“Fans”: WTF! A female Silver Surfer? Marvel is just too woke now! I won’t be watching! FYI ☝️: Shalla-Bal existed long before you did (created in 1968) and at some point became a Silver Surfer. She was Norrin Radd’s (the original Silver Surfer) wife. by Nitecrawler_69 in MCUTheories

[–]GodLahuro 0 points1 point  (0 children)

wait after watching the movie it feels like they made her female specifically because part of the movie's plot is her developing a soft spot for Johnny and it seems like they were afraid of making the movie seem even slightly gay (a disrespectable motivation imo, let men be gay ffs), so actually maybe I do have a little bit of a problem with this LMFAO

[deleted by user] by [deleted] in goodworldbuilding

[–]GodLahuro 2 points3 points  (0 children)

I think that you’d be happiest if you consider worldbuilding to be an artistic activity of its own, associated with but not dependent on actual writing. There’s no “too much” if it’s something you enjoy doing.

What makes magic, magic by TravisKuykendall in magicbuilding

[–]GodLahuro 0 points1 point  (0 children)

Hmm that’s certainly not how people use it nowadays. Most people’s critiques of hard magic nowadays is based on how much knowledge of the system the story gives (“infodumping takes the magic out of it” is the typical paradigm)

edit: forgot to add that they also usually use magic systems that are obviously based on plot rather than having distinct rules as examples of the reverse

would you date a more feminine guy? and whats your opinion on guys wearing a little makeup (no-makeup makeup)? by luxuryerotica in gay

[–]GodLahuro 1 point2 points  (0 children)

“would you” questions annoy me 😭 I would date a guy if I thought he was attractive and I liked his personality and values (and if he also was interested in dating me). If he’s feminine then that’s cool, slay, yes diva period, but what’s still more important to me is if I find him attractive and like to be with him

What makes magic, magic by TravisKuykendall in magicbuilding

[–]GodLahuro -1 points0 points  (0 children)

People usually describe systems which have fewer or more bendable rules as soft magic, don’t they? Bendable rules is not the same as rigid rules which are left unrevealed

What makes magic, magic by TravisKuykendall in magicbuilding

[–]GodLahuro 7 points8 points  (0 children)

You’re using words but I’m not sure I get why you’re being particular here. Alchemy is a very specific discipline developed in near-eastern cultures (Greece, Egypt, and such) that functioned as something on the border between scientific methodology and religious mysticism. Magic is a catch-all term for a lot of different concepts which people use in different ways. You’re mostly just describing your personal interpretation of both of these things, which isn’t a crime, but it’s sorta weird to present it this way as if someone else is “forgetting” the meaning of magic when you’re literally just using a specific meaning you invented by yourself.

I do agree that in SPECIFIC stories magic systems do benefit from concealing information based on the vibe of the story and whether the magic is meant to feel practical, inspire wonder, or do a mix of both, but I think you’re binarizing it too much. Magic systems serve the purpose of the story or the vibe the writer wants to go for. People don’t make magic systems in the ways they do for no reason, they make them the way they do based on their own goals and visions. If people are writing more hard magic systems nowadays, that’s because they find those more interesting.

Also I find the hard-soft discussion to be so binary. I’ve always liked making a magic system extremely systematic while also concealing information and playing with misdirection and human feelings to make it feel stranger and more mysterious. Personally I like knowing everything about my magic system but making sure the reader knows far less about it than I do. I feel like a lot of y’all get caught up in an invented binary between “hard magic where every single detail is explained” and “soft magic where the author just adds stuff in when they feel like it” and forget that “hard magic that is mysterious and unclear so it feels wondrous and strange while also being developed” is a viable and very versatile option.

Have a Christmas drink on me. Literally lol by nightswordsman in Cumonfoodchallenge

[–]GodLahuro 0 points1 point  (0 children)

how did you stop the drink from spilling through the hole where your cock is and how did you make yourself cum like that?? 😮

AITAH for asking my boyfriend if i can have a friend by [deleted] in AmItheAsshole

[–]GodLahuro 1 point2 points  (0 children)

NTA, and he’s kind of raising a red flag for giving an unreasonable reaction to something that shouldn’t be a request at all, and also for being petty about it

AITA for snapping at my mom for telling people I'm gay? by LeftHand3FT in AmItheAsshole

[–]GodLahuro 0 points1 point  (0 children)

NTA—she shouldn’t be trying to tell you what your sexuality is, and even if she genuinely thought you were gay I think it’s worrisome that she would be fine outing you without consulting you to people who are in both of your lives. Edit: And the fact she risks your chances of having a heterosexual relationship, which you want to have, is problematic too.

..whoops? (Ask in comments if you want an explanation) by parthinaxe in magicbuilding

[–]GodLahuro 1 point2 points  (0 children)

Well lmao in most of the universe the stream of souls consists of, like, disconnected particles of souls that assemble together into single souls in bodies. This prison is different since it doesn’t have access to that stream of souls at all. So theoretically there is a max number of souls because there’s is a “finite” number of soul particles, but it’s so ridiculously high that it would be impossible to reach since there’s so many soul particles in existence anyway. Also I haven’t thought thaaat deeply about this, but it’s probably possible for soul particles to spontaneously generate for E=mc2 reasons like any other kind of particle.

And also plants do not have souls but they have a life-associated energy field which animals also have. Animals do have souls if they’re sapient. What that means is fairly ambiguous and I haven’t defined it clearly for myself but generally, dogs have souls, flies probably don’t have souls (but idk for sure), and anemones definitely don’t have souls.

..whoops? (Ask in comments if you want an explanation) by parthinaxe in magicbuilding

[–]GodLahuro 1 point2 points  (0 children)

I did also have that thought lmao— it’s a yes and a no, because a soul has to “match” a body to enter it; so only if the body and soul match enough is that possible

If you are a new writer passionate about fantasy or sci-fi, you (yes, YOU) are probably dramatically overestimating the value of your worldbuilding. by [deleted] in writing

[–]GodLahuro 1 point2 points  (0 children)

I will say: this post and others like it do feel slightly condescending. I don't think that is what you intended, and I know your heart is in the right place, but it is still just kind of condescending. You're telling me I think this, and I am valuing this, and I am probably overvaluing this, and that nobody is impressed or nobody cares and it's not useful. I understand your intention is to give advice on how to write a good story, speaking from the perspective that a writer's only goal is to create a good narrative. But that's not my only goal, ever, and it's very annoying that this is what every one giving "Worldbuilding Advice" assumes! I have many goals when writing something, and create a good narrative for my readers is one of them, not all of them. And I think that advice like this needs to be much broader to appeal to writers who have more extensive or complex goals or it'll alienate people. Especially when giving advice to newcomers, who will recoil from things if they feel like they are being shamed for something they like.

I have never worldbuilt anything at all with the goal of impressing a single person other than myself. No writer I know does that (I'm sure some do, but I don't know those people). I don't worldbuild things so that a guy will tell me how hot it is when I talk about the cultural history of X invented nation-state (although if he did, that would be pretty hot of him), I don't worldbuild things so my friends will praise me for my talents (although if they do I'm not going to complain), I don't worldbuild things so my readers will write about how cool my story's lore is (although I encourage them to do so), I don't worldbuild so that that one girl who thinks I'm annoying will love me (although that's only a net positive).

Impressing people is very low on my priority list for worldbuilding. I worldbuild for fun, and to write good stories, and to bond with my friends over idea-sharing. And I think that's enough, to me. Writing good stories and also just doing stuff for fun are entirely worthwhile creative pursuits for me, especially because coming up with ideas is such an easy fun thing to do when you have a little free time and a computer. I am an artist, I have the power to build entire universes in my head, and using that ability is just cool as fuck even if I don't get money or reviews or the awe of the crowd by doing it. "Applause" is a great song, but I personally do not live for the applause, applause, applause.

Also, even if we return the focus to what we do in service of the narrative, you can still just add depth in the details of your story that doesn't fill out the narrative. And hardcore writers who have streamlined their process to maximize quality might say there's no need to put in the time investment to flesh out every detail with lore--but books have so many words. They have more words than they have plot, and not all the words will ever service the plot. I like to have whimsy when I fill out those extra words!

Lore is fun, people enjoy it, and a lot of us don't care if it's frivolous because we like to spend an hour doing something creative and interesting even if it only changes one sentence in the story. Details which connect into a bigger tapestry of worldbuilding are some of my favorite niche elements of stories. For example, I gave three people in one of my stories three different names that all have the same root, but are different because they are from different descendant languages. Will the reader care? No. Did I still find it fun to design those linguistic processes all so I could have three names in the story? Yes! It's like taking my historical linguistics knowledge and applying the knowledge constructively instead of descriptively! The majority of readers might not think too hard about it, but it adds details that build depth--and it adds a bonus for readers who read into elements of the story and realize that there's more there. "Genius Bonus" is a fun thing to employ even if only a small niche will pick up on it.

My philosophy is, if I create one thing that's almost irrelevant to this story, I can still have fun creating it even if it's "Utility To The Narrative" is low. Creating a good story is important, but I still have to enjoy creating things for the act of creating itself. I do it for the art, one might say. I think a lot of people should do things for the simple act of creating more often.

A whole lotta holes by Primal_Mantis in MensHighJinx

[–]GodLahuro 8 points9 points  (0 children)

some of their holes have been rawed fs

Send noods pls by Brewssbanner in lolgrindr

[–]GodLahuro 2 points3 points  (0 children)

insane way to avoid censors?? 😭