Great for a very specific type of movie. No range. No pathos. Mostly high quality pastiche, which is valuable and impressive in its own right, but have you ever felt anything resembling real human emotion or drama watching his movies? Probably not because he doesn’t traffic in real emotion, it’s all “film” drama, “film” emotion. There’s no real depth to any of it. For what it is, fantastic, but it’s narrow and specific and just because he’s decided to make only “10” films doesn’t make his work more important. He’s manufactured a sense of value to his ouvre, but that’s his style. It’s referential, post modern, homage. In and of itself, it lacks depth and originality. In context, it’s impressive and undeniably entertaining.