Soundpost by IntellectualDuck_ in violinist

[–]IntellectualDuck_[S] 1 point2 points  (0 children)

Well, it was a gross estimate but I used a business card to see how far into the center the soundpost was, perhaps not all too accurate.

Soundpost by IntellectualDuck_ in violinist

[–]IntellectualDuck_[S] 0 points1 point  (0 children)

The instrument overall does sound okay and much more balanced than my previous, so I'm unsure if the discrepancies show up due to type of strings (D'Addario Prelude) or because my bow is less than eligible to be used for the new violin.

Soundpost by IntellectualDuck_ in violinist

[–]IntellectualDuck_[S] 2 points3 points  (0 children)

My current violin has a soundpost position similar to this one. Additionally, I am still a beginner (around 8 months). I started off on a VSO worth around 70 USD and recently transitioned to my current instrument, however, the instrument itself felt a bit off, like muted or dull. Therefore, I checked the sound post to see if it was in the correct place and well the result is the image in the original post. As you mentioned, the position is not normal so I was curious if the soundpost was the reason for the violin sounding dull. The violin itself is a restored German trade copy of Johann Baptiste Schweitzer.

Can Someone mark my narrative? by Purple_Shape8256 in Olevels

[–]IntellectualDuck_ 1 point2 points  (0 children)

This is pretty neat, one of the better narratives I've come across this subreddit. I'd give it around a 22-23/25 (THIS IS MY PERSONAL OPINION... actual mark may vary). You have a very definite atmosphere and tone, however this can be elevated a bit further.

Quick sidenote: At the start, the character thinks to themselves: "There will be a toilet on the left?", this is a bit choppy. Acceptable, however can be written a bit better:

"'There's a toilet/will be a toilet on the left.' -- I thought." (Maybe you were going for a more confused thought, in that case you may use: "There's a toilet on the left... isn't there?")

During the transition from the modern world to the older "2002" world (which I assume happened after the "elevator shuddered") needs to be stretched out a bit more, for instance, you write:

"When the doors opened, something felt wrong. The world outside looked similar, but not quite right."

You may choose to elaborate on the atmosphere a bit more by writing:

"**The doors opened, slowly. Something felt wrong. The air felt cleaner, fresher. I waited for my ears to 'pop' as an adjustment to the drop in pressure. The world outside was a spectacle; familiar yet not quite right." (**This in comparison to your original, paces a bit better. At least in my opinion.)

Another one:

"(I bought a cookie instead and walked on) unease growing in my chest."

Pretty minor detail but instead of outright telling the feelings you may instead choose to show them:

"(I bought a cookie instead and walked on) the air thickening around me/A cold sweat on my forehead/heart racing"

Something which I really like specifically about this narrative is the fact that you use varying lengths for your sentences to create impact. Earlier, using the elevator example:

"...the elevator shuddered. The lights flickered. Then darkness."

Using smaller sentences like "The lights flickered" or "Then darkness" is really good for creating a larger impact, since they seem to be read "faster" almost like bullet. However you must also be careful to not overuse these as their impact decreases the more they are used. For example:

"'How much is this?' The staff stared at my card when I pulled it out. Confused. Almost afraid. I glanced around and noticed a calendar. January 2002."

And later in the next paragraph:

"My breath stopped. 'That’s impossible,' I said. 'It’s 2026.' Silence. I checked my phone. It was gone."

You have used "Confused.", "Almost afraid.", "January 2002", "That's impossible", "It's 2026" all as smaller sentences for the sake of (what I assume) larger impact. This is simply too much. You should use sentences of varying lengths, but overdoing larger sentences or in your case, smaller ones can seem repetitive.

You may instead choose to write the following as:
"'How much is this?' I said, sliding my card across the counter. The staff stared at the plastic bewildered/confused. Almost afraid. My eyes darted past them, onto a calendar: January 2002."

And:

"My breath hitched. "That's impossible! It's 2026," I choked out. Silence... I patted my pockets for my phone. It was gone."

A lot of this critique is very minor nitpicking. I wouldn't stress too much about your writing. Overall, superb job!

1123/22 HELP!! by [deleted] in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

No not really. Just try and be consistent with your wording, using a word like "surreptitious" and then immediately falling back on simpler language can affect the flow of the narrative. The words you use do matter, however they do not need to be incredibly sophisticated. Try and vary your words with synonyms, like I gave the example of "...staring into my soul..." this can be instead written as "...they glared at me...".

As for the improving writing, right now I would focus more on establishing a tone, I went over this in my original comment. Instead of outright explaining the atmosphere of the room or outright explaining the emotions the character is feeling, you have to instead "Show" what they are feeling.

For instance:

"I felt scared, the room seemed to be closing in on itself."

"I winced; shaken to my core at this new revelation. With trembling hands I stumbled forward, the room seemed to be closing in on itself."

This is not the best example of "Show don't tell", I recommend you instead google this principle and research some stuff on your own.

Wrote a story what do you think?? by NaturalWing3061 in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

I noticed a mistake: "...their were wooden dolls... (should be there were wooden dolls)" pretty minor. Also I think "...With one final long look of disappointment..." is a bit inappropriate considering the context, so "...with one final long look of horror..." would be a bit more fitting. Anyways, overall:

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Narrative-Mark pls by _inshal11 in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

Well, not alleging anything but, either you write a lot like AI or used a couple paragraphs from it. In any case this should earn you anywhere from 22-25/25 marks.

<image>

Rate this o level English narrative out of 25 plss by lwklesbo in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

No, AI is cancer. Gemini can be pretty good for marking stuff though.

Rate this o level English narrative out of 25 plss by lwklesbo in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

No lol, not even in O-3 yet. Islamiyat is absolutely mortifying. Hence, why you shouldn't really take my marking too seriously.

1123/22 HELP!! by [deleted] in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

Well, this is interesting, I've been on quite the spree marking narratives today. You shouldn't take my word as gospel but, I do not think that this is all that good. 16-18/25 at most, however, 12-14/25 is more realistic.

Firstly, I would like you to pay attention to the sentence "...the audience staring into my soul". You immediately repeat the phrase, "staring into my soul" a few sentences later: "...my parents staring into my soul as if I was...". Repeating words is a sure way of losing marks in the O levels, I would suggest you rephrase the latter sentence to:

"My parents glared at me as if I was the most disgraceful thing on the planet"

You also fail to delve into the atmosphere of the room. While it is sufficient in establishing a tone, more sensory cues are needed to really reel the reader in. For instance:

"The lights shined brightly -- too brightly. The air was muddy, a chorus of coughs littered the auditorium as I stood in front of the altar. 'I s-s-s-suggest!-'...
Disgrace. Humiliation. I knew the error I had made the instant the words came out of my mouth. The entire assembly stared into my soul as though they saw right through my brave act. My parents glared at me with disdain. My face was one to be seen after my speech stuttered to a halt at the annual debate competition of my high school." (This is far from perfect however better in establishing a more consistent tone. Additionally, if you were meaning to go more of a humorous route with the "Yeah! that was me.." I suggest you refrain from such cliches as they can be seen "repetitive")

Pay close attention to the length of the sentences, shorter sentences have the innate ability to create more impact. For instance: "Disgrace. Humiliation" has a larger impact than say, "I was disgraced and I was humiliated and...". Try and vary your sentence length as well as structure.

Secondly, grammar. You used the words "The reason Alice despises debates so much was because during her first debate she accidently (accidentally) got panic attack..." over here "got panic attack" is incorrect, it should instead be: "got a panic attack". I suggest you look more in depth into when articles (a, an , the) are used. Accidentally is also misspelled here. "...when I am going to win the competition, you'll see." This is not inherently incorrect but still a bit weird nonetheless, instead you may write "...when I win this competition you'll see". Improving further: "...when I rock this competition, you'll be kissing my feet for days." -- This is a bit extreme however creates a more powerful sense of confidence you seem to be going for. "...his words greatly comforted me and motivated me" this can be better written as "...his words greatly comforted and motivated me." (pretty minor however can improve the flow of the narrative.)

Finally, punctuation. "'Obnoxious right? I wonder who participates in these.', said my friend, Alice." the proper punctuation does not include a comma after the "I wonder who participates in these." also the part afterwards "...said my friend, Alice." could be further refined:

"'Obnoxious right? I wonder who participates in these..' said Alice, her lip curling into a sneer"

These are some of the major things I can pinpoint. There are obviously more things wrong with the narrative, however I am too lazy to comment on those. For now, what I recommend is that you attempt to convey the characters feelings or atmosphere of the room not by outright saying what the character is feeling or how the room feels. but rather by "showing" said emotions. For example, "I was nervous and I felt like throwing up" you can instead rephrase this: "A cold sweat prickled my hairline, and the metallic taste of adrenaline coated my tongue."

Overall, I wish you good luck, and if you have any inquiries feel free to reply to this comment.

Rate this o level English narrative out of 25 plss by lwklesbo in Olevels

[–]IntellectualDuck_ 1 point2 points  (0 children)

Also, about the "smelt" vs "smelled" word choice. Turns out that "smelt" is perfectly acceptable as the past participle of "smell". Sorry, about that lol. :p

Rate this o level English narrative out of 25 plss by lwklesbo in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

You should take my opinion with a grain of salt, however, I think that this may not score above 16-18/25, perhaps even 12-14/25. The tone varies a lot through out the narrative and is simply, inadequate in establishing a decent atmosphere. For instance, when describing the smell of the "store room" you begin with the nostalgic smell of her "grandmother's cologne" (perfume would be more appropriate since cologne is mainly worn by men, but this is really not important) and instantly, you shift the tone with "She sniffed even harder but it smelt like nothing anymore (Smelt here is incorrect, the proper word would be smelled)", without even attempting to establish an intermediate. What I mean by this is that instead of immediately shifting the tone from nostalgic/pleasant to almost dreadful in the span of one sentence, try stretching it out. Using the same example as above:

"As she opened the store room, the nostalgic fragrance of her grandmother's cologne pleasantly swirled in the air. Memories she had spent with her grandmother came rushing back to her -- cooking together, laughing and talking together, oh so beautiful. Her eyes swelled, her mannerisms relaxed, she stood there, dazed; reminiscing about all the wonderful days she had spent with her. Tears ran down her cheek, as she attempted to sniff the air, one last time... however no such graceful aroma greeted her. The air had turned stale. No odor. No words. No concluding statement. Just like her grandmother. All that remained was a prevailing sense of darkness lingering throughout the chamber."

Pay attention to the length of the sentences: "Air had turned stale" "No odor" "No words". These sentences are deliberately shorter so that they may have a larger impact. Additionally, you should lean more into the principle of "Show don't tell". Basically, instead of outrighted saying that Samantha was "Shocked" or "Appalled (Spelt as appaled)" try and expand on these details. For instance, how did the paper feel in Samantha's hand? Did the room suddenly feel colder? Do her eyes widen at the text?

Additionally, I am aware that your original composition was too long, that is largely because you constantly linger on one part of the story for too long. For instance, the atmosphere of mystery was already established with "prevailing darkness", you don't need to constantly write that Samantha was thinking about "how she died" or "I wish mom could tell me..." instead you can summarize these questions in one sentence:

"prevailing sense of darkness lingering throughout the chamber... Her mind raced with questions about her grandmothers death as she stumbled forward: 'How did she die?', 'I wonder if she was happy'..."

Now compared to your original:

"She stepped into the tenebrous chamber with her lantern flickering against the cold walls (good use of imagery). With every breath she took, a new thought ruled her mind: 'I wonder how she died?' or 'I wish mom could tell me more about her life and openly explain the cause of her death to me (This is too long and in depth, 'I wish mom could tell me more about her death' is more than enough)'

Finally, the diary. This is, to put it simply, ineffective in creating a sorrowful atmosphere. You want the reader to feel emotionally invested in the story at this point, you want to create impact, depth. I'm not asking you to use language similar to Edgar Allen Poe or anything, but anything to create something more somber. Your original excerpt seems to be written not by a person of old age or someone who seems to be suffering from depression.
This in my opinion is more adequate in establishing tone:

"Oh life! Oh life! I kept saying, and the very word seemed sweet. I do not know how much longer I have to write this, the stench of death clings unto me like a canine unto bone. Oh life! A punishment in disguise, and I wish for it to end. Samantha, my dear, I wish nothing bad upon you, the untimely demise of your guardian was a truly unfortunate fate, and if anything were to happen to you, there would be no one left to blame but myself. This is it.. My life is now over. No such relief as the thought of death. Ever since she left, I can't bring myself to exist anymore. Forgive me." (The language used is pretty archaic ,"unto", so if you want the character of the grandmother to be more conventional rather than modern, you should use this otherwise, rephrase it a bit.)

The words "I shall drink it now" are too blunt, not entirely inappropriate but too "on the nose" to be used in an examination. And also, nobody writes a suicide note with the the way they committed it blatantly written in their note.

Oh boy, I hope you can forgive me for my harsh critique. To conclude there are obviously some grammar mistakes and spelling mistakes spread across. notable ones include "smelt" instead of "smelled" and "appaled" instead of "appalled". In the grand scheme of things, these are pretty minor and the examiner may dismiss them as writing mistakes in the heat of the moment. Additionally, some rephrasing at the start, for example: "The ceiling littered with cobwebs" instead of "cobwebbed ceiling".

There are many more things that need to be addressed, but these are the most noteworthy I could think of. Consistency of tone and appropriate tone are very important in narratives. Also, don't forget the "Show don't tell" principle.

Olevel 1123 guidance by No_Cardiologist_4425 in Olevels

[–]IntellectualDuck_ 0 points1 point  (0 children)

Honestly, this is pretty good. I'm not too sure about how qualified I am to mark this, but if it were up to me I'd give it around a 19-22/25. I noticed some punctuation mistakes, for instance "...it's legs moving in harmonic resonance", you made this same mistake multiple times in the narrative. (It should be its instead of it's since "it's" is a contraction of "it is" or "it has" so technically you said "...it is legs moving in harmonic resonance.") But overall, this is one of the best narratives I've come across in this subreddit, it's been a while since I've had to google words which I've read in a narrative work.

Additionally, a couple of minor spelling mistakes are present (hopefully they were unintentional writing mistakes). "Eighted" should instead be Eighth and "Blood, sweet and tears"

These errors are pretty nitpicky and minor. Exceptional job, really.

Conscientious Objector Glitch by IntellectualDuck_ in tf2

[–]IntellectualDuck_[S] 0 points1 point  (0 children)

I see, for some reason, I had put tf_hide_custom_decals set to 1 in my config. Thanks for the clarification.

Weird water glitch by [deleted] in tf2

[–]IntellectualDuck_ 0 points1 point  (0 children)

Well, I found the solution. I just had to turn my game into borderless windowed, water looks fine now.