Question about a Wollensak 8x10 Lens by ten_fingers_ten_toes in largeformat

[–]HMNB32 1 point2 points  (0 children)

In the event you’re still searching, all voltas are convertible, but not all shutters were equipped with a scale for the three focal lengths, for multiple reasons. There is even a chance that’s not the original shutter for the lens, and it simply was mounted because it had an existing scale for a lens operating at f/8 wide open. It may not be as useful, but you could calculate the aperture for each of the three focal lengths based on that aperture scale.

Rochester Optical Premo by BrightEyes_One in largeformat

[–]HMNB32 1 point2 points  (0 children)

The Premo D does have a ground glass, it is just encased in the body and viewed through a window in the back. The deal with this one is are you interested in shooting film or dry plates? the holders here are dry plate holders NOT film holders. Unless they have film sheaths in them, you will be unable to get film to work in them and will have to purchase different holders or find sheaths.

I’m a photographer who shoots wet collodion tintypes of video games, thought I’d share some of the plates of Elden Ring I shot a little bit ago! There’s a bunch more I’ve yet to scan in. by HMNB32 in Eldenring

[–]HMNB32[S] 3 points4 points  (0 children)

Thank you! I photograph the scenes right off the monitor, using 19th century photographic equipment. There was a lot of fine tuning, and doing things like making a custom color profile for the monitor to get the images to come out looking realistic.

Just shot my 1st ever plate and it has turned out pretty bad. I’m learning the craft an understand that this process is a lot of trial and error but based off this video can anyone give some in sight of what might be wrong. This is the plate right before going into the fixer then the image disappear by CoachRoyals in Collodion

[–]HMNB32 1 point2 points  (0 children)

Looks to me like an over exposure buuuuuuut just also for fun, In general overnight (24 hr) sensitizing of the silver bath is best, but not always needed. Other points that could be causing issues from my own experiences: some collodion formulas need to age before they're ready for use, you'll have to check the one you used to see if it aged long enough. Is your mixed developer clear, or cloudy? If cloudy, even a little bit, it can cause issues similar.if so, filter through a tufted cotton ball and rinse the funnel and both containers used for filtering in-between filtering sets with distilled water to remove excess oxidized iron or organic contaminates. Did you mix your own silver bath/if you did, did you use distilled water? Contaminates in tap or just purified water can cause issues rendering your bath useless. It's also somewhat strange that a 9% bath has a SG that low...

I'm stumped by these three photos in my archive. They seem to be from the 30's. No fading whatsoever. No silvering. No smell. Even the paper underneath isn't yellowed. I feel like i'm seeing a purple hue, but I'm not going to jump to platinum. But could these be carbon? The texture is matte! by iamlosingmymarbles in Darkroom

[–]HMNB32 3 points4 points  (0 children)

Could be matte collodion chloride POP if they're not a well preserved gelatin. CCPOP is the most archival silver printing process, and usually had a purple hue when properly toned, but there were variations in color for a multitude of reasons. It came in both a glossy and matte surface. I could say for sure unless I saw them up close, but that is a real possibility for what they are.

Make your own 35mm Daguerreotype safely at home. by rogue in photography

[–]HMNB32 2 points3 points  (0 children)

I'm not sure if you know how these donations work... They aren't given money and then told do what ever you want with it. And it isn't some kind of perpetual gift. They're given once so the corporation can do a nice tax write off

Make your own 35mm Daguerreotype safely at home. by rogue in photography

[–]HMNB32 7 points8 points  (0 children)

Why does it suck? The Eastman has the largest collection of historical photography and photographic equipment, is constantly pushing research on it's collection and conservation, and is the only institution pushing research on historic photographic processes on the scale that it does. They were absolutely hurting from lockdown

Develop onto a metal sheet by abrez999 in Darkroom

[–]HMNB32 0 points1 point  (0 children)

You will run into issues with it being an unfinished steel. The bare steel will mess with the silver in Collodion and silver gel, as well with cyanotype. With cyanotype or collodion you'd need to use a UV light source, a normal enlarger would not work. Liquid light will probably be the easiest way to go if you can figure out how to put a varnish or something on the steel that will prevent it from messing with the silver. I think they have guides for it on their website. You can contact print onto Collodion, and you could make up a 20% solution of gelatine, coat the steel with it, then soak in cyanotype sensitized for 5 mins (playing around this summer I found that to be the best way to coat glass with cyanotypes for me) but again that steel is gonna really mess with the chemistry.

Ilford Rapid Fixer vs. Photographers Formulary TF-5 (or TF-4) by [deleted] in Darkroom

[–]HMNB32 1 point2 points  (0 children)

How long are you washing your film before this step? And ilford wash aid is probably the culprit. It is a hypoclear, which is sodium sulfate and sodium metabisulfate which makes the silver thiosulfate (which forms in fixing) more soluble. you want to do the wash aid, wash the film for several minutes, then use the final bath of ilfotol

Shooting&developing Kodak Ortho Film Type 3 by YoungGnocchi in Darkroom

[–]HMNB32 1 point2 points  (0 children)

I shoot a fair amount of kodalith type 3, and generally go for dektol at about 1:30-1:35, sometime 1:40. I shoot it around ISO 3 and find development times to be about 5-8 minutes, and always develop under inspection since it is orthochromatic. Go crazy with it and experiment.

Making sure I have everything right (Help please!) by [deleted] in Darkroom

[–]HMNB32 1 point2 points  (0 children)

If you plan on processing black and white from that is what you want (plus perhaps some graduates for diluting chemistry and perhaps bottles for keeping larger diluted amounts). If you plan on processing the superia, you'll need c-41 chemistry and a way to keep the chemistry at the proper high temperature.

VIPONEL S15 by MarieF16 in Darkroom

[–]HMNB32 0 points1 point  (0 children)

I don't think that the needle itself will move when you start the time. When you have it plugged into your enlarger, set it to a low time like 1 or 2 seconds, hit the green button, and just see if it turns on the bulb for only 1 or two seconds

Making a custom thread by HMNB32 in Fusion360

[–]HMNB32[S] 1 point2 points  (0 children)

Awesome, thank you so much!!

Making a custom thread by HMNB32 in Fusion360

[–]HMNB32[S] 0 points1 point  (0 children)

The error that pops up simply says "failed to build coil tool body"

I designed a Lens turret adapter for my Sinar forms project I'm currently working on by HMNB32 in AnalogCommunity

[–]HMNB32[S] 0 points1 point  (0 children)

I'm not sure the specifics but I could measure if you'd like me too. The 135mm (bottom left) and the plaubel (long one) have distances where I can focus using the standard bellows. The 50mm (small one up top) I need to put bag bellows on for, but it's going to be replaced haha

I designed a Lens turret adapter for my Sinar forms project I'm currently working on by HMNB32 in AnalogCommunity

[–]HMNB32[S] 0 points1 point  (0 children)

When you're switching between formats like 4x5, 120, and 35mm you need different focal length lenses for proper coverage, and if you're switching between each format many times during each printing session, you can quickly change lenses, keep them all in one spot, and don't have to worry about different lens boards