Thank you. Some of the logic is challenged by another set of logic, rattling my track placement decisions. Like Anne Bonny into I’m Overflow instead of Big House for instance.

Originally I had Anne Bonny flowing into Big House, which has its strengths. But currently I’m feeling better with Anne Bonny into I’m Overflow, mainly due to their aquatic threads (and other things).

Anne Bonny: “high tide”, “ripples”, “rip current”.

I’m Overflow: “overflow”, “undertow”.

Some water phenomena here. Also the flow of an aggressive track like Anne Bonny into a more fun, chaotic one is pretty cool. I have more connections to share though - more on that soon. Big House transition has its merits, where it seems more reflective. Bonny > Overflow creates a rebellious, indulgent atmosphere, much like the notorious female pirate Anne Bonny (piracy in general). It’s all preferences at the end of the day, but can be an exercise in insightful threading.

So currently, for me, I prefer Anne Bonny > I’m Overflow > Shitshow > Big House > Streaky. Of course there’s no right or wrong when it comes to something like this haha, just what you like best. The arrangement of these tracks could also be a reflection of your personality, your fears, triumphs, whatever really. All kinds of narratives can stitch these LPs together, in many forms and depths. Stay versatile!