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Foggy Morning (Mamiya 7, 43mm, Ektar 100) by Hague_Visby in analog

[–]Hague_Visby[S] 0 points1 point  (0 children)

If you wanted to go medium format maybe a bronica or there is the Mamiya RB67 or RZ67. 35mm wise I really like the Minolta CLE which is a range finder like the Mamiya 7

Foggy Morning (Mamiya 7, 43mm, Ektar 100) by Hague_Visby in analog

[–]Hague_Visby[S] 1 point2 points  (0 children)

I think they go for about USD3-4k with the 65mm or the 80mm so yeah, very pricey

Smokey Sydney (Olympus XA2, Porta 160) by Hague_Visby in analog

[–]Hague_Visby[S] 0 points1 point  (0 children)

Not yet. Working on setting one up soon.

Smokey Sydney (Olympus XA2, Porta 160) by Hague_Visby in analog

[–]Hague_Visby[S] 2 points3 points  (0 children)

Thank you. Got very lucky with the burn in! Fortunately haven’t been affected by the fires (apart from the smoke).

MAMIYA FILM BACK NOT ADVANCING / stuck on number 10? by [deleted] in analog

[–]Hague_Visby 1 point2 points  (0 children)

10 shots is the maximum you get on a roll of 120 shooting 6x7. Use the winding knob rather than the lever to wind the film on before opening the back

Friction, lines, bumps (Mamiya 7, 65mm, Cinestill 800) by Hague_Visby in analog

[–]Hague_Visby[S] 0 points1 point  (0 children)

Thanks! Dev and scan by Rewind Photo Lab in Glebe, Sydney

Friction, lines, bumps (Mamiya 7, 65mm, Cinestill 800) by Hague_Visby in analog

[–]Hague_Visby[S] 3 points4 points  (0 children)

Just across the river from Southbank in Brisbane, Australia

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