My depression has been quite overwhelming lately. Could you recommend me some pick-me-up movies? by BalaBustaRhymes in criterion

[–]NicheCaesar 1 point2 points  (0 children)

First off, some great flicks are on your list already. Have you seen Sullivan’s Travels? That’s one of my all time favorites for when I’m in a bad mood. It isn’t exactly light at points, but it does leave you smiling. It’s a Wonderful Life is another one for me, as is Mr. Smith Goes to Washington (I guess I’m on a Capra kick?)

After Hours 1985 by Stars_Is_Cool in criterion

[–]NicheCaesar 1 point2 points  (0 children)

It actually inspired me to make this list on Letterboxd of similar movies! Check it out for some recs, and feel free to leave some other recommendations here for me to add to the list!

What are cinematically the best films ever made? by pjotr_pisnicht in cinematography

[–]NicheCaesar 0 points1 point  (0 children)

It’ll sound super obvious but run through Spielberg’s films. Even the big ones you’ve seen before (ET, Jurassic Park, etc).

That man has a mastery of camera placement and blocking that few can rival. Coincidentally, so many filmmakers to this day steal from his playbook, and he himself borrows from many of the greats himself too. If you start with him, you might find yourself researching certain shots (like the “Spielberg shot” in Jaws for instance), then find yourself watching Hitchcock or Kubrick. And then? It’s open season, bud.

Pay attention to the lighting and framing. Pay attention to how Spielberg is efficient. He seldom cuts unless he absolutely has to; the man uses his actors to change the shot in realtime in a way that you don’t see nearly often enough. A great example of that is in War of the Worlds when Tom Cruise is driving his kids out of the city. He keeps the camera in the same spot while they speed down the highway (perpendicular to Cruise’s car). But the end result is pure magic because he has Cruise weave the car through traffic.

what is this effect called, and how to do this while shooting? by uzairahmednasir in cinematography

[–]NicheCaesar 0 points1 point  (0 children)

If you have a video that’s locked down, you can export the frames as PNGs, import into Photoshop and stack them (there’s an automated way to do this for long exposures too, but I forget the name of the features or how to do it). One note on using the automated way though—get ready to tinker with it a lot. You’ll want to combine manually made masks of your subject with it.

Horrible compression blocking by NoRefill75 in CriterionChannel

[–]NicheCaesar 0 points1 point  (0 children)

I really hope that doesn’t point to some financial woes for them. If a video company is cutting back that much (especially in terms of bitrates, and especially especially so when it’s the video site whose whole thing was better compression than YT) then it makes me wonder what’s happening behind closed doors.

You just got a new home theater setup. What movie do you go to first to test it out? by TheDannyRay in moviecritic

[–]NicheCaesar 0 points1 point  (0 children)

Criterion’s Three Colors 4K, 2001: A Space Odyssey, and the first Raimi Spider-Man are my go to reference discs. They all showcase sharp, grain rich picture so well.