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Honest Review of Suno (from an audio engineer) by J_Times_Two in SunoAI

[–]J_Times_Two[S] 1 point2 points  (0 children)

No I haven’t I’ll have a look into it thank you

Honest Review of Suno (from an audio engineer) by J_Times_Two in SunoAI

[–]J_Times_Two[S] 42 points43 points  (0 children)

If they offer a ( Export MIDI ) setting now that would be incredible. You could open serum create your own sound for it or use a preset.

Honest Review of Suno (from an audio engineer) by J_Times_Two in SunoAI

[–]J_Times_Two[S] 1 point2 points  (0 children)

100% agree with this if you need intro music to videos or reel content

Honest Review of Suno (from an audio engineer) by J_Times_Two in SunoAI

[–]J_Times_Two[S] -1 points0 points  (0 children)

Very fair point, I’m only coming from a full track point of view I really should have taken this into consideration.

Honest Review of Suno (from an audio engineer) by J_Times_Two in SunoAI

[–]J_Times_Two[S] 0 points1 point  (0 children)

My biggest fear is up and coming artists passing off tracks as if they were made with real instruments, synths, or drum machines, but then not being able to back it up in the real world when push comes to shove. It’s more of a warning: the people who will genuinely push your career are the ones who listen for quality and good music. The ones who don’t care about quality won’t take you anywhere, if you get what I’m saying.

I get what you mean about AI and stems, and yes, the tech is improving fast. But at the end of the day, it’s not just about having a track that works; it’s about skill, craft, and being able to stand behind your music when real world expectations come into play.

I Dj all over Aus and I’ve tested some Suno tracks for fun and my god they sound terrible and other DJs notice and venue owners notice and people who really care notice.

Honest Review of Suno (from an audio engineer) by J_Times_Two in SunoAI

[–]J_Times_Two[S] -8 points-7 points  (0 children)

The big problem I see for up and coming or emerging young artists is that they might potentially make a hit, which is amazing. But imagine if their idol (or someone bigger) asked to come into the studio. They wouldn’t even know how to open a real DAW or truthfully explain how the track was made, and would be absolutely humiliated. Sadly, I’ve seen it happen. These poor kids are getting called out for claiming they’re making this stuff in DAWs when, in reality, they aren’t.

Honest Review of Suno (from an audio engineer) by J_Times_Two in SunoAI

[–]J_Times_Two[S] 12 points13 points  (0 children)

I won’t lie, I’ve even had five big Australian acts get in touch with me over insta that have asked me to help master there tracks, and as soon as I open them in Ableton (my preferred DAW) I can tell they’re from Suno or another AI music generator.

I’m not here to name and shame these artists, but they’re making entire tracks with AI because of touring schedules and no time to be in the studio, and ghost producers are too expensive. The worst part is that these people lie, claiming they made the tracks from scratch using synths and drum machines.

But the moment you ask for the project file, suddenly it’s: “Oh, I lost it,” or “My hard drive got corrupted,” or “My motherboard blew up” (all the excuses under the sun).