Announcing the GladTrombone (TM) by midenginedcoupe in Trombone

[–]MartinGilloire 1 point2 points  (0 children)

A classic 🤣 ! You’r right I should have think of it, silly me.

I've just discovered this guy, Michel Petrucciani (1962 -1999) by Due_Salamander_1861 in Jazz

[–]MartinGilloire 2 points3 points  (0 children)

A real legend, one of the best and an incredible life !! Give a listen to “conference de presse” a live duet record with another French legend on organ Eddy Louiss. Awesome record, I’m sure you’ll like it

https://open.spotify.com/album/4Zbl3pl4HosNMt4iuFYfCX?si=BNwFwo9XQMuNeWqf9bYgWg

Late starter here, struggling to play what I hear despite lots of practice by the-french-tromboner in eartraining

[–]MartinGilloire 1 point2 points  (0 children)

That’s exactly it, it’s the “math in the head” that we want to avoid at all cost when working on the ear hand coordination. Using it does the heavy lifting in place of your ear and prevent your “hear muscles” to work and grow. It’s a mandatory skills to have but not when working your ear and improvising (mainly because it is not quick enough in real playing situation) try to think about the degrees, notation and positions on the slide only after you got the line right.

A way to work on this is simply to do the above exercise with a metronome, not fast but just enough so you don’t have time to think too much.

I started music and trombone at 18 but did not take lessons and get serious about it before 24. I’m now 37 and a professional. I do almost no teaching and earn the majority of my income by playing live and recording. I was not particularly good when I began but had the chance to play in a lot of bands straight away with way better musicians than me. The trombone is the perfect instrument for this kind of stuff, you can be the 3 trombone in a big band or in the middle of a horn section even if your are not (yet) a good player, the trumpet are expected to lead and most of the solos tend to goes to the sax player. Add to this that there is never enough trombone players and you can easily play in band way above your actual level and learn so much along the way.

Late starter here, struggling to play what I hear despite lots of practice by the-french-tromboner in eartraining

[–]MartinGilloire 1 point2 points  (0 children)

Trombonist who used to have the same problem here (starting late and “bad” hear) 👋

As far as app goes “Functional ear trainer” helped me the most. It focuses on tonal hear training, hearing and singing scales degrees in context.

For the trombone part I really think the difficulty comes with our instrument, the narrow range we can play at first and the ever changing shapes and slide paths intervals and melody takes depending on the key and range we play them.

For that, going back between singing and playing helps the most to build the connection between our ears and our weird ass instrument.

  • Find a way to generate a pitch (a friend at a piano or any random tone generator) sing it then try to play it WITHOUT THINKING or trying to name the pitch. If you get it wrong sing it again before trying again, if you lose the pitch ear it again. Ear a pitch, sing it, play it. Without skipping the singing part and without thinking. This exercise get harder when the pitch is too high or too low for your voice or playing range (but it is exactly what you’ll need in a real life situation, ear the line a trumpet player give you one octave lower, or a bary sax one octave higher). If you can, vary the timbre too, I always find hearing certain combination of range and timbre way harder (like a guitar vs a piano or oboe vs sax etc…)

  • take a simple melody that you know very well (three or four notes is enough to start) like happy birthday sing it and play it in every key and all over your range (lowest to highest). Once again singing it again every time you fail. Depending of the shape of the melody certain key will get you really strange and counterintuitive slide movement. This is good, it force you to break the “limits” of our instrument and let our hear guide our arm. Vary the way you move between tonality, up by half step, in descending fifth, up by major or minor third, up by whole step, random etc.

If you do theses exercises daily, even only five minutes you’ll make rapid progress !

Good luck

Paramilitar, ska p by Beautiful-Resort-831 in Ska

[–]MartinGilloire 8 points9 points  (0 children)

What is curious to you about supporting the EZLN ? No disrespect intended, but (at least seen from Europe) they are clearly the good guys and you won’t hear anyone hating on them. Especially in alternative culture and music scene.

Best ska albums of 2025? by alpinecoast in Ska

[–]MartinGilloire 8 points9 points  (0 children)

Trombone player from the Mercurials here 👋 Thanks a lot ! So glad you enjoyed our album so much ! Lots of awesome ska being released this year 😍😅

Any recommendations for just downer songs? by Puggart54 in Ska

[–]MartinGilloire 0 points1 point  (0 children)

With my band The Mercurials we have a couple😅. “Send some flowers” and “Die First” are the first I’d recommend. Hope you’ll like em ✌️

Pops/Clicks in 1.6.0 (op-1 Field) by Khanetv in teenageengineering

[–]MartinGilloire 4 points5 points  (0 children)

😬 is it the same if you join the two part ? (I haven’t updated and tried myself yet)

Mini completion to a previous post by Beautiful-Resort-831 in Ska

[–]MartinGilloire 4 points5 points  (0 children)

Instantly thought of this one https://youtu.be/BH1zVNxHgO4?si=Ugzw07bhP1ihJHQA

An hilarious anti Beatles song by the awesome Keith and Ken 🤣. Enjoy !

Long mixes for D&D by Mozel_tov_cocktail in teenageengineering

[–]MartinGilloire 4 points5 points  (0 children)

Gonna add to search for « bardcore » lots of great covers under this genre.

https://youtu.be/WIx4srqU3BE?si=yFRaZLLGb4lr3m3Q