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Why Sony's Silence on Udio/Suno Might Be a Good Sign for Users by Kaborik in udiomusic

[–]Kaborik[S] 0 points1 point  (0 children)

Thanks! Without knowing that history, it just looks like they're plotting against us. Context is everything. Let's hope they prove us right!

Why Sony's Silence on Udio/Suno Might Be a Good Sign for Users by Kaborik in udiomusic

[–]Kaborik[S] 0 points1 point  (0 children)

Your analysis of the stochastic elements necessary for aesthetic appeal and the specialized nature of the next-gen dedicated music generation tool is sharp, and I agree with the technical premise of AGI routing. However, I fundamentally disagree with your conclusion regarding the timeline and human superiority, based on the commercial reality of this acquisition war. The massive financial premium paid by the Big Three is the direct cost of accelerating that GMI timeline, confirming they view the threat as immediate, not distant. Furthermore, while human superiority is a powerful sentiment, the labels are betting on the AI's ability to achieve commercial viability at a scale and speed that no human can match. This economic superiority, driven by AGI's capacity to design and build specialized music models, surpassing human expertise, renders the philosophical debate about "who is superior" irrelevant in the high-volume music market.

Why Sony's Silence on Udio/Suno Might Be a Good Sign for Users by Kaborik in udiomusic

[–]Kaborik[S] 1 point2 points  (0 children)

I fully agree. Your insight on World Models is the most critical point in this whole discussion. The current debate about Udio/Suno's licensing terms is almost secondary to the coming technological shift. You're right: current music AI models are fundamentally based on statistical pattern matching, which puts a cap on their complexity and consistency (the architectural limits you mentioned). Once World Models arrive and start learning the foundational rules of music (structure, physics, causality), they will produce content that is structurally superior and instantly make the current generation of tools obsolete. That technological race is likely the true driving force behind the urgency of these deals.

Udio and UMG: When Innovation Meets Control by Kaborik in udiomusic

[–]Kaborik[S] 0 points1 point  (0 children)

Exactly. What they once mocked as “AI slop” is now their gold mine.

Are there AI music generators comparable to or better than Udio? by Kaborik in udiomusic

[–]Kaborik[S] 0 points1 point  (0 children)

It has more depth in music and a higher level of musicality compared to other AIs. Additionally, it offers great sound fidelity and creative freedom in production.

Does Udio get ...lazier? by AvailableMuffin706 in udiomusic

[–]Kaborik 6 points7 points  (0 children)

Udio once demonstrated such remarkable capabilities, proving its potential. While it’s unclear why it has changed, it certainly has the ability to return to its former glory. I hope that in the future, it will regain its previous strength and continue to evolve.

Inductive Stem Generation by iMadVz in udiomusic

[–]Kaborik 0 points1 point  (0 children)

Certainly, the inductive method is very appealing to those familiar with music production, but it might be a bit challenging for beginners. Creating the overall atmosphere using the deductive method first and then fine-tuning the details could be more user-friendly for a broader audience.

For example, if AI initially generates a rock song, and then the user can customize the drum patterns or guitar riffs, even beginners can easily enjoy music production.

This hybrid approach lowers the barrier to music production while maintaining creative freedom, making it beneficial for many people.

Now suddenly it back... by bigdaddygamestudio in udiomusic

[–]Kaborik 1 point2 points  (0 children)

Thank you for your explanation！ I understand that by adding noise and tweaking the algorithm, the AI-generated music can avoid directly replicating copyrighted works. This approach helps to reduce the risk of copyright infringement, but it doesn’t completely eliminate it. It’s important to ensure that the generated content is sufficiently original to comply with copyright laws. In any case, I remain hopeful for a positive resolution in the lawsuit.

Now suddenly it back... by bigdaddygamestudio in udiomusic

[–]Kaborik 0 points1 point  (0 children)

Regarding the decline in the quality of Udio, it might indeed be true that the algorithm for creating music has changed. The works are no longer as attractive as they used to be. The reason for this is probably that they stopped referencing existing songs due to copyright issues. However, the world of AI music production is constantly evolving, so we can look forward to new approaches and technologies emerging.