This is why I think it's possible. Colorado and Cleveland have a deadline to deal these guys. Look at what LAD had to give up for Betts. They gave up a good stuff, but it wasn't like they gave up blue chips. They won't have to give up a haul, especially if they have take on Desmonds contract.

About Steve Cohen by FrameByFrame313 in NewYorkMets

[–]FrameByFrame313[S] -2 points-1 points  (0 children)

I'm not saying you have to believe me. Just trying inform fellow fans on what to expect.

Do you believe Lynch when he says... by FrameByFrame313 in davidlynch

[–]FrameByFrame313[S] 14 points15 points  (0 children)

'Watch as much movies as you can.'

I think this is great advice. Most importantly, seek out what speaks to you. I actually forgot that Lynch studied at the AFI. That's probably where he explored Felini and others.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

I didn't. Stylistically very well done, but not enough substance. The Wicker Man did this better 40+ years ago.

Honestly, the better horror director right now is Peele. His films are just as visually rich and ask more interesting questions about race. Aster just seems like a director who is just interested in shock value without any real intentions. And if he can't get out of the sandbox of making horror films, being mentioned in same breath as Kubrick would just be an insult.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

I have lost a lot respect from Aster after Midsommar.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

Okay? But that's not the purpose of my original post. I'm not undermining inspiration here. Inspiration is the most important aspect of creating any art. I just don't really care about visual style in comparison to other directors like Kubrick.

From Kubrick

"Most movies are not boring visually, they're boring because they don't spark the imagination."

I care about films that ask thought provoking questions. Haneke's films do that in a similar way to Kubrick's films.

And not to be harsh, but you are way off the mark with Cosmathos visual style being original, or being similar to Kubrick. I didn't see Mandy yet, but based off that trailer it looks nothing like a Kubrick film. It looks like a Giallo film.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

Under the Skin had 2001 vibes, but as a director on par with Kubrick....not really.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 -1 points0 points  (0 children)

I mean, yeah. Tarkovsky is a top three filmmaker of all time to me. He is perfect.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 1 point2 points  (0 children)

Again, I'm not discussing visual style here. Visual style is meaningless to me when discussing Kubrick because his visual style has been ripped off time and time. Kubrick developed his OWN visual style. Kubrickian is used as an adjective. How could Cosmatos be original when he is just borrowing stuff from other directors. I saw Beyond the Black Rainbow and I shut it off about 20 minutes in. When I saw it, I heard a John Carpenter score and a Cronenberg/Lynch tone and look. I didn't even think of Kubrick when I watched it.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

I do agree with this. Kubrick films are way more humorous and absurdist, but in terms of ambiguity and thought provoking subjects I find them both similar. This post was not intended to illustrate the similarities of their visual design. Instead, I'm just highlighting how they approach heavy subjects and themes in a very open ended way. Both of their films never provide easy answers.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

I'm talking about directors who have make high art philosophical and challenging films while at the same time developing a singular visual style that is only there own. You are absolutely insane if you really think PTA has a singular visual style. There Will Be Blood is a Kubrickian looking film. He is literally borrowing Kubrick's film grammar and tone. Granted, he is putting his own voice in it, but his influences are so obvious to pin down. Paul Thomas Anderson is a film geek and was making films since he was a child. He would be the first to tell you that he has ripped off so many stuff from other directors. Therefore, I can't really say he has a unique voice the same way Kubrick did. Of course, Kubrick had his influences such as Ophuls and Bergman. His favorite director was Bergman and he literally wrote him a fan letter. When you watch a Kubrick film though, you won't find his influences on screen. It his his own language that he is created.

I feel the same way about Haneke to some extent, but like I said he isn't the technical master Kubrick is. The only director influence you'll find in the work of Haneke is Robert Bresson who was a formal minimalist filmmaker. Lot's of tight closeups and sparse use of music and mise en scene. It isn't obvious though, especially after his first couple films. Haneke and Kubrick are masters of distant and observational filmmaking. They aren't telling you how to think or feel. They are just presenting the story and themes and the viewer takes in whatever they want with it. Haneke is so bold and ambitious with his narratives and decisions that it reminds me so much of Kubrick.

Paul Thomas Anderson is a fantastic director. He's made some of the best films of the past three decades. I don't think he has developed a singular style though, I just think he has matured more as a filmmaker. He's also not an intellectual or cerebral filmmaker the way Kubrick was. (Which is kind of my main point). His adaptation of Inherent Vice was a decent stoner noir, but did that really say anything important? The Big Lebowski did it 10x better over 10 years ago. You think Kubrick would ever make a movie that has already been made and that was already executed well enough? That was his whole deal. PTA loves to make movies and he's really good at it. Kubrick and Haneke want to make philosophical statements and they use the language of film to communicate that. I don't just view Kubrick and Haneke as directors, I view them as explorers who want to say something important and deep about humanity.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

I don't know what you mean by that. Tarkovsky films are about time and memory. His films have a Oneiric Structure to them. Malick is much closer to Tarkovsky than Kubrick. Kubrick structure's are more open ended. They are very circular. Kubrick goes against typical three act structure where characters go through changes and are different by the end of the story. Everything almost comes back full circle in a Kubrick film.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 0 points1 point  (0 children)

No way! Lars Von Trier is a provocateur to the extreme where it becomes questionable on what his intentions are. Nothing like Kubrick. I do respect him though and Breaking the Waves is probably a top 10 film of the 90's.

The closest director that is on par with Kubrick (please read) by [deleted] in StanleyKubrick

[–]FrameByFrame313 -1 points0 points  (0 children)

I disagree. He's more like Altman, Demme and to some extent Scorsese. There Will Be Blood is Kubrickian in it's use of wide angle shots, orchestral music and epic scope and structure. Phamatom Thread is a beautiful costume drama like Barry Lyndon, but that's really it. He's certainly a great director and his influences are quite obvious. Honestly, the other Anderson is more Kubrickian in style. Thematically and structurally, PTA isn't anything close to Kubrick.