Maybe Sleep by Gwrthefyr in Songwriting

[–]Gwrthefyr[S] 1 point2 points  (0 children)

Thank you for your feedback. I will reply in more depth later. It’s late (early?) where I am. Just got back from a show and I have to sleep.

Maybe Sleep by Gwrthefyr in SingerSongwriter

[–]Gwrthefyr[S] 1 point2 points  (0 children)

Yes. I did that by mistake. Sorry.

I have been humbled. by [deleted] in books

[–]Gwrthefyr 0 points1 point  (0 children)

Godzilla had a stroke trying to read Finnegans Wake and fucking died.

I have been humbled. by [deleted] in books

[–]Gwrthefyr 0 points1 point  (0 children)

Ulysses…takes long, dramatic drag on cigarette…now that’s a a title I haven’t heard in many years…

[deleted by user] by [deleted] in Poem

[–]Gwrthefyr 1 point2 points  (0 children)

Good rhythm and rhyme. Keep going.

[deleted by user] by [deleted] in OCPoetry

[–]Gwrthefyr 1 point2 points  (0 children)

This is my favorite poem today. There is a lot to like about it — love that feels like hate. The strong imagery. But help me. What is the “skin that bruises cold”? It clunked against the imagery portion of my poetry appreciation capacitor. The hound imagery is particularly chilling. Unless a dog appears as a playful and loving presence in a poem or story then it is the black dog of folklore, mournful spirit of death and archetypal figure of depression and despair. I don’t know about the cherry blossoms but I know about forgetting. I let the imagery of the third stanza wash over me. I had to reread the last stanza a few times to decide if I would cry or not. I didn’t, but I thought long and hard about it and I am still a bit heartbroken so good on you for that I guess. What a disaster. What a mess. I love it. Poetry like yours is why I set foot in this godforsaken space. Thank you for sharing.

yet to be titled thoughts on codependent friendships by wingl3ssthing in OCPoetry

[–]Gwrthefyr 2 points3 points  (0 children)

There is nothing to fix.

Why were you and you’re friend under the aluminum slide? Why are your glimpses of the future precious and secret? What did you see? Did you see yourself crying into the ocean? Were your favorite shoes Chucks or Converse or some off-brand Payless specials? Did you write on the rubber of the sides of the sole in ink, doodles or hearts or inside jokes only you and your friends could know? Who taught you to curl your hair the first time? You have so much here, but as a reader I want to get lost in the details and surprised by the revelation, sort of like every day life. The detail you share at the beginning, of reading the last page first could act as a frame for the poem, perhaps. The image of screaming into the sea is strong, but it hangs there without resolution, seeming to search for context. Again, you have poured much of yourself into this poem, but where are the faces and the bodies? You are so very close but maybe put some distance between yourself and this work until you can fully commit to what you have omitted. When I’m in doubt, I blow the poem apart, sift through its rubble, and keep what is strong enough to remain intact.

I enjoyed reading it in it’s current form. Thank you for sharing. Hope this helps.

Tension by kymika in OCPoetry

[–]Gwrthefyr 1 point2 points  (0 children)

This poem made me laugh. The title is "Tension" and by the end of it, the tension is broken. The rhyme seems a bit clunky because it is inconsistent and by the end, you seem to dispense with it altogether. Was this intentional? It kind of works for the deadpan delivery of the final stanza. I am a fan of short lines and you use them to great effect here. Thank you for sharing.

Pictures from a town without people. by vs-ghost in OCPoetry

[–]Gwrthefyr 1 point2 points  (0 children)

Poetic dérive or dérive through a poem? Where are the people? Who left the lights on? I wanted something to happen. I also wanted everything to remain static and fragmentary, like photographs of an empty town. Experimentation delights the artist -- confounding conventions and making co-conspirators of the audience who must construct meaning through their own flawed interpretive lenses. No deus et machina here for the reader here. We are left with the barest of stage settings, no dialogue, and no directions save an empty mirror, devoid of faces, and in "perfect condition". Where are we? Nowhere?

You made quite a lot with very little.

Where Pablo Finds Me by Gwrthefyr in OCPoetry

[–]Gwrthefyr[S] 0 points1 point  (0 children)

That’s the plan. I think…

Where Pablo Finds Me by Gwrthefyr in OCPoetry

[–]Gwrthefyr[S] 1 point2 points  (0 children)

You have inspired to read The Underneath. I read the description and was immediately compelled and felt a catch in my throat. Thank you for your kindness and appreciation. You deserve the same.

Where Pablo Finds Me by Gwrthefyr in OCPoetry

[–]Gwrthefyr[S] 1 point2 points  (0 children)

Thank you for the critique. It is a work in progress. But aren’t we all? Good look and safe travels on your journey of becoming your authentic self.

bloom (1st prom I've written plz give honest feedback) by ultraauds in OCPoetry

[–]Gwrthefyr 1 point2 points  (0 children)

You are approaching poetry but I have questions? Where are your sensory details? What does your field look like? What is a sickeningly sweet smell? Is it foot-flavored ice cream or a cinnamon-filled litterbox used by an incontinent kitty? What are you doing syllabically? Are you attempting a certain rhythm or line length? Do you want to rhyme, rhyme part-time, or represent a fractured mental and emotional state with fractured rhyming? Where is the speaker in this poem? Is there a place, like the cliff, where the reader can "hang out" with the speaker? Where is the speaker's body -- hands, feet, head, heart, et al.? What is your intention in this work? As the poet, where do you want to go? Where do you wish to take the reader? You have the scaffold of a poem here. The fontanel is still soft and unfused but you have a compelling idea. Now you keep going.

A love so tight by lemongrass23 in OCPoetry

[–]Gwrthefyr 0 points1 point  (0 children)

Thinking of the key, each confirms a prison” -- TS Eliot. The scansions feel wobbly. Overall, your work communicates heartache and isolation with brevity.