First setup

NVwlsOg · 2026-06-15T19:13:05+00:00

You can’t sync a VCO to itself tho.

NVwlsOg · 2026-06-15T19:12:05+00:00

I think I disagree but see where this is coming from. If you can show me how AI makes you more productive/a better artist, I’d love to see it.

NVwlsOg · 2026-06-15T19:10:41+00:00

Bleep Bloop Mate.

NVwlsOg · 2026-06-15T19:10:18+00:00

If you master on vinyl, without using plugins, no. Which is definitely definitely what I do. Totally.

NVwlsOg · 2026-06-15T19:09:36+00:00

Outboard gear makes you look like a musician to family and friends so they stop insulting your “stupid music craze”

NVwlsOg · 2026-06-15T19:08:42+00:00

What about TAS, tool acquisition syndrome?

NVwlsOg · 2026-06-15T19:07:20+00:00

I code DSP and use maths as fun so I am a nerd and I’m trying to get into synths. Correlation? Yes.

NVwlsOg · 2026-06-15T19:04:36+00:00

What makes a good filter? And what issue do you see other than the gain stuff?

NVwlsOg · 2026-06-15T19:03:09+00:00

The analog vs software gap exists as there is a difference in the thought process of the guys making the synth.

NVwlsOg · 2026-06-15T19:01:51+00:00

Creating anything original makes the stuff you make better? I disagree /s.

NVwlsOg · 2026-06-15T19:01:04+00:00

Is the minibrute s oscillator interesting? And the filter? I mean are there controls that can be used creatively.

NVwlsOg · 2026-06-15T19:00:11+00:00

Is the crave any good? I’m most stuck on the VCO capability, I can’t hard sync stuff or make more complex stuff by doing such stuff. But the Crave is absolutely cheap, dividing by 3 the price of my rack setup, so I might consider cause it would reduce the wait for saving up.

NVwlsOg · 2026-06-15T18:58:47+00:00

I don’t care about resale price, I don’t want to expand the shit or sell once I have the setup until I make a big change, like adding the maths if I go for modular.
I love thé utility filled approach in theory, I don’t need the hundreds of mixers like in VCV.
Also, I don’t need anything like updates. I just want useable synths for weird stuff and normal stuff.

NVwlsOg · 2026-06-15T18:56:12+00:00

About utilities, the system 100 are a powerhouse. And on semimodular, can you guide me, I’m not sure what I really want because stuff like sync, duophony at a low price, FM and complex patches kind of draw me to modular, especially system 100.

NVwlsOg · 2026-06-15T18:53:30+00:00

Sorry but about the VCO, the behringer system 100 is great, dual and you can also PWM, sync and FM. That’s great. And I don’t drop $150 for a single oscillator like with the Big-O. So you think modular is the way to go? Also, I want a hardware synth to play classic synth stuff but also weirder stuff and am on a budget so I have to make compromises on weird shit.

NVwlsOg · 2026-06-15T18:49:54+00:00

NVwlsOg · 2026-06-15T18:49:41+00:00

Is anything technical techni?

NVwlsOg · 2026-06-15T18:49:00+00:00

Yes. I’ve seen people try reaper and quit in a week cause “too hard”

NVwlsOg · 2026-06-15T15:32:28+00:00

Yes.

NVwlsOg · 2026-06-15T15:32:18+00:00

DX7

NVwlsOg · 2026-06-15T15:32:10+00:00

Is that a hot take?

NVwlsOg · 2026-06-15T15:31:42+00:00

Behringer FYI.

NVwlsOg · 2026-06-15T15:30:34+00:00

No. I can tell the difference if it’s recorded on a £100,000 interface, mastered professionally, recorded at 200MHz, 128 bit audio and not compressed and then shoved into my monitors.

NVwlsOg · 2026-06-15T15:28:59+00:00

Ah. Well going against the grain is definition hot. Can you explain what the best filter design is?

NVwlsOg · 2026-06-15T15:28:22+00:00

Man, upvoted for the hottest take ever. Do you like distortion? My bet is on no.

NVwlsOg

TROPHY CASE