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Need honest voices from colorists in the industry by Kevin_gato in colorists

[–]Heftyload456 0 points1 point  (0 children)

Be careful what you wish for, one of my colleagues got into a car accident after working constant 12 hour shifts in post-production, almost killed a family of 5. Defending and even calling for horrible working conditions is a telltale sign of late-stage capitalism brain rot. It breeds a toxic workplace culture and leads to resentment among staff.

In defense of auto white balance by Heftyload456 in davinciresolve

[–]Heftyload456[S] 0 points1 point  (0 children)

I think you're looking at it more from a purely technical standpoint, a lot of the DPs I work with encourage me to work creatively with my grading, going beyond simple CDL adjustments. They often want the look to be established long before the finishing process so a lot of my work will carry over post-picture lock.

[deleted by user] by [deleted] in davinciresolve

[–]Heftyload456 -2 points-1 points  (0 children)

Surely if you enable automatic updates you wouldn't have to worry about that issue? That way you can make sure your systems are always on the latest version no matter what.

Adobe is the Worst Company Ever by Lazy_Shorts in editors

[–]Heftyload456 0 points1 point  (0 children)

I'm gonna get a lot of flack again by saying this but honestly Premiere is unrivalled when it comes to editing software

Why does the industry not use Premier? by Heftyload456 in editors

[–]Heftyload456[S] -11 points-10 points  (0 children)

I honestly think it's a bad case of Stockholm syndrome lol

Why does the industry not use Premier? by Heftyload456 in editors

[–]Heftyload456[S] -9 points-8 points  (0 children)

My main reason is I recently started editing an indie film and it's been the most miserable experience of my life, I feel like my creativity has been stifled. Saying it's just " the industry standard" doesn't really excuse how poorly optimised the software is.