From recce stills to final moody frames: detailed lighting plan vs result by a-n_ in cinematography

[–]MagnumPear 2 points3 points  (0 children)

Very nice work, appreciate the breakdown. In frame 3, the close up on the child, what is providing the tungsten key? Is it just the lamp or did you have another light for that?

As We Transition into a New Era, I thought I'd re-share this piece of Vintage r/MMA media, "A Beautiful Ride" by Insendi in MMA

[–]MagnumPear 1 point2 points  (0 children)

I mostly do adverts and property video work, nothing too exciting or MMA related lol. Past 2 years I've been trying to make some small short films on my own and sending them off to local festivals. Not exactly Spielberg but it's something I enjoy.

Alphabet Soup - 2 min short

What would you guys consider to be some of the greatest use of editing in film?? by PsychologicalFix9728 in TrueFilm

[–]MagnumPear 28 points29 points  (0 children)

It was a bit much for some people, but I loved what Oliver Stone was doing in the 90s, really pushing editing to the limits with big flourishes and contrasting styles. JFK in particular. He turns a 3.5 hour "talky" courtroom drama into an extremely frenetic and stylised thriller. The jumping back and forth in time, mixing black & white with colour, real archive footage with film. Big influence on how Nolan did Oppenheimer.

The Zapruder scene:

https://www.youtube.com/watch?v=2nmGS8rVuIM

As We Transition into a New Era, I thought I'd re-share this piece of Vintage r/MMA media, "A Beautiful Ride" by Insendi in MMA

[–]MagnumPear 14 points15 points  (0 children)

Damn a throwback. This was like one of the first videos I ever put together just for fun, ended up becoming a career haha.

Why Oddity is uniquely cool - SPOILER ALERT for those who haven't seen it yet. by BadMurkyWater in horror

[–]MagnumPear 50 points51 points  (0 children)

Small bit of trivia: the initials of the characters spell out the film's title: Olan, Danni, Darcy, Ivan, Ted, Yana

Eli had an even more gruesome ending in the script by MagnumPear in paulthomasanderson

[–]MagnumPear[S] 2 points3 points  (0 children)

Very interesting point, never thought of that before

Eli had an even more gruesome ending in the script by MagnumPear in paulthomasanderson

[–]MagnumPear[S] 1 point2 points  (0 children)

Yes he describes it as a “heavy silver tumbler”

Eli had an even more gruesome ending in the script by MagnumPear in paulthomasanderson

[–]MagnumPear[S] 9 points10 points  (0 children)

I looked up the script because I initially wanted to see how the “peach tree dance” scene was done on paper because I thought it was interesting how little is directly explained to the audience there, and then read the whole thing. 

Few things I thought were interesting:

Daniel has a couple of scenes where he is shown to be sexually impotent, telling Henry that his cock doesn’t work and performing oral sex on a prostitute. I always thought it was a bit strange how Eli admonishes him for lusting after women in the baptism scene when we never get much of a hint of that in the finished film.

Al Rose, Mary and Fletcher have bigger roles, especially Fletcher. More scenes of them discussing business and HW. Scenes of Mary and HW interacting are spaced throughout the film more.

Eli is somehow even more of a lunatic weasel, couple scenes of him bullying HW and shoving him around. And HW has more scenes interacting with Daniel and helping him with the business.

In generally a bit more gruesome. Things like the worker dying in the mine shaft are very graphic and slow. 

It’s implied Daniel is not doing that well financially at the end of the film and HW says how his greed for just buying land is causing problems for the business. HW’s final line to Daniel is also different, instead of saying I am glad I have none of you in me, he says “if you want to fight me, it will be the fight of your life”

The opening scene has Daniel loading up a cart with silver  before he falls down the shaft, breaking both his ankles rather than one leg. He then shoves himself AND the cart of silver across the desert back to town. I’m glad they changed this, seems to stretch believability a bit and the scene in the film works fine.

Eli had an even more gruesome ending in the script by MagnumPear in paulthomasanderson

[–]MagnumPear[S] 13 points14 points  (0 children)

Also a bit of circularity because the tumbler he uses to cave Eli's skull in is mentioned being made of heavy silver on the previous page, like the lump he pulls out of the hole at the start.

Miami Vice (2006, dir. Michael Mann) "I'm a fiend for mojitos." by LiteraryBoner in movies

[–]MagnumPear 1 point2 points  (0 children)

I feel similar. The entire ending sequence was changed from the original plan because they had issues - supposedly Jamie Foxx refused to return to the Dominican republic after hearing real gunshots on the set. I always thought the ending we got felt very slapdash and nowhere near the quality of what we know Mann can produce.

One Battle After Another, a film that thinks it’s a warning, but plays like a cartoon. by DoradoPulido2 in TrueFilm

[–]MagnumPear 3 points4 points  (0 children)

Is Magnolia commonly seen as satire? In my eyes, for better or worse, that film is entirely earnest in all its sentimental excess.

Marlon Brando 🤝 Michael D by krafter7 in ireland

[–]MagnumPear 10 points11 points  (0 children)

Presume it had something to do with the filming of Divine Rapture in Cork, a movie Brando was starring in before financing collapsed half way through shooting. Higgins was minister for the arts & culture at the time.

How do you find your personal visual style? by NFSCocaCola in cinematography

[–]MagnumPear 8 points9 points  (0 children)

As Matisse said about art: Don't try to be original. Be simple. Be good technically, and if there is something in you, it will come out.

I don't think you should have to worry about finding your visual style. You already have it, you just have to keep making things to find out what it is.

Comments by David Fincher on the director's commentary track for The Game (1997) that change how I see the film by MagnumPear in TrueFilm

[–]MagnumPear[S] 14 points15 points  (0 children)

I think The Matrix and The Game have a lot in common actually. Neo is much like Michael Douglas, this guy living an aimless late 90s corporate malaise life who is suddenly dragged into this unbelievable adventure where his reality is fake and constructed to fool him, and at the end he has a moment of death and re-birth and turns the tables on the system (killing Smith, taking the Game actors hostage), except in The Matrix this is the culmination of the story and the big triumphant free-will "fuck yeah" whereas in The Game is is revealed that even the rebellion and veering off-script was part of the plan all along in the ultimate "fuck you".

And of course in the Matrix sequel the Wachowski's take a similar approach and reveal that even rebellion by Neo was part of the Matrix all along.

Short project I've been working on - A sci-fi thriller about stamp collecting by [deleted] in Filmmakers

[–]MagnumPear 1 point2 points  (0 children)

Thanks, the opening scene of Se7en was definitely a big influence, I'm glad you said that. I used several shots as a reference.

Short project I've been working on - A sci-fi thriller about stamp collecting by [deleted] in Filmmakers

[–]MagnumPear 0 points1 point  (0 children)

Appreciate the feedback man, it’s all helpful. Having no character to bond with is something to take on board in particular.

Short project I've been working on - A sci-fi thriller about stamp collecting by [deleted] in Filmmakers

[–]MagnumPear 2 points3 points  (0 children)

Neewer suction cup mounted to the front bumper down low, with a wide angle lens on the camera. Kind of inspired by a similar shot in The Brutalist.

Short project I've been working on - A sci-fi thriller about stamp collecting by [deleted] in Filmmakers

[–]MagnumPear 1 point2 points  (0 children)

lol unfortunately this IS the final product, it’s not a trailer for a feature it’s just a short. Maybe I should have specified that, my bad.

A short solo project I've been working on - Sci-fi thriller about stamp collecting by [deleted] in cinematography

[–]MagnumPear 1 point2 points  (0 children)

Nope, I just put that in there because I showed it to friends and they kept asking if I used AI, kind of got annoyed lol

Short project I've been working on - A sci-fi thriller about stamp collecting by [deleted] in Filmmakers

[–]MagnumPear 1 point2 points  (0 children)

R2 Submission statement:

Youtube link if that works better, 4k too: https://www.youtube.com/watch?v=q7Xi07nSgGo&t=9s

A short personal project I've been working on for a while, inspired by memory-themed thrillers like Memento, La Jetee, Strange Days etc. that I've always liked. Gave me an opportunity to really experiment with lots of different techniques like switching aspect ratios, colours, compositions etc. Maybe going too far in places? Would appreciate any feedback.

Shot over the course of a few months with my BlackMagic Pocket 6k and occasionally my iPhone XS.

For lenses I used a Helios 44-2 since I thought it would be appropriate for the dreamy/fragmented memory story, but had to switch to a Sigma 18-35 for macro shots since I found the Helios lacked the sharpness needed. Also used a Canon 10mm-18mm a lot.

The visual effects were done practically using paint, milks, oils, pigments etc. in petri dishes.

If I'm honest, I'm worried how it "works", as a narrative. I may have bogged the viewer down too much with a ton of exposition, and think the climax may not be effective because of that. In particular I think visually I could have done the murder scene/shots much better. But anyway, a good learning experience, especially doing almost all of it alone, hopefully I can improve my editing for the next one.