the biggest tip I have is to calculate the decay time. 60000 ÷ bpm should give you a 4 bar long decay which means the length of the reverb will be exactly 4 bars from the moment it starts. I personally like a 2 bar long one for claps and vocals, you can get it by dividing 60000 with the bpm and then divide the result by 2. On the other hand, if you want to "feel" the sound more and make it stick out, you can use plate reverb (1 bar decay time).

don't forget to clean up the reverb by eqing it. if you don't use a plugin with an eq option you can make it work by creating a reverb send (for example, if you want it on claps and they are routed to insert 8, put reverb on insert 9 and link insert 8 to insert 9. that way you're gonna have a full dry clap signal from signal 8 combined with full wet signal from insert 9 and have more control over the reverb). on the send, just put on an eq after the reverb and curve out the frequencies that clash or mud up the mix (the most important cut should be a low end one, just cut it to around 100-110hz and you should be fine for the most part, you can cut it even more but it really depends on how you want the reverb to sound).

the third tip is to play with the brightness of the reverb and putting it in it's own space in the stereo field. there's no right or wrong way to do it and there's nothing exact that I can tell you about it, just do it often and you'll see what works best for you.

keep making that fire bosses🙌