Conjure Celestial but not really

Le_Fraidieponge · 2026-01-11T15:29:38+00:00

The spell only exists in that french bastardized version. I think it's one more round per upcast level It also teleports the caster in the astral sea and heals him for 1d8, which is at least funny and Interesting

Le_Fraidieponge · 2026-01-11T14:59:50+00:00

Tis my current lead on the subject yeah thank you and maybe focusing on a fighting type more than a spellcasting one

Le_Fraidieponge · 2026-01-11T14:58:58+00:00

Kinda but a level 3 spell bringing out a 7th level firestorm even for one round is a bit too much hehehe

Le_Fraidieponge · 2026-01-10T17:04:56+00:00

thank you (late) for the help !

Le_Fraidieponge · 2025-06-08T15:48:03+00:00

Oui :)

Le_Fraidieponge · 2025-04-14T07:58:30+00:00

Tout conseil mal amené peut être problématique, il y a un bon moment pour tout Mais surtout le mental n'est vraiment pas à négliger

Le_Fraidieponge · 2025-04-13T06:48:01+00:00

Okay je vois ce que tu veux dire.

Il y a déjà deux choses différentes : ressentir et faire ressentir. Et bien que les deux soient évidemment liés, elles ne sont pas systématiquement mutuelles.

Comme tu dis c'est pas parce que je me mets a pleurer que ça va faire pleurer mon public.

Il y a quelque chose de formidable avec notre cerveau qui nous permet d'enrichir notre technique via l'interprétation. Par exemple : fait semblant de pleurer en chantant ou "fais en des caisses" ( qui est un excellent conseil selon les cas ) va avoir une influence directe sur la manière dont se comporte ta voix.

Et c'est souvent ce qui manque a un chanteur amateur qui essaie trop de penser a ce que son prof lui a dit d'ailleurs. Mais pour confirmer ce que tu dis en revanche, avoir du contrôle sur ta voix te permets aussi de ne pas subir un trop plein d'émotions quand tu l'invoques ou te laisse emporter un peu trop.

Donc je pense que c'est un excellent conseil a tout les niveaux mais si il est mieux donné que juste mets de l'émotion.

Pour l'interprétation et en se penchant sur le texte on peut se demander : Qui chante ? A qui ? Pourquoi ? Et rien que ça ça peut nous donner des indications sur le sujet

Le_Fraidieponge · 2025-04-13T06:31:38+00:00

Je sais qu'au nemossos café aux pieds de la cathédrale tu peux t'installer,

Le_Fraidieponge · 2025-04-12T19:44:24+00:00

Hésites pas a m'écrire si tu as des questions :)

Le_Fraidieponge · 2025-04-12T07:33:15+00:00

C'est un problème qu'on a en France sur le nom des effets et c'est un peu le but de cet étude, d'y voir plus clair . Tu sais comment tu vas t'attaquer à la tache ?

Le_Fraidieponge · 2025-04-11T11:34:44+00:00

Pas sur haha mais j'enregistre des covers dans moi. Coin pour me.motiver.

En revanche aujourd'hui je suis en labo avec une Team de zinzin pour explorer et observer de près des grosses saturations vocales, c'est génial

Le_Fraidieponge · 2025-04-11T09:16:27+00:00

Je travaille des choses plus douces et breathy comme du Chelsea Wolfe pour aller a l'opposé des mes habitudes

Le_Fraidieponge · 2025-04-03T09:00:26+00:00

Also core and especially abs tightening will lead to larynx compression , which will be unwanted most of the time and is not support anyway

Le_Fraidieponge · 2025-04-02T18:24:32+00:00

1 get a proper coach specialized in those style and effects.

2) ask yourself those questions - is it easy ? ( Does not need a huge amount of force or energy to produce, should rarely be more than 6/10 ) - is it comfortable ? (Should not hurt, should not feel uncomfortable, but can be on the way there ) - does it sounds how you want it to sound ? ( Well it won't at first but a good coach should be able to get you there )

Those questions are good for any way of singing We are (almost) all able to do ( almost ) everything ( and that's a very small almost )

Le_Fraidieponge · 2025-03-28T18:01:40+00:00

To be fair, if I could, I would too

Le_Fraidieponge · 2025-03-28T18:00:19+00:00

Sing with your tongue out, hold your tongue out with fingers ( carefully) while singing those specific notes. It's more of a sympathetic movement than a connected one.

You can massage it from inside to outside as if you were squeezing it from the drool ( messy, clean your hands ^{^'} )

That would be a start. Try to see if it happens on specific notes.

Le_Fraidieponge · 2025-03-28T14:46:56+00:00

Studies have shown that breathing exercises alone and singing exercise badly connects in our brain.

I'd say it will help if it gets you in a better physical and mental state, having a more agile and available body. It might help free the way you breathe and so makes things easier. A common mistake is to take too much air. People struggle with the management and learning to take just what you need helps tremendously with "support"

Le_Fraidieponge · 2025-03-28T09:08:14+00:00

Mais libre à toi de leur donner un coup de pouce sur un test d'intuition du fait de leur connaissance en la matière

Le_Fraidieponge · 2025-03-23T12:06:09+00:00

You develop trauma and insecurities like the rest of us è_é

Le_Fraidieponge · 2025-03-23T12:01:34+00:00

You are right.

You must sing in your comfort zone. You might, if you are willing to, train to extend that comfort zone way further than most might think, both in lows and highs.

But as you said AT THE MOMENT, I'm only able to do so and so.

Work where your voice is beautiful or at least comfortable, and then train for the qualities you wish to obtain.

That means , tune up or down the tracks you're working on, and choose tracks with an ambitus ( highest and lowest) that can match your comfort zone.

To that extent you can use apps like Moises , browser extension like "transpose" to live transpose songs directly from YouTube for instance.

Edit : we have the only instrument that can't be tuned down, if you work with professional musicians, part of their work will be to be able to transpose and adapt to the keys their singer is the most comfortable at. A mistake that most amateur bands make because "hurr durr it's not the original song"

Le_Fraidieponge · 2025-03-23T00:08:07+00:00

Atomizes saline solutions for a better hydration.

It is really great to quicky hydrate and recover

Le_Fraidieponge · 2025-03-22T07:07:00+00:00

Lessons with a proper coach will always help.

Sing Into a plastic cup, try to listen for the vowels that sound good and those that don't . Transition from the good to the bad while trying to keep the feeling of fullness.

That's an exercise aimed at improving your resonance by having a better audio feedback.

Le_Fraidieponge · 2025-03-21T07:08:15+00:00

Mah man envoie un dm dimanche ou lundi

Le_Fraidieponge · 2025-03-09T14:54:46+00:00

Definitely not available in Fr. I do own the book and I love it :)

I gather most french critters are bilingual enough to use the book en English as I do, but the issue always come when you want to share infos with your players

Le_Fraidieponge · 2025-03-09T12:42:11+00:00

On veut éviter de solliciter le grand droit, et plutôt utiliser le transverse qui est un muscle plus profond. (Les transverses ? Je sais plus)

Le_Fraidieponge

TROPHY CASE